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Supports: AVI
Almost everyone who lands on this conversion is trying to feed a video into something old and particular — a DVD-authoring suite, a kiosk, a broadcast ingest folder, or an editing system that only reads MPEG program streams. That is the one case where MPG is the right answer. The short version: if a specific piece of software or hardware asks for .mpg, convert; if you simply want an old AVI to be smaller and to play everywhere, convert it to MP4 instead, because MPG will make the file bigger and slightly softer, not better. Files are uploaded over an encrypted connection, converted on our servers, and deleted automatically a few hours later.
| Property | AVI | MPG (MPEG Program Stream) |
|---|---|---|
| Full name | Audio Video Interleave | MPEG Program Stream |
| Introduced | Microsoft, November 1992, with Video for Windows | MPEG-1 Systems, ISO/IEC 11172-1, published 1993 |
| Defined by | Microsoft's RIFF chunk structure | ISO/IEC 11172-1 and ISO/IEC 13818-1 (also ITU-T H.222.0) |
| Codec policy | Codec-agnostic container | Carries MPEG-1 or MPEG-2 payloads |
| Video in this tool | Source codec, often MPEG-4 ASP (DivX/Xvid) | MPEG-2 by default, MPEG-1 selectable |
| Audio in this tool | Source track | MP2 by default; AC3, DTS (DCA) and MP3 also offered |
| Designed for | Desktop capture, editing and local playback | Reasonably reliable media — discs and local files |
| Broadcast sibling | None | MPEG Transport Stream, for lossy links |
| Where it still matters | Legacy libraries, capture cards, older editors | DVD and Video CD authoring, legacy ingest |
| Native browser playback | No | No |
.mpg or .mpeg — the two extensions describe the same container..mpg natively; AVI to MP4 is the format that does.Both live in the Video Codec dropdown, and the choice is dictated by the destination, not by taste.
| MPEG-1 | MPEG-2 | |
|---|---|---|
| Video standard | ISO/IEC 11172-2 | ISO/IEC 13818-2, also ITU-T H.262 |
| Classic target | Video CD (1993 White Book) | DVD-Video |
| Reference picture size | 352 x 240 NTSC, 352 x 288 PAL | 720 x 480 NTSC, 720 x 576 PAL |
| Reference bitrate | ~1.15 Mbit/s constant on VCD | Up to 9.8 Mbit/s on DVD-Video |
| Interlaced source support | Progressive only | Interlaced and progressive |
| Efficiency at equal quality | Lower | Better |
| Choose it when | A VCD-era player or authoring tool demands it | Anything DVD-related, and as the general default |
.mpg. No sign-up, no watermark.Yes. .mpg and .mpeg are two spellings of the same MPEG program stream container, a leftover from the era when Windows filenames allowed only three-letter extensions. Some tools prefer one spelling, which is the only reason to pick between them; the bytes inside are identical. The related .m2p and .ps extensions describe the same thing too, and DVD's .vob files are program streams with disc-specific structure layered on.
MPEG-2 unless you change it. That is the safer general answer because DVD-Video, most disc-authoring tools and most legacy ingest systems expect MPEG-2 inside a program stream. MPEG-1 is there for Video CD work and for older devices that predate MPEG-2; it is progressive-only and less efficient, so there is no reason to choose it unless something specifically requires it.
It is the right starting point, but the disc format has extra rules your authoring program enforces. DVD-Video allows MPEG-2 video up to 9.8 Mbit/s (or MPEG-1 up to 1.856 Mbit/s) at 720 x 480 for NTSC and 720 x 576 for PAL, so authoring software such as DVDStyler will re-multiplex and may re-encode if your resolution or bitrate falls outside those bounds. Conforming the picture size with Preset Resolutions before you convert saves the program that extra pass.
DVD-Video permits PCM, Dolby Digital (AC-3), DTS and MPEG-1 Audio Layer II, and PAL-region releases must carry at least one track in PCM, MP2 or AC-3. MP2 — the default here — is the safe, spec-native choice, and AC3 is the safer bet if the disc is aimed at NTSC-region players. Note that MP3, though offered in the dropdown, is not a DVD-Video audio format, so avoid it for anything disc-bound.
Yes, some. The server always re-encodes, and MPG can only carry MPEG-1 or MPEG-2 video, so whatever sits inside your AVI — usually MPEG-4 ASP, sometimes H.264 — is decoded and re-compressed with an older, less capable codec. Keeping the source resolution and frame rate and choosing a high Quality Preset or a generous bitrate keeps the damage small; shrinking the picture and squeezing to a small target file size in the same pass is what makes it obvious.
Because MPEG-2 needs more bits than the codec you started with to reach the same picture quality. That efficiency gap is the whole reason MPEG-4 and then H.264 replaced it. If the growth is a problem and the destination is not a disc, that is a strong sign MPG is the wrong target — AVI to MP4 will be smaller than both.
Yes, MPG to AVI runs the other direction, but understand that it is a fresh re-encode rather than a recovery. Detail lost on the way into MPEG-2 does not come back, so round-tripping AVI to MPG and back is always slightly worse than the original. Keep your source AVI if it still has any archival value.
Your AVI is uploaded over an encrypted connection and converted on our servers; the upload and the finished MPG are both deleted automatically a few hours later. There is no sign-up, no watermark, and files are never shared or made public. With MPEG-2 output being on the large side, the practical thing to plan around is upload and download time rather than anything on our end.