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Supports: DIVX
This converter grabs a single frame from your DivX video and writes it into an EPS (Encapsulated PostScript) file, so you can drop a video still straight into InDesign, Illustrator, or a LaTeX print layout. One important thing to know up front: the EPS holds the captured frame as an embedded raster (bitmap) inside a PostScript wrapper — it does not trace your pixels into scalable vector paths. This page walks you through picking the right frame, choosing a print resolution, and the cases where EPS is the wrong target.
.divx file onto the page or click "+ Add Files" to browse. You can queue several clips and convert them with the same settings.2.100 captures the frame at 2.1 seconds).DivX is a lossy MPEG-4 Part 2 video (usually wrapped in an AVI container), so the still you extract is only as sharp as the source footage — there is no detail to recover that the codec already threw away. The two controls that matter most are which frame you grab and at what DPI you write it.
12.5 lands on 12.5 seconds. Scrub your video in a player first to find the timestamp you want.For EPS output the resolution-preset and width/height controls are intentionally hidden, because the frame is embedded at its native pixel dimensions and scaled by the DPI you choose.
Time (seconds) value past the end of the clip, or landing on a fade/transition, yields a blank or off frame. Re-check the timestamp in a player and convert again.If the goal is a clean, editable vector logo or line art, a frame grab cannot deliver it — EPS here wraps a bitmap, and turning a photographic frame into true vector paths requires a manual or AI trace in Illustrator, not a format conversion. Likewise, DivX files that are corrupted or DRM-protected may not decode at all. And because EPS is a legacy print format that modern tools increasingly replace with PDF or SVG, confirm your downstream workflow actually requires EPS before committing to it.
It is a raster image embedded inside a PostScript (EPS) wrapper. Grabbing a frame from a video captures pixels, and those pixels are stored as a bitmap; the conversion does not trace them into scalable vector paths. The file behaves like a bitmap when scaled.
By default it captures a specific frame at the time you set in Time (seconds), which starts at 0 (the first frame). Change the value to target any moment, or switch to Multiple Screenshots to capture several frames across the clip at your chosen Capture Rate.
300 DPI is the standard for print and is the recommended default here. Higher values (up to 1200 DPI) give more room to enlarge the embedded image before it softens, at the cost of a larger file; 72–150 DPI is adequate for on-screen proofs.
Microsoft turned off EPS insertion in Office by default with the April 2017 security update and removed the registry workaround for Microsoft 365 and Office 2019 in May 2018, citing the risk of embedded scripts in EPS files. EPS still works in print applications such as InDesign and Illustrator; for Office, convert the frame to PNG or JPG instead.
The captured still can only be as sharp as the DivX source, which is a lossy video codec. The frame grab itself does not add visible loss at a high DPI, but it cannot restore detail the video codec already discarded. For the cleanest possible still, start from the highest-quality source clip you have.
Yes. Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours. There is no sign-up, no watermark, and files are never shared or made public. In our testing, a single-frame EPS exported from a 720p DivX clip at 300 DPI is typically a few hundred kilobytes to a couple of megabytes, depending on how detailed the frame is.