Initializing... drag & drop files here
Supports: AVI
This page captures a still frame from an .avi video and writes it out as Encapsulated PostScript — the .eps files that older print, prepress and desktop-publishing workflows accept as artwork. Two things are worth understanding before you start. First, the video is not converted; a single moment is. Second, a video frame is a grid of pixels, so the result is a raster picture inside a PostScript wrapper, never a set of scalable vector paths. If nothing downstream is specifically demanding .eps, capture the frame as AVI to PNG or AVI to JPG instead — both are simpler, smaller and open everywhere.
.avi onto the page or click "+ Add Files" to browse for it. Several videos can be queued and each is processed with the same settings.12.5 is twelve and a half seconds in). Switch to Multiple Screenshots to sample a frame at a fixed interval instead, from every 0.1 seconds up to every 10 seconds.| Property | Value |
|---|---|
| Full name | Encapsulated PostScript |
| Created by | Adobe, as a constrained form of the PostScript page description language |
| What it can hold | Vector paths, text with fonts, and embedded raster images |
| Identifying header | %!PS-Adobe-3.0 EPSF-3.0 on the first line |
| Required comment | %%BoundingBox, which tells the host document how much space the art occupies |
| Transparency | None — PostScript has no alpha channel; soft transparency needs PDF instead |
| Colour | Grayscale, RGB and CMYK, depending on how the file was produced |
| Status today | Legacy; Adobe still reads and writes EPS but positions PDF as the modern interchange format |
| Still required by | Some prepress RIP workflows, older InDesign and QuarkXPress documents, a few journal submission systems |
The single most common misunderstanding about "video to EPS" is the expectation of a scalable graphic. EPS is a container for PostScript drawing instructions, and it is perfectly capable of holding vector art — but only if the source was vector. A video frame never is. Every frame in an AVI is a fixed grid of samples produced by a codec, so a faithful conversion can only carry those pixels across; turning them into paths would require auto-tracing, which redraws the image and discards photographic detail.
| Target for a video still | Type | Scales cleanly? | Best for |
|---|---|---|---|
| EPS | Raster wrapped in PostScript | No | A pipeline that demands .eps by name |
| PNG | Raster, lossless | No | Screenshots, UI, anything you will edit again |
| JPG | Raster, lossy | No | Smallest file for photographic frames |
| TIFF | Raster, lossless | No | Print submissions and archival stills |
The practical consequence: your quality ceiling is the video. Standard-definition AVI files are typically 720×480 or 720×576 pixels, which is enough for a small figure but not a full page; an HD source at 1280×720 or 1920×1080 gives you more to work with. Choose the highest-resolution source you have before worrying about the output format.
No, and no converter can. EPS is able to hold vector artwork, but a video frame is raster data — a fixed grid of pixels — so the conversion can only carry those pixels into the PostScript wrapper. The result behaves like any bitmap: enlarging it softens the image rather than sharpening it. Turning a photograph into true vector paths requires auto-tracing in a drawing program such as Illustrator or Inkscape, which is a creative re-interpretation, not a format conversion.
Exactly what the video holds, unless you scale it down. Standard-definition AVI is usually 720×480 (NTSC) or 720×576 (PAL); HD sources give 1280×720 or 1920×1080. Keep original captures at that native size, and Resolution Percentage reduces it. Nothing in the pipeline invents detail, so if you need a large print reproduction you need a higher-resolution source video to begin with.
Microsoft turned off EPS image insertion across Office in a 2017 security update, because EPS files can carry embedded PostScript instructions that were being abused in attacks, and it has stayed off in the versions released since. This is a deliberate block, not a fault in your file. If the destination is an Office document, use PNG or JPG — both display natively everywhere in Office.
Because Multiple Screenshots was selected. That mode samples the video at the interval you choose and writes one file per sample, so a long clip produces many outputs and they arrive bundled. For a single image, choose Specific Frame and enter one Time (seconds) value.
No. PostScript has no alpha channel, so an EPS cannot carry soft transparency the way PNG or PDF can — anything transparent has to be flattened against a solid colour. In practice this rarely matters here, because video frames are opaque to begin with. If you need transparency around a captured subject, export to PNG and cut the background out in an image editor.
Only when something insists on it. Adobe still opens and exports EPS, but it treats PDF as the general-purpose interchange format, and most modern layouts accept PDF, PNG or TIFF directly. The format holds on in a few places: PostScript-based prepress at print shops, long-lived InDesign or QuarkXPress documents, and journal submission portals whose figure requirements were written years ago and never revised. If you control the pipeline, skip EPS.
PNG for anything with text, screen content or sharp edges, because it is lossless and universally supported. JPG when the frame is photographic and file size matters. TIFF when the still is going to print or into an archive. All three are single-step captures from the same Frame Selection controls used on this page.
Your AVI is uploaded over an encrypted connection, the frame capture runs on our servers, and both the upload and the output are deleted automatically after a few hours. Nothing is shared or made public, and no account is required. Since only a moment of the video is needed, capture time is short — the upload of a large AVI is the slow part.