Initializing... drag & drop files here
Supports: EPS
This guide is for anyone who needs an EPS logo or illustration as a QuickTime clip they can drop onto a video timeline. Be clear on what you get first: EPS is a static vector graphic, so the result is a single motionless frame held on screen for a set duration — a still-image clip with no motion and no audio, not an animation.
.eps onto the page or click "+ Add Files." You can add several at once; each is processed with the same settings..mov. No sign-up, no watermark.Two things happen in this conversion, and understanding both saves you from a blurry result.
First, the vector is rasterized. EPS describes artwork as math — paths, curves, and fills that stay sharp at any size. A video frame is the opposite: a fixed grid of pixels. So the converter flattens your EPS to a still bitmap at the resolution you choose, and from that point on it is no longer scalable. Pick the size you actually need up front:
Second, that still is held for a duration. A video needs a length, so the single frame is repeated for the time you set under Duration (1/60 second up to 10 seconds). For a logo card you will usually want 3-5 seconds so it reads comfortably; Apple's Final Cut Pro, for comparison, defaults new still images to 4 seconds. There is no audio track in the output — the clip is silent by design.
This conversion is the right tool for a static logo or illustration clip. It is the wrong tool if you expected motion: EPS holds no animation, so the MOV cannot move on its own. If you need a moving logo, animate it inside your video editor after dropping in this still clip. If you need transparency preserved end-to-end (for overlays), a flat MOV frame won't carry an alpha channel — render with an alpha-capable codec in your editor instead. And if you only need the picture, not a video at all, convert EPS to PNG for a plain raster image. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.
No. MOV is a pixel-based video format, so the vector is rasterized into a fixed grid of pixels at the resolution you choose. After that it behaves like any bitmap — sharp at its native size, soft if enlarged. Pick a resolution at least as large as where the clip will be used.
No. A single EPS image has no audio, and the converter does not add any, so the output is a silent video. You can add a soundtrack later in your video editor if you need one.
As long as you set under Duration — from a single frame (1/60s) up to 10 seconds, with 5 seconds as the default. The same still frame is held for that entire length; the clip does not animate.
The output is a QuickTime (.mov) container, the format Apple released in 1991 and which the ISO later adopted as the basis for the MP4 container. The video stream is H.264 by default, which plays in QuickTime Player, Final Cut Pro, iMovie, and virtually every modern editor on macOS and Windows.
A timeline expects video clips, not vector files — most editors can't import EPS directly. In our testing, exporting a logo as a short MOV at 1920×1080 dropped straight onto a Final Cut Pro or Premiere timeline with no further conversion, which is faster than rasterizing by hand each time.
Not in a standard MOV frame, which has no alpha channel — transparency is flattened onto the Background Color you choose. If you need the logo to overlay other footage with a see-through background, render an alpha-capable codec inside your editor after importing this clip, or use a PNG which does preserve transparency for still use.