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Supports: DIVX
This converter decodes the MPEG-4 Part 2 video in your DivX file and re-encodes it with H.265 (HEVC), writing a raw .hevc elementary stream — just the compressed picture data (Annex B NAL units), with no container around it. Read the next two cards before you start: a raw stream carries no audio track, and it won't open in most ordinary players, so this output is meant for encoding pipelines, codec testing, or muxing into MP4/MKV later. If your goal is a smaller, playable H.265 video that keeps the soundtrack, convert to a container instead — see the routing note below.
.hevc Is Not a Normal Video File, and HEVC Won't Improve a DivX SourceTwo things about this conversion catch people off guard:
.hevc file is a bare H.265 elementary stream — each NAL unit prefixed with the 0x000001 start code, no container. It holds one kind of data: video. The MP3 or AC-3 soundtrack a DivX/AVI usually carries has nowhere to live in a raw stream, so it is not present in the output.Most people who search "DivX to H.265" actually want H.265 inside a playable container. If that's you, use DivX to MP4 or DivX to MKV, select H.265 in the codec dropdown, and you get a single file that keeps the audio and plays on modern devices. Pick the raw .hevc output only when a downstream tool specifically needs the elementary stream.
.divx (or DivX-in-AVI) file onto the page, or click "+ Add Files" to browse. Several files can be queued and re-encoded with the same settings..hevc output. Use the Quality Preset (the dropdown defaults to "Very High") for a one-click result, or open Constant Quality to set an explicit CRF when you're testing encoder behaviour..hevc stream. No sign-up, no watermark.The File Compression section offers several rate-control modes. Because you're feeding it an old, already-lossy DivX encode, the goal is to match the source quality at a smaller size — not to over-spend bits trying to "restore" it:
Combining an aggressive Specific file size target with a resolution downscale is where quality collapses fastest on already-degraded footage, so change one variable at a time. Expect HEVC to encode noticeably slower than the original DivX did — H.265 spends far more analysis per frame, so a large DivX library can take a while.
.hevc stream has no audio. Use DivX to MP4 instead if you need the MP3/AC-3 soundtrack preserved.ffmpeg -f hevc -i in.hevc -c copy out.mp4) or convert to MP4/MKV from the start.DRM-protected or corrupted DivX files can't be re-encoded — the converter needs a readable video stream. If you have the original master (a DVD/Blu-ray rip or camera file) rather than the DivX intermediate, encode from that instead; you'll never recover the detail the DivX pass already threw away. And if your real goal is a shareable, playable H.265 video for a person or device rather than an elementary stream for a pipeline, skip this page and use DivX to MP4 or DivX to MKV with the H.265 codec selected — both keep the audio and play on modern devices.
Because .hevc is a raw video elementary stream, not a container. It holds only the H.265-encoded picture data, so there is nowhere to store the MP3 or AC-3 soundtrack a DivX/AVI usually carries. If you need the sound, convert to a container format such as MP4 or MKV instead, where video and audio coexist — see DivX to MP4.
It won't look better — this is a lossy-to-lossy re-encode, so HEVC can match the DivX source at a much smaller size but cannot add back detail the original DivX pass already discarded. DivX is MPEG-4 Part 2 from the early 2000s, designed for fitting movies onto a CD, so the source is already degraded; the honest outcome is "same picture, smaller file." On size, HEVC (ITU-T H.265 / ISO/IEC 23008-2, 2013) was designed for roughly 25-50% better compression than H.264, and the gap over the MPEG-4 ASP that DivX uses is larger still. In our testing, an early-2000s DivX AVI re-encoded at CRF 24 produced a markedly smaller H.265 stream at visually comparable quality, though the exact ratio depends on the clip — heavily compressed, blocky sources shrink less because the artifacts themselves are expensive to encode.
FFmpeg-based players like VLC and mpv can usually decode a raw H.265 stream, and developer tools such as GPAC or an HEVC stream analyzer are built for it. Consumer players — phones, smart TVs, QuickTime, most browsers — generally cannot, because they expect a container. To play the result anywhere, mux it into MP4 with ffmpeg -f hevc -i video.hevc -c copy video.mp4.
HEVC analyses each frame far more thoroughly than DivX's MPEG-4 ASP — larger, variable-size coding blocks, more prediction modes, and more motion search — which is exactly what buys the better compression. The trade-off is encoding time: a large DivX library can take a while to re-encode to H.265. HEVC is also patent-encumbered (multiple royalty pools), which is part of why playback support stayed patchier than H.264 for years.
If you want a playable file for a person or device, choose DivX to MP4 (or DivX to MKV) and set the codec to H.265 — you keep the audio and it plays on essentially any modern HEVC-capable device. Choose the raw .hevc stream here only when a downstream tool specifically expects an elementary stream, such as a muxing step, a hardware-encoder test, or codec conformance work. For universal playback regardless of device, DivX to MP4 with H.264 is the safest pick.
No. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up, no watermark, and files are never shared or made public.