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Supports: DCR
DCR (Digital Camera Raw) is Kodak's proprietary RAW format, introduced with the early DCS digital backs and used by every Kodak professional DSLR — the DCS 460, DCS 660, DCS 720x, DCS 760, the full-frame DCS Pro 14n (2002), the Nikon-mount DCS Pro SLR/n (2004), and the Canon-mount DCS Pro SLR/c. These cameras stopped shipping when Kodak exited the DSLR business in 2005, so most photographers working with DCR files today are pulling from old archives, estate collections, scientific imaging libraries, or museum digitisation projects. DCR uses a TIFF-based container, holds the unprocessed sensor data losslessly, and requires legacy Kodak Photo Desk / DCS Photo Desk software, Adobe Camera Raw (older versions still recognise it), RawTherapee, darktable, or libraw-based tools to open. PNG is a universal lossless raster format — opens in every browser, OS, image viewer, and editor without extra plugins. Common reasons people convert DCR → PNG:
| Property | DCR (Kodak RAW) | PNG |
|---|---|---|
| Compression | Lossless (Kodak proprietary, TIFF-based) | Lossless (Deflate/zlib) |
| Color depth | 12-bit per channel sensor data | 8-bit or 16-bit per channel |
| Typical file size (14MP DCS Pro 14n) | 13-25 MB | 20-60 MB (8-bit) / 40-110 MB (16-bit) |
| Editing latitude | Wide — full white balance and exposure recovery | Narrow — already demosaiced |
| Native viewer | Kodak DCS Photo Desk, older ACR, RawTherapee, darktable, libraw | Every browser, OS, phone, image viewer |
| Transparency / alpha | No | Yes (PNG-32 with alpha channel) |
| EXIF metadata | Full (camera body, lens, ISO, white balance) | Preserved on conversion |
| Status | Discontinued — Kodak exited DSLRs in 2005 | Active ISO/W3C standard |
| Best for | Archive originals, future re-edits | Sharing, web, editing, long-term preservation |
| Setting | Output | When to use |
|---|---|---|
| Highest, 16-bit | Largest file, full tonal range from sensor | Archival masters, fine-art reproduction, museum preservation |
| Very High (default), 8-bit | Crisp lossless PNG at sane file size | General sharing, editing handoff, web at full resolution |
| High, 8-bit | Mid-range PNG | Blog posts, portfolio galleries, family sharing |
| Medium, 8-bit | Smaller PNG | Social media, contact sheets, email attachments |
| Low / Very Low, 8-bit | Lightweight PNG | Thumbnail proofs, quick previews, document insertion |
PNG is lossless — every pixel from the demosaiced DCR is preserved exactly, with no DCT compression artifacts. JPG would re-compress the image and discard data permanently. If you're handing off a Kodak DCS shot for editing, archiving a museum scan, or want one final master file you can open anywhere without quality loss, PNG is the right pick. If you only need a small file for email or social media and don't care about pixel-level fidelity, see DCR to JPG instead.
DCR was Kodak's RAW format across the professional DCS line: the early DCS 400 / 600 / 700 series digital backs (DCS 420, 460, 620, 660, 720x, 760), then the standalone DSLRs — DCS Pro 14n (2002, 13.89MP full-frame, Nikon F-mount), DCS Pro SLR/n (2004, Nikon F-mount), and DCS Pro SLR/c (2004, Canon EF-mount on a Sigma body). Kodak exited the DSLR business in 2005, so no body made after that uses .DCR. If your file is from a Kodak EasyShare or other consumer Kodak camera, it's almost certainly JPG, not DCR.
Yes — EXIF data carries from the DCR into the PNG output where the PNG spec supports it (camera body, lens, shutter speed, aperture, ISO, focal length, capture timestamp). PNG's metadata model is more limited than JPEG's, but the core shooting data is retained as text chunks. If a downstream tool needs the original full EXIF, keep your DCR master alongside the PNG — never discard the RAW.
Pick 8-bit unless you have a specific reason for 16-bit. 8-bit PNG (24-bit color total) is what every browser, viewer, and editor expects and gives you the smallest file. 16-bit PNG (48-bit color total) preserves more of the 12-bit Kodak sensor data and is useful for archival masters, scientific imaging, or workflows that re-edit the PNG with curves and levels later. Most modern tools (Photoshop, Affinity, GIMP, ImageMagick, RawTherapee) support 16-bit PNG; older or lighter viewers may not.
Yes — always. DCR is the digital negative with the full 12-bit sensor data, white balance freedom, and exposure recovery latitude. Once you discard it, you lose the ability to re-process the shot with newer demosaicing, fix highlights, or pull a different rendering. PNG is excellent for delivery and viewing, but treat it as the print, not the negative. Back up the DCR files to a cold archive (external drive, Backblaze, iDrive).
This is normal. DCR is single-channel sensor data (one value per photosite, before demosaicing) wrapped in a compressed TIFF container. PNG stores the full demosaiced RGB image — three channels of color per pixel — so even with Deflate compression the file is bigger. A 14MP DCR around 18 MB typically becomes a 20-50 MB 8-bit PNG or a 40-100 MB 16-bit PNG depending on image content. If size matters more than losslessness, convert to JPG or WebP instead.
Yes — drop in 50, 200, or 1,000+ DCR files. Each converts in parallel within your browser session and downloads as a ZIP. Useful for studios migrating early-2000s Kodak DSLR archives, or for museum and library teams cleaning up legacy holdings. Files don't upload to a server, so even a 30 GB DCR folder stays private.
Same workflow applies. See NEF to PNG for Nikon DSLRs (the DCS Pro 14n / SLR/n shared a Nikon body, so this is a natural neighbor), CR2 to PNG for older Canon DSLRs (relevant for the SLR/c crowd), DNG to PNG for Adobe / phone DNG, and RAF to PNG for Fujifilm X-series. The math is the same: RAW master → PNG lossless delivery.
There's no fixed cap from this tool — DCR files from Kodak DSLRs are typically 13-25 MB each, well within browser memory. The practical limit is your device's RAM when batch-converting a very large folder. On a modern laptop, a few hundred DCR files at a time is comfortable; on older or low-memory hardware, work in batches of 50-100.