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Supports: EPS
EPS (Encapsulated PostScript) is a single self-contained vector graphic written in PostScript drawing code; MOV is Apple's QuickTime File Format, a time-based media container. Converting between them means rendering the artwork once onto a fixed pixel grid and wrapping that frame in a QuickTime movie — useful when an editor, a signage player or a Mac-centric workflow will only accept a video file. This page documents both formats, what the conversion preserves, and the exact settings the tool exposes.
| Property | Value |
|---|---|
| Full name | Encapsulated PostScript |
| Origin | Developed as early as 1987 by Adobe founders John Warnock and Chuck Geschke, with Aldus |
| Underlying technology | PostScript page-description code — paths, curves, fills, text |
| Content model | One self-contained graphic, bounded by a %%BoundingBox DSC comment |
| Optional preview | A raster preview may be embedded in the header, usually TIFF-encoded (occasionally WMF) |
| Colour | Frequently CMYK, because EPS is a print-workflow format |
| Rendering requirement | Needs a PostScript interpreter; Microsoft turned off EPS image support in Office in April 2017 (last workaround removed May 2018) over embedded-script security concerns |
| Best for | Print and prepress master artwork, logos handed over by designers |
| Property | Value |
|---|---|
| Full name | QuickTime File Format |
| Origin | Apple, introduced December 2, 1991; the specification was published publicly on March 1, 2001 |
| Standards lineage | The 2001 QuickTime specification became the basis for MP4 (MPEG-4 Part 14, ISO/IEC 14496-14:2003), later generalised into the ISO Base Media File Format (ISO/IEC 14496-12:2004) |
| Structure | Atom/box-based container holding one or more time-based tracks |
| File extensions | .mov, .qt |
| Codec carried here | H.264 by default; H.265, MPEG-4, MJPEG, HuffYUV and legacy codecs are selectable |
| Audio in this conversion | None — a still image has no audio to carry over |
| Best for | Apple-native editing (Final Cut Pro, QuickTime Player), handing media to macOS/iOS tooling |
.eps onto the page or click "+ Add Files" to browse. Several files can be queued and converted with the same settings..mov. Files upload over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours — no sign-up, no watermark.The output is a silent, motionless clip: one rendered frame held for the duration you chose. Because the input is a still image rather than a video stream, the File Compression group offers only Quality Preset, Constant Quality and Constraint Quality — the target-file-size and bitrate modes that appear on video-to-video pages are hidden, since there is no source bitrate to scale against. Our pipeline normalises the uploaded artwork to a clean PNG capped at 4096 px on the long edge before encoding, so the practical ceiling on frame detail is the resolution you select, not the vector's theoretical infinity.
Transparency does not survive: the Background Color you pick is painted behind the artwork, and the same colour fills the padding when your chosen resolution has a different aspect ratio from the graphic. There is no keep-transparent option for video targets on this page.
No, and it cannot be. EPS describes artwork as PostScript paths that redraw at any size; a QuickTime movie stores encoded pixels. The vector is rendered once at the resolution you choose and then compressed by the selected codec, so the file loses both scalability and — at anything other than the highest quality settings — a little fine detail. Keep the .eps as your master, and use EPS to SVG or EPS to PDF if what you actually need is a scalable file.
H.264 by default. Under Show All Options the Video Codec list for a MOV target also offers H.265, MPEG-4, MS MPEG-4, Xvid, DivX, MPEG-1, MPEG-2, H.263, H.263+, H.261, MJPEG, HuffYUV, Theora, FLV and Flash Video. H.264 in a .mov is the safest choice for Final Cut Pro, QuickTime Player and iMovie; MJPEG or HuffYUV produce far larger frame-exact files that only make sense as an intermediate.
An EPS file contains vector drawing instructions only — there is no audio anywhere in the source to carry across. Image-to-video conversions therefore write a video track only, which is why the Audio Codec control is not shown for image sources. Add music or voiceover afterwards by placing the clip on a timeline in a video editor.
Exactly the "Duration" you select, because a single frame is all there is to show. Values run 1/60s, 1/30s, 1/24s, 0.1s, 0.2s, 0.3s, 0.5s and then 1 through 10 seconds per frame, defaulting to 5 seconds. Use the sub-second settings when you want a one-frame slate at a specific project frame rate, and several seconds when you want a readable title card.
The frame comes out at whatever pixel size the EPS renders to from its own %%BoundingBox, which for print artwork is often a modest, page-derived size rather than an HD frame. If the clip is destined for a 1080p or 4K timeline, choose the matching Fixed Resolution before converting — upscaling the finished MOV only enlarges pixels that were never rendered.
No. The Background Color option replaces transparency, and White is the default for image sources; the dropdown offers a list of named colours including Black if your footage is dark. Video targets on this page have no keep-transparent choice at all. If you need to composite the graphic over footage, export a still with EPS to PNG and key or mask it in your editor instead.
MOV if the file is going straight into Final Cut Pro, QuickTime Player or another Apple-native tool, and MP4 if it needs to play in browsers, on phones or on smart TVs. The two containers share a common ancestry — MP4 was derived from the QuickTime specification — so the underlying H.264 stream is the same; only the wrapper differs. Use EPS to MP4 for the more portable option, or MOV to MP4 to rewrap a MOV you already have.
Then convert it to an image instead. EPS to PNG gives a sharp raster (pick the Highest preset for a lossless one), EPS to JPG gives a smaller flat picture, and EPS to TIFF gives a print-oriented master. Most people who cannot open an .eps need one of those rather than a video container. Everything you upload here travels over an encrypted connection, is rendered on our servers, and is deleted automatically after a few hours — never shared, never made public.