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Supports: ARW
The output extension is .jpeg. If you prefer the shorter .jpg extension, use the sibling ARW to JPG converter — same engine, identical output bytes.
ARW (Alpha RAW) is Sony's proprietary RAW container, introduced with the α100 DSLR in June 2006 and used by every α-series body since. It is TIFF/EP-derived (ISO 12234-2) and stores 12-bit or 14-bit unprocessed sensor data. JPEG (ISO/IEC 10918-1, ratified 1992) is the universal output format every browser, phone, social platform, and printer understands.
| Property | ARW (Sony RAW) | JPEG |
|---|---|---|
| Container | TIFF/EP-derived (ISO 12234-2) | JFIF / Exif (ISO/IEC 10918-1, 1992) |
| Bit depth | 12-bit (older / cRAW) or 14-bit | 8 bits per channel |
| Compression | Uncompressed, lossy cRAW, or lossless (ARW 4.0, 2021+) | Lossy DCT, adjustable quality |
| Typical file size | 30-90 MB (24-61 MP) | 5-25 MB at high quality |
| Editing latitude | Wide dynamic range, full white-balance control | Baked-in exposure & WB; ~3-4 stops usable |
| Browser support | None — needs a decoder | Universal: every browser since the mid-1990s |
| Native opener | Imaging Edge Desktop, Lightroom, Capture One, RawTherapee, darktable | Any OS, any browser, any phone |
| Best for | Editing, archiving the original capture | Sharing, web, print, delivery |
| Preset | Approx. JPEG quality | Use when |
|---|---|---|
| Highest | ~98% | Maximum detail, archival deliverables, large prints |
| Very High (default) | ~95% | Final client galleries, prints, portfolios — visually lossless on most images |
| High | ~85% | Social media, blogs, web galleries — smaller files with no obvious artifacts |
| Medium | ~70% | Email attachments, fast review batches |
| Low | ~50% | Web placeholders, thumbnails |
| Lowest | ~25-30% | Contact sheets where size matters more than fidelity |
If you need a smaller JPEG after converting (for example to fit a Discord 10 MB free-tier attachment), run the output through Compress JPG.
None at the byte level — the JPEG standard allows either extension. Windows historically required three-character extensions, which is why .jpg became dominant; .jpeg is the full standard name and is more common on macOS and Linux. This page produces .jpeg files. If you specifically need .jpg, use the ARW to JPG converter.
Yes. Sony added lossless compression in ARW 4.0 (introduced with the α1 in 2021 and later rolled out to the α7 IV via firmware 1.1 in October 2022 and α7R V at launch). The converter reads all three ARW flavors — uncompressed, lossy cRAW, and lossless compressed — so you do not need to switch the camera back to uncompressed RAW before converting.
The camera LCD shows the in-body JPEG render with your Creative Look / picture profile, sharpening, and noise reduction applied. The converter develops the raw sensor data using a neutral default profile, so colors and contrast may look flatter than the camera preview. The embedded preview JPEG inside the ARW (what the LCD displays) is only a low-resolution thumbnail, not the full image.
Yes. Camera body, lens model, focal length, aperture, shutter speed, ISO, white balance, and GPS coordinates (when recorded) carry over into the JPEG's Exif block. Sony-specific maker-note fields like AF point and focus distance generally do not survive because they are proprietary to the ARW container.
Pixel-shift produces four or sixteen ARW files that must be merged in Imaging Edge Desktop or specialty software before they form a single high-resolution image. This converter treats each ARW individually — merge first in Imaging Edge, export a TIFF, then convert that. The raw burst by itself will not produce the composite output.
JPEG is right for sharing and delivery. Choose PNG when you need lossless 8-bit output and transparency support (rare for photos but useful for product cutouts). Choose TIFF when you need 16-bit depth for further editing without re-introducing JPEG artifacts.
Yes — APS-C bodies write the same ARW container, just at lower resolution (24-26 MP for current APS-C bodies, vs 24-61 MP for full-frame). Conversion behaves identically. For mixed full-frame and APS-C ARWs on one card, resize by percentage rather than fixed pixels if you want proportional output.
Yes. Drop a whole folder of ARWs in one go; every file is converted with the same Quality Preset and resolution settings. Each file is processed individually and is available for separate download or as a single ZIP.
In-camera JPEGs apply Sony's Creative Looks, noise reduction, and sharpening at capture time — fast but irreversible. Converting the ARW later gives you full sensor data to start from, with a neutral render. If you only ever shoot JPEG fine in-camera and never plan to edit, you do not need this tool; it exists for photographers who shoot RAW+JPEG or RAW-only and now need shareable output.