Initializing... drag & drop files here
Supports: TS
TS (MPEG Transport Stream, ISO/IEC 13818-1) is the broadcast and IPTV container — it's what HLS uses for streaming, what DVB/ATSC tuners record, and what most IP camera DVRs spit out. The footage inside is video, but the moment you want to share a single still, a thumbnail, or a poster image, you need an image format. AVIF (AV1 Image File Format, released February 2019 by the Alliance for Open Media) gives you that still at roughly half the file size of JPEG at matched perceptual quality, with HDR and 10/12-bit color support built in.
.ts segment and ship it as a 5-15 KB AVIF preview. Cuts your CDN bandwidth for poster art versus a 30-50 KB JPEG.| Property | TS (MPEG-TS) | AVIF |
|---|---|---|
| Type | Video container (transport stream) | Still image format |
| Standardized | ISO/IEC 13818-1, July 1995 | Alliance for Open Media, Feb 2019 |
| Inner codec | H.262/MPEG-2, H.264, H.265, AC-3, AAC | AV1 (still-image profile) |
| Packet structure | Fixed 188-byte packets | HEIF container with AV1 payload |
| Bit depth | Up to 10-bit (Main 10) | 8-bit, 10-bit, 12-bit |
| Lossless mode | Not in typical use | Yes (full lossless AV1) |
| Max dimensions | Up to 8192×4320 (HEVC) | 8192×4352 baseline / 16384×8704 advanced |
| Typical use | Broadcast, IPTV, HLS streaming, DVR | Web images, HDR stills, thumbnails |
| File size for one still | Whole stream — MB to GB | 5-100 KB typical |
| Preset | Quality % | Best for | Approx size vs JPEG |
|---|---|---|---|
| Lowest | ~25 | Tiny thumbnails, placeholders | ~30% smaller |
| Low | ~40 | Lazy-loaded gallery previews | ~40% smaller |
| Medium | ~60 | General web images | ~45% smaller |
| High | ~75 | Hero images, blog headers | ~50% smaller |
| Very High (default) | ~90 | Print-quality stills, archival | ~45% smaller |
| Specific file size | Custom | Hitting a CDN budget | n/a |
Per Netflix's published benchmarks against representative JPEG and WebP test sets, AVIF averaged roughly 50% file-size reduction over JPEG at matched perceptual quality, with the largest gains on skin tones, skies, and smooth gradients.
Expand Advanced Options, scroll to Frame Selection, choose Specific Frame, and enter the Time in seconds (decimals allowed, for example 47.25 for 47 and a quarter seconds). The decoder seeks to the nearest I-frame and then steps forward to your exact timestamp. If you leave this blank, the first decodable frame is exported.
Two reasons. First, MPEG-TS often uses B and P frames that reference adjacent frames — seek-to-second decoders can land on a neighbouring frame depending on GOP structure. Second, AVIF's AV1 encoder applies its own filtering and quantization, so a Quality preset below Very High will show subtle differences in gradient-heavy regions. Pick Very High or enable Lossless for a pixel-faithful match.
Not in a single click on this page — the still-image converter outputs one AVIF per upload. If you need a sequence (every Nth frame, an animation), use our TS to GIF page for an animated output, or upload the same TS multiple times with different Specific Frame timestamps.
Chrome 85+ (Aug 2020), Firefox 93+ (Oct 2021), Safari 16.4+ (March 2023), and Edge 121+ (Jan 2024) decode AVIF natively. Per caniuse.com that's roughly 94% of global browser traffic as of 2026. For the remaining ~6% (mostly older Safari and corporate-locked browsers), use a <picture> element with a JPEG or WebP fallback.
A .ts stream is a full video — 30 or 60 frames per second of motion data, plus audio, plus PSIP metadata, often 1-10 Mbps. The AVIF is one still frame stripped from that stream. A 500 MB hour-long TS recording becomes a single 20 KB AVIF when you extract one moment.
If your archive will be read in 2026+ by software you control (Lightroom, ImageMagick, modern browsers), AVIF saves ~50% storage and preserves more dynamic range with 10/12-bit color. If the archive must open in legacy tools or be emailed to recipients on Windows 10 without modern image viewers, JPG is still the safer interchange format. Many teams store the AVIF master and generate JPEG on demand.
The converter extracts the frame's pixel data; if the source TS carries HDR metadata (HLG from a broadcast feed or PQ from a UHD Blu-ray rip), 10-bit AVIF can preserve the wider color volume. Choose a higher Quality Preset to avoid banding in the brightest highlights and deepest shadows. SDR sources are tone-mapped normally to 8-bit.
Use TS to MP4 to repackage the transport stream into the more universally playable MP4 container, or TS to WebM for an AV1/VP9 video output that pairs naturally with AVIF stills on a modern site.