Initializing... drag & drop files here
Supports: BMP
frame_00001.bmp through frame_NNNNN.bmp) captured from a microscope, simulation, or legacy industrial camera. The Merge Type control combines all files into one AVI or emits a separate AVI per BMP..avi — no sign-up, no watermark, no cap on the number of input bitmaps. Drop the file on a FAT32 USB stick or burn to DVD-R as a data disc for a certified DivX/Xvid player.BMP (Windows Bitmap) is the uncompressed raster format Microsoft introduced in 1985 — every pixel stored verbatim, no DCT, no palette tricks unless asked for. AVI (Audio Video Interleave) is the container Microsoft introduced in 1992 alongside Video for Windows. Both are first-party Microsoft formats with deep roots in Windows tooling, which is exactly why scientific instruments, legacy CAD pipelines, and old screen-capture utilities still emit BMP sequences and target AVI on the way out — the tooling already exists, the certified hardware already plays AVI, and the workflow predates H.264. Common reasons to wrap a BMP sequence into an AVI:
.avi to a DVD-R as data and the player reads it like any DivX disc — useful for relatives' setups or basement home theaters that won't accept an MP4..avi files. A BMP slideshow at 4 seconds per slide becomes a Xvid AVI that plays on the dashboard screen.If you want a modern container instead of AVI, see BMP to MP4; for a generic image-to-video flow with format choice, see BMP to video; to extract bitmaps back out of a finished video, see video to BMP.
| Property | BMP (Windows Bitmap) | AVI (Audio Video Interleave) |
|---|---|---|
| Media type | Still image (uncompressed) | Video container |
| Typical codec | None (raw pixel data) or RLE | Xvid / DivX / MPEG-4 / H.264 / MJPEG / HuffYUV |
| Audio support | No | Yes (MP3, AC-3, PCM, WMA) |
| Frame count | 1 | Many (1 → thousands) |
| Time dimension | None | Has duration, frame rate, image duration |
| File size (typical 4K image) | 30-50 MB per bitmap | ~30-100 KB per equivalent frame at Xvid 2 Mbps |
| Year introduced | 1985 (Windows 1.0) | 1992 (Video for Windows) |
| Maker | Microsoft | Microsoft |
| Certified hardware playback | None | DivX/Xvid-certified players (2003-2015) |
| Modern phone / smart TV native | Viewers required | Limited — most modern devices prefer MP4 |
| Codec | Best for | Quality control | Notes |
|---|---|---|---|
| Xvid (default) | DivX/Xvid-certified DVD players, car head units | QSCALE 1-31, target bitrate | Open-source MPEG-4 ASP, broadest legacy hardware match |
| DivX | Existing DivX-certified library consistency | QSCALE 1-31, target bitrate | Same MPEG-4 ASP profile, vendor-flagged |
| MPEG-4 (Part 2) | Pre-2004 certified devices, baseline profile | QSCALE 1-31 | Drop here if Xvid/DivX flags trip the firmware |
| MSMPEG4 | Windows Media-era hardware, WMP playlists | QSCALE 1-31 | Microsoft's MPEG-4 v2/v3 variant |
| H.264 | Modern PCs that accept AVI but want better compression | CRF 0-51 (18-23 sweet spot) | Smaller file, but most certified DVD players reject it |
| H.265 / HEVC | Archival on a modern decoder, half the size of H.264 | CRF 0-51 | Avoid for legacy hardware — no support |
| MJPEG | Frame-accurate scientific review, edit-friendly | QSCALE 1-31 | Intra-frame only, big files, no temporal artifacts |
| HuffYUV | Visually lossless lab archival of BMP captures | (lossless) | Bit-exact decode for measurement work |
| Use case | Image duration | Effective frame rate |
|---|---|---|
| Slow photo / document slideshow | 4-8 seconds per image | 0.125-0.25 fps |
| Standard slideshow (presentations, signage loops) | 2-4 seconds per image | 0.25-0.5 fps |
| Quick montage / promo style | 1 second per image | 1 fps |
| Stop-motion animation | 1/10 - 1/15 second per frame | 10-15 fps |
| Cinematic timelapse | 1/24 second per frame | 24 fps |
| Microscope / lab capture playback | 1/30 second per frame | 30 fps |
| High-frame-rate scientific or game capture | 1/60 second per frame | 60 fps |
AVI is the right answer in exactly one situation: the playback target is hardware that wants AVI. DivX/Xvid-certified DVD players, set-top boxes, and car DVD systems made between 2003 and 2015 have an MPEG-4 ASP decoder chip and scan only .avi files on a FAT32 stick or DVD-R. Windows XP-era HTPCs and many Windows Media-era playlist tools also default to AVI. For phones, modern smart TVs, social platforms, and the open web, BMP to MP4 produces a smaller file at the same visual quality and plays everywhere without a codec pack.
DivX-certified hardware decodes Xvid, DivX, and plain MPEG-4 (Part 2) — the certification covers the shared MPEG-4 ASP profile. Pick Xvid for new conversions when you want an open-source encoder. Pick DivX when you're matching an existing DivX library and want consistent profile flags (QPEL, GMC). Drop down to MPEG-4 baseline for pre-2004 certified devices that reject Xvid/DivX-flagged streams.
Yes — the AVI container is codec-agnostic, so H.264 and H.265 streams are valid inside it, and modern PC players (VLC, MPC-HC) decode them without issue. The catch is that almost no DivX/Xvid-certified DVD player or car head unit accepts H.264-in-AVI; if certified hardware is the target, stay on Xvid/DivX/MPEG-4. If the target is just a modern PC, BMP to MP4 is the more standard wrapper for H.264/H.265.
Output duration = number of images × image duration. 60 BMPs at 4 seconds each = 240 seconds (4 minutes). 1,800 microscope frames at 1/30 second = 60 seconds. The setting is per-image and applied uniformly to every BMP in the upload list, so plan duration around the total frame count.
Yes — BMPs appear in the AVI in the order they're listed on the upload screen (typically alphabetical by filename). Numbered sequences like frame_00001.bmp through frame_00500.bmp sort correctly without manual reordering. Drag rows to reorder before clicking Convert if you need a different sequence.
Each frame is scaled to fit the chosen output resolution while preserving its source aspect ratio. Empty space is filled with the background color (letterbox for tall sources in a wide frame, pillarbox for wide sources in a tall frame). For consistent results without padding, resize BMP all images to the same dimensions first, or pick the Original resolution preset to keep each bitmap's native size.
A 720×576 Xvid AVI at 2000 kbps lands roughly 900 MB per hour of runtime — two hours fits inside a 4.7 GB DVD-R with room for a second feature. 1280×720 at 4000 kbps lands roughly 1.8 GB per hour. Format USB sticks as FAT32 (most certified players reject exFAT and NTFS), keep filenames under 64 characters, and stick to ASCII for older firmware.
Stay inside the device's DivX profile. Most 2003-2008 certified DVD players cap at 720×576 (PAL) or 720×480 (NTSC) — pick the matching preset. 2008-2012 certified TVs and head units handle up to 1280×720. DivX Plus HD certified TVs (2010+) handle 1920×1080. Going above the profile produces a file the player either rejects or stutters on.
The converter produces a silent .avi from BMP input — bitmaps carry no audio, so there's no source track to encode. The Audio Codec setting (MP3, AC-3, PCM) is exposed so the AVI is ready to accept a track when one is added; convert here first, then layer in music with merge it with a video editor (DaVinci Resolve, Shotcut, CapCut, Adobe Premiere).