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Supports: RAF
A RAF is a Fujifilm RAW capture — the unprocessed sensor readout, not a finished picture. This tutorial walks through turning one or more RAF files into a shareable PDF, and is honest about the one thing that surprises people: the RAW gets demosaiced and rendered to a flat image on the page, so the editing latitude that makes RAW worth shooting does not survive the trip.
.raf file onto the page or click "+ Add Files". Add several at once to put them all in one document — they convert with the same settings.Because a RAF is RAW, the converter has to "develop" it — demosaic the sensor data and bake in a standard rendering — before it can sit on a PDF page. Two controls decide how that baked result looks:
.raf. Some workflows rename sidecar or proxy files; only the original camera RAF carries the FUJIFILM sensor data the converter needs.This converter renders the RAF as-is — it does not give you Lightroom-style RAW controls. If you need to set exposure, white balance, or a specific Fujifilm film simulation before the image is locked into the PDF, do that editing first in a RAW developer (Capture One, Adobe Lightroom, RawTherapee, or Fujifilm's own software), export a JPEG or TIFF, then make the PDF from that. If you just want a quick still image rather than a document, convert RAF to JPG instead. And if you are assembling many photos into one file, merge images to PDF accepts RAF alongside common image formats. Files you upload are sent over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.
No. A RAF stores the unprocessed sensor readout so you can adjust exposure, white balance, and tone non-destructively later. Making a PDF demosaics that data and bakes in a single rendering, so the RAW latitude is gone. Keep your original .raf if you ever want to re-develop the shot.
RAF files from X-Trans cameras carry the in-camera film simulation (Provia, Velvia, Classic Chrome, Acros, and others) and your dynamic-range settings as metadata, plus an embedded JPEG preview. A generic converter renders the RAW with a standard interpretation rather than reproducing every Fujifilm-specific setting, so the result can look more neutral than the preview you saw on the back of the camera.
No. The X-Trans color filter array — a 6x6 pattern Fujifilm introduced in 2012 with the X-Pro1 to reduce moiré without an optical low-pass filter — is used across most X-series bodies, but Fujifilm's GFX medium-format cameras use a conventional Bayer array. Both still save as .raf, and both convert to PDF the same way here.
Yes. Upload all of them and choose "Single PDF" under "Combine?" to get one multi-page document, with each photo on its own page. Choose "Individual PDFs" instead if you want a separate file for each RAF.
For a print-style document, A4 Portrait is a safe default. If you would rather the page match the photo's own proportions, set Paper size to "Original" — that avoids the letterboxing you get when a wide landscape frame is forced onto a tall A4 page. In our testing, a 26-megapixel X-T-series RAF placed "Contained" on an A4 portrait page leaves even top and bottom margins; switching the layout to Landscape removes them for a horizontal shot.
Yes, it is free with no watermark and no sign-up. Your RAF is uploaded over an encrypted connection, converted on our servers, and deleted automatically a few hours after the conversion finishes. It is never shared or made public.