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Supports: DNG
DNG is a still photograph — Adobe's Digital Negative, a raw sensor file — and 3GP is a mobile video container, so this is not a like-for-like swap. The converter turns your still into a short silent video clip that holds that single frame on screen. This walk-through covers the upload, how long to hold each frame, which codec and frame size a 3GP player will actually accept, and the two limits that surprise people: there is no audio, and there is no bitrate control on an image-to-video page.
.dng onto the page, or click "+ Add Files" to browse. Queue several stills if you want, then use Merge strategy — "Merge images" (the default) builds one combined clip, "Video per image" writes a separate 3GP for each file.Image Duration is the decision that matters most, because a 3GP built from one photo is simply that frame held on screen. A short hold makes a tiny file that flashes past; a long hold makes something you can actually look at. Pick by purpose:
Video resolution is the second lever, and there is a hard ceiling worth knowing about. Before encoding, each still is normalised to a clean PNG and clamped to 4,096 pixels on its longest edge — so a 6,000-pixel-wide raw file is downscaled even when you leave the mode on "Keep original". Since 3GP was designed for 3G-era phone screens, you will usually want to go much smaller than that anyway: pick a Preset or Fixed Resolution that matches the target device rather than shipping a 4K-ish frame in a mobile container.
Background Color only becomes visible when the still's aspect ratio does not match the video frame you asked for. In that case the encoder pads the difference and fills the bars with this color, which defaults to White; the dropdown offers Black and roughly two dozen other named colors. If you leave Video resolution on "Keep original", the frame matches the photo exactly, there are no bars, and the setting has no visible effect.
One thing you will not find on this page: bitrate and file-size modes. Image-to-video conversions expose Quality Preset (starting on "Very High (Recommended)"), Constant Quality, and Constraint Quality only — no Constant Bitrate, no Variable Bitrate, no target-size control. If the output is too large, shorten the duration or drop the resolution instead of hunting for a bitrate box.
| Property | DNG (source) | 3GP (output) |
|---|---|---|
| What it is | A raw still image — Adobe Digital Negative | A mobile video container from 3GPP |
| Introduced | Announced by Adobe on 27 September 2004, with specification 1.0.0.0 | Defined by 3GPP for 3G mobile handsets (TS 26.244) |
| Built on | TIFF/EP, the ISO raw-image standard ISO 12234-2 | The ISO base media file format, the same lineage as MP4 |
| Bit depth | Typically 12–14 bits per channel straight off the sensor | 8 bits per channel, like all consumer video |
| Compression | Lossless by default in most raw workflows | Lossy inter-frame video compression |
| Audio | None — it is a photograph | Supported by the format, but not produced here |
| Editability | Full raw latitude: exposure, white balance, highlight recovery | Baked in; what you see is what you get |
| MIME type | image/x-adobe-dng |
video/3gpp |
| Browser playback | None natively | Per MDN, effectively limited to Firefox for Android |
| Codec | Era | Frame sizes it suits | Pick it when |
|---|---|---|---|
| H.264 (default) | 2003 onward | QVGA up to HD | Any device made in the last fifteen years that opens 3GP at all |
| H.263 | 1996 | QCIF (176×144), CIF (352×288) | The target is a genuinely old 3G handset that predates H.264 |
| MPEG-4 Part 2 | 1999 | QVGA to VGA | A player accepts "MPEG-4 simple profile" but chokes on H.264 |
| Xvid | 2001 | QVGA to VGA | A specific tool asks for an Xvid-branded MPEG-4 stream |
If your DNG files came out of a raw-video workflow — Magic Lantern, CinemaDNG, or a drone that dumps a stack of numbered .dng frames — be aware that each upload here is treated as an independent still, not as sequential motion. Merging them produces a slideshow at the duration you chose, not the original footage at its original frame rate. For that, sequence the stack in a video editor or a dedicated raw-video tool. And if what you actually wanted was the picture on a phone or a website rather than a video of it, skip the conversion entirely: a still format from the DNG converter is smaller, sharper, and vastly better supported.
Because 3GP is a video container and has no way to store a still image on its own. The conversion therefore builds the shortest sensible video: your single frame, held for the duration you choose. If you wanted a viewable picture rather than a clip, convert the DNG to JPG, PNG, or TIFF instead — those are still-image targets and preserve far more of the raw file's detail.
No. A DNG carries no audio, so the encoder writes a video-only file and the Audio Codec control is hidden on this page entirely. That is a deliberate consequence of the source, not a limitation you can toggle off. Add audio in a video editor after the fact if the clip needs it.
No. The 12–14 bits per channel that make a raw file worth shooting are compressed into 8-bit video, and any non-destructive adjustments stored as metadata — exposure, white balance, curve, lens corrections — are not applied. What lands in the 3GP is a straightforward rendering of the sensor data. For anything where image quality is the point, convert to a still format.
H.264, which every device that still opens 3GP will handle. The 3GPP file format also permits H.263 and MPEG-4 Part 2, both selectable under Video Codec, and those are the right choice only when you are targeting a genuinely old handset. Per MDN's container guide the format additionally allows VP8, but the codec choices offered on this page are H.264, H.263, MPEG-4, and Xvid.
Two reasons stack up. First, every still is normalised to a maximum of 4,096 pixels on its long edge before encoding, so a large raw file is already downscaled at that point. Second, 3GP was designed for 3G-era phone screens, and picking a small resolution preset shrinks it much further. Choose a larger Video resolution, or accept that a mobile video container is the wrong home for a high-megapixel photograph.
Yes. Upload them all in one go, leave Merge strategy on "Merge images", and set the Duration you want each still to hold. Switching to "Video per image" does the opposite: one separate 3GP per file. Note that the ordering follows the uploaded files, so name them sequentially if the sequence matters.
Because image-to-video conversions hide those modes. A still image encoded as video has no motion to model, so bitrate and target-size controls would be misleading — the encoder is not making the frame-by-frame decisions those controls are designed to influence. You get Quality Preset, Constant Quality, and Constraint Quality; to change the file size, change the duration or the resolution.
Yes. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours. There is no sign-up, no watermark on the output, and files are never shared or made public. Raw files are large, so the upload is usually the slowest part of the job — a 3GP built from one still encodes very quickly once the file arrives.