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Supports: BMP
This converter takes a still BMP bitmap and wraps it in an Apple QuickTime (MOV) container as a single motionless frame held on screen for a duration you choose. There is no motion and no audio — the output is a fixed-length still-image clip you can drop onto a video timeline as a slate, title card, or placeholder.
The whole point of this conversion is the Duration control, because a single bitmap has no inherent length — you are telling the encoder how many seconds to hold that one frame. The MOV that comes out is a normal H.264-in-QuickTime video, so it scrubs, trims, and drops onto a Final Cut, Premiere, or DaVinci Resolve timeline like any other clip.
If you only wanted a smaller or more portable picture — not a video clip — converting to a video is the wrong move; convert the bitmap to a lighter image format with BMP to PNG instead. If you need a still-image clip but your editor or upload target prefers a more universally compatible container, the same process works with BMP to MP4. And if you have a folder of bitmaps you want to play one after another as a slideshow with motion between them, that requires an image-sequence or slideshow workflow in a video editor rather than a single-file conversion here.
Because a BMP is a single static bitmap with no audio track and no sequence of frames. The conversion holds that one image on screen for the duration you set, producing a fixed-length still clip. Sound and motion have to be added afterward in a video editor — there is nothing in the source file to carry them.
Exactly as long as the Duration you choose, which defaults to 5 seconds per frame and can be set anywhere from a fraction of a second up to 10 seconds per image. If you upload several bitmaps with one duration applied, each becomes its own clip of that length.
The MOV container holds an H.264 video stream by default. QuickTime (MOV) was created by Apple and later became the basis for the MP4 / ISO base media file format, so H.264-in-MOV plays in QuickTime Player, Final Cut, Premiere, DaVinci Resolve, and modern browsers and players on both macOS and Windows.
BMP is an uncompressed, lossless raster format, while H.264 video is lossy, so the encoded frame is not a byte-for-byte copy. In our testing the difference is hard to spot at the Very High preset for a typical slate or title card; if you need pixel-exact fidelity, keep the still as an image (PNG) rather than encoding it to video.
Yes. Set a Resolution preset (for example 1920×1080) to match your timeline, and the Background Color — black by default — fills any letterbox or pillarbox bars left when your bitmap's aspect ratio differs from the chosen frame. Or keep the original dimensions if you'd rather scale inside your editor.
Yes — files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up, no watermark, and your files are never shared or made public.