Initializing... drag & drop files here
Supports: EPS
Both formats describe artwork as shapes rather than pixels, but they come from opposite worlds: EPS (Encapsulated PostScript) was built for print output devices, while SVG was built for the web. If your file is going into a web page, an app, a design tool like Figma, or anywhere a browser has to render it, convert to SVG. If it is going to a commercial printer that specifically asked for EPS, keep the EPS. This page compares the two, then walks through the conversion and the one setting that changes the output.
| Property | EPS | SVG |
|---|---|---|
| Full name | Encapsulated PostScript | Scalable Vector Graphics |
| Created by | Adobe founders John Warnock and Chuck Geschke with Aldus, as early as 1987 | W3C — SVG 1.0 became a Recommendation on 4 September 2001 |
| Current specification | Adobe's EPS file format specification, a DSC-conforming PostScript subset | SVG 1.1 Second Edition (16 August 2011); SVG 2 is still a W3C Candidate Recommendation |
| Underlying technology | PostScript drawing code | XML markup |
| Human-readable / text-editable | Not practically — PostScript operators, often with binary preview data | Yes — plain XML you can open in any text editor |
| Rendered by web browsers | No | Yes, natively across Chrome, Firefox, Edge and Safari |
| Typical colour model | Frequently CMYK for press work | RGB, with CSS colour syntax |
| Can embed raster images | Yes, and a TIFF or WMF preview may sit in the header | Yes — PNG or JPEG can be referenced or embedded |
| Styling and interaction | Fixed at authoring time | Stylable with CSS, scriptable, animatable |
| Office / general software support | Microsoft turned off EPS image support in Office in April 2017 (last workaround removed May 2018) over embedded-script security concerns | Broadly supported across modern design, web and office tooling |
| Best for | Prepress hand-off, legacy print archives | Web, apps, icons, responsive UI, anything that must scale on screen |
.eps specifically..eps onto the page or click "+ Add Files" to browse. Several files can be queued and converted together.<path> elements on our servers — files upload over an encrypted connection and are deleted automatically after a few hours..svg and open it in a browser, Inkscape, Illustrator or Figma. Zoom in to confirm the curves look right before you ship it; flat-colour logos and line art convert most faithfully.| Element in the EPS | What you get in the SVG |
|---|---|
| Flat-colour shapes and line art | Clean <path> outlines — the strongest case for this conversion |
| Text | Redrawn as outlined shapes, so it renders without the original font but is no longer editable as text |
| Gradients, blends and mesh fills | Approximated with solid or stepped fills; complex meshes are the least faithful part of the conversion |
| Embedded raster photographs | Do not become scalable vectors — a photo-heavy EPS is a poor candidate for SVG |
| CMYK spot colours | Mapped to RGB, so expect screen-accurate rather than press-accurate colour |
| Header preview image (TIFF/WMF) | Discarded — it is metadata for print applications, not artwork |
| Clipping paths and complex effects | May be simplified; check the result before shipping |
No. The converter produces a fresh set of SVG path data describing the same artwork rather than transliterating each PostScript operator into an XML equivalent. For flat-colour logos, icons and line art the result is visually indistinguishable and fully scalable. For artwork that leans on gradient meshes, blend objects or embedded photographs, the reproduction is approximate — which is why checking the output at high zoom before you ship it is worth the ten seconds.
It controls how much numeric detail the generated coordinates carry, and — because the same value is also sent as the colour precision — how finely colours are separated when the image is clustered into regions. Higher values keep finer curve detail and more distinct colours, producing a larger file; lower values round the numbers and merge colours, shrinking the SVG at the cost of some fidelity. The slider runs 1 to 10, the default is 6, and the tool's own guidance recommends staying between 4 and 6 for most artwork. Drop below 3 only when file size matters more than crisp corners, and never raise it above 8: colour precision is only defined for 1 to 8 significant bits per RGB channel, so positions 9 and 10 stop the run with an out-of-range error and produce no file.
Because EPS is PostScript — a page-description language meant for print devices and design software, not a web image format. No browser ships a PostScript interpreter, so an .eps will download rather than render. SVG is the only vector format browsers display natively, which is why it is the standard target when print artwork needs to go on the web.
It comes across as outlined shapes rather than live text. That is good for fidelity — the artwork renders identically whether or not the original font is installed — but it means you cannot edit the wording in the SVG, and screen readers will not read it. If the text must stay selectable and accessible, retype it as real <text> elements in an SVG editor after converting, or ask for the original layered source file.
Not exactly. EPS artwork prepared for press is frequently authored in CMYK, and SVG is an RGB format, so colours are mapped into the screen gamut. Saturated cyans, deep blues and spot-colour brand shades are where the shift is most visible. For brand work, check the converted file against your brand's RGB/hex values and correct the fills in an editor if they matter.
No. SVG is a vector format, and wrapping photographic content in it gains you nothing — the pixels stay pixels and the file grows. Convert to a raster format instead: EPS to PNG for a crisp image (lossless on the Highest preset), or EPS to JPG for a smaller photo-friendly file. Reserve SVG for logos, icons, diagrams and line art.
It depends on the destination. SVG is for screens: browsers, apps, and design tools render it directly and it can be styled with CSS. PDF is the better vector container when the file must print predictably or be viewed by anyone with a standard reader, and it is a direct descendant of PostScript, so it stays closer to the original EPS drawing model — see EPS to PDF. Many teams keep both: SVG for the website, PDF for print and sharing.
For most purposes, no. EPS remains the requested format at some print vendors and lives on in archives, but the wider software world has moved to SVG for screen vectors and PDF for portable documents — and Microsoft turned off EPS image support in Office back in April 2017 — the last workaround was removed in May 2018 — because of the security risk in its embedded scripting. Keep the .eps as an archival master if a printer needs it, and work from an SVG everywhere else. To go the other way, SVG to EPS produces an EPS from vector markup.