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Supports: HEIC
HEIC is the High Efficiency image format your iPhone saves photos in; MOV is Apple's QuickTime video container. This converter wraps a still HEIC photo into a MOV clip — the image is held on screen for a duration you choose (5 seconds by default) and encoded as H.264 video, so you can drop an iPhone still straight onto a Final Cut Pro, iMovie, or Premiere timeline. It does not add motion: the output is a static photo shown as video, which is a different thing from the short motion clip inside a Live Photo.
| Property | Value |
|---|---|
| Full name | High Efficiency Image Container (Apple's HEIF profile) |
| Standard | ISO/IEC 23008-12 (HEIF) |
| Adopted by Apple | iOS 11 / macOS High Sierra, 2017 |
| Image codec | HEVC (H.265) |
| Bit depth | 8-bit, or 10-bit for HDR (Display P3 wide color) |
| Holds motion | No — a single still image (Live Photo motion is a separate .mov) |
| Native browser support | Safari 17+ only; not Chrome or Firefox |
| Best for | Storing iPhone photos at roughly half the size of JPEG |
| Property | Value |
|---|---|
| Full name | QuickTime File Format (.mov) |
| Developer | Apple, first released 1991 |
| Standard basis | Basis of the ISO Base Media File Format (ISO/IEC 14496-12), the same structure MP4 uses |
| Video codec (this tool) | H.264 by default |
| Audio | None — image-to-video output is silent |
| Holds motion | Yes; here, one still held for the Duration you set |
| Plays in | QuickTime Player, Final Cut Pro, iMovie, Photos, Safari |
| Best for | Apple-centric editing and slideshow timelines |
No. An iPhone Live Photo is a pair: a still frame (HEIC or JPEG) plus a separate .mov that records roughly 1.5 seconds before and after the shutter. This converter only reads the still HEIC you upload and renders it as a fixed-frame video — it cannot reach into a Live Photo bundle to pull out that motion track. If the .mov component is already saved on your device, you do not need to convert anything; use it directly.
Because the source is a single photo. MOV is a container that can hold motion, but the motion has to come from somewhere — multiple frames or a recorded clip. Wrapping one HEIC produces a video where every frame is identical, so it looks like a held still. To get real movement, upload several photos and use Merge images for a slideshow, or start from an actual video file.
No. When the source is a still image, xconvert produces a silent MOV — there is no Audio Codec option on an image-to-video job because there is no audio track to encode. If you need a soundtrack, add it afterward in your video editor, or merge the still with a clip that already carries audio.
You set the on-screen time in the Duration control; the default is 5 seconds per frame, with presets from a single frame (1/60s) up to 10 seconds. In our testing, one 12-megapixel HEIC at 5 seconds on the Very High preset produced a silent H.264 MOV of roughly 1-2 MB, because a static frame compresses heavily. When you merge several photos, their durations simply add together.
The output is an H.264 video stream inside a QuickTime (.mov) container — H.264 is the default for MOV on xconvert. QuickTime is the format Apple published in 2001 that ISO later adopted as the basis of the ISO Base Media File Format (ISO/IEC 14496-12), the same structure MP4 uses, so a MOV and an MP4 produced here carry the same video.
A HEIC can store 10-bit HDR and wide (Display P3) color, plus EXIF such as capture date and GPS. Re-encoding to an 8-bit H.264 MOV does not carry that photo metadata into the video, and 10-bit HDR is reduced to standard 8-bit with a plain colour conversion — no tone-mapping is applied, so strongly HDR shots can look flat or washed out. If you need to preserve the original EXIF or HDR, keep the HEIC or convert to a still image with the HEIC to JPG converter instead.
The photo keeps its aspect ratio and is centered, with any leftover space filled by the Background Color (White by default, with two dozen colors available). A tall iPhone portrait becomes a video with white bars on the sides rather than being stretched. Pick a Fixed or Preset resolution — for example 1080 x 1920 — if you need the canvas to match a vertical target like Stories.
Choose MOV when your workflow is Apple-centric — Final Cut Pro, iMovie, and QuickTime Player all expect .mov assets. Because MOV and MP4 share the same underlying container structure and carry the same H.264 video here, the quality is identical; the difference is compatibility. For the web, Android, and the widest playback, use the HEIC to MP4 converter instead.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, and nothing is ever shared or made public. There is no account to create, and the only practical limit on a batch is your upload speed rather than any per-file cap.