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Supports: 3FR, ARW, AVIF, BMP, CR2, CR3 +30 more
This tool takes a still image — a JPG, PNG, WebP, HEIC, a camera RAW file, and many more — and wraps it inside an MKV (Matroska) video container. It renders the picture, then holds that single frame as a motionless still for a duration you choose: no motion, no audio, and not a moving video. Upload several images and choose "Merge images" and they play one after another like a basic fixed-duration sequence. The honest use for it is a photo slate, a title card, or a simple slideshow dropped into an MKV-based editing or media-server workflow — if you only want a picture, convert to an image format instead.
| Property | Value |
|---|---|
| Accepted inputs | Common photos (JPG/JPEG, PNG, WebP, AVIF, BMP, TIFF, ICO, PSD), HEIC/HEIF, and camera RAW (CR2, CR3, NEF, ARW, DNG, RW2, ORF, RAF and more) |
| Special case | GIF input keeps its own animation and frame timing (see below) — every other input becomes a single motionless frame |
| What the converter does | Renders each photo to standard RGB, then encodes it as a still video frame held for your chosen duration |
| Audio track | None — a still image has no sound, so the MKV is video-only |
| Editing latitude | A rendered frame is "baked": RAW recovery of highlights, shadows, and white balance is lost once the picture is inside the video |
| Best for | Photo slates, title cards, and simple slideshows for an MKV-based timeline or library |
| Property | Value |
|---|---|
| Full name | Matroska Video (MKV) |
| Type | Open, codec-flexible video container |
| Standard | Royalty-free open standard; the Matroska project was announced 6 December 2002 |
| Payload (this output) | One or more rendered stills as a video track — H.264 by default; no audio track |
| Codec flexibility | Carries virtually any video codec (H.264, H.265, VP9, AV1, MPEG-2, MJPEG, Theora and more) |
| Native playback | Windows 10 and later natively (Microsoft added it in 2014), plus VLC, MPV, and media servers like Plex and Jellyfin; not natively in Apple QuickTime |
| Best for | A still or clip dropped onto an MKV timeline, or a slate for a media-server library |
Neither, for a single image. The output is one rendered photo held motionless for the duration you set — no panning, zooming, or animation, and no audio. If you upload several photos and choose "Merge images," they play back-to-back like a basic slideshow, but each frame is still a static image shown for its set duration. There are no transitions, crossfades, or motion effects between them — it is a plain fixed-duration sequence, one picture after another.
A GIF is the one exception. Because an animated GIF already contains its own frames and timing, the converter keeps that animation and the resulting MKV plays it as real motion rather than freezing a single frame. That is also why the Image Duration and Background Color controls are hidden when a GIF is the input — the GIF's own frame timing is used instead of a fixed per-frame duration. Every other input format becomes a single motionless still.
By default the MKV carries an H.264 video track, which is the most broadly compatible choice. MKV is a codec-flexible container, so under Advanced Options you can switch to H.265 (smaller files, needs a newer player), VP9, AV1, MPEG-2, MJPEG, and others. Because the source is a still image with no sound, no audio track is added regardless of the video codec you pick.
Choose by where the file will play. MKV is the better fit for desktop editors and media-server libraries (Plex, Jellyfin) and for players like VLC and MPV, and it accepts a wider range of codecs. But MKV does not play natively in Apple QuickTime and is hit-or-miss on phones and smart TVs. If you need a clip that plays natively almost everywhere — iPhone, Android, browsers, QuickTime — MP4 is the safer container; use Image to MP4 instead. And if you only want a viewable picture rather than a video at all, Image to JPG is the right tool.
A photo's aspect ratio often won't match your chosen output resolution. Rather than stretch or crop the picture, the converter pads the leftover space with the Background Color you select — black by default. Pick white or another color from the Background Color dropdown if black bars don't suit the project, or set a resolution that matches the photo's shape.
A motionless frame compresses heavily because every "frame" of the clip is identical, so modern video codecs encode the repetition almost for free. In our testing, a 5-second MKV made from a single 12-megapixel JPG at Very High quality with the default H.264 codec came out to roughly half a megabyte to a couple of megabytes — far smaller than a moving clip of the same length. Shorten the duration if you need it even smaller.
Yes. A RAW file stores unprocessed sensor data, which is what lets you recover highlights, shadows, and white balance after the fact. To put the photo into a video the converter must render it first, demosaicing the sensor data and fixing the current white balance, exposure, and tone into ordinary 8-bit RGB. Once that rendered frame is inside the MKV the latitude is gone, exactly as it would be in a JPEG. Keep your original RAW file if you may still want to edit it.
Your image is sent over an encrypted connection, rendered and packaged into MKV on our servers, and then deleted automatically a few hours after conversion. There is no sign-up, no watermark, and your files are never shared or made public.