Initializing... drag & drop files here
Supports: ASF
.asf files from corporate training libraries, and .wmv-style streams renamed .asf all work. Batch upload is supported..asf recordings are often 480p or 360p — set "Original" if you don't want upscaling. Audio codec defaults to MP3 for AVI; switch to AC3 for surround tracks or PCM for editor-grade lossless..avi your old NLE will recognize.ASF (Advanced Systems Format) is Microsoft's 1996 streaming container — it wraps WMV video and WMA audio, and was designed for "system-independent delivery" of streamed content over slow 1990s and 2000s internet connections. AVI (Audio Video Interleave) is Microsoft's older 1992 RIFF-based container, and despite its age it is still the format with the deepest support across legacy Windows editing tools, hardware players, and embedded systems. Common reasons people convert ASF -> AVI:
.asf files with Microsoft DRM headers.If your destination is modern (web, phone, smart TV), convert to MP4 or MKV instead — AVI is specifically for legacy Windows tooling.
| Property | ASF | AVI |
|---|---|---|
| Year released | 1996 (Microsoft) | 1992 (Microsoft, RIFF-based) |
| Designed for | Streaming over slow networks | Local file playback and editing |
| Common codecs inside | WMV1 / WMV2 / WMV3 (VC-1), WMA1 / WMA2 | XviD, DivX, MJPEG, MPEG-2, MPEG-4 ASP, H.264, MP3, AC3, PCM |
| DRM support | Yes (Windows Media DRM) — common blocker | None |
| Legacy editor support | Limited — Premiere 6.5, Vegas 6, Pinnacle 9-12 reject it | Universal — every Windows NLE since 1995 |
| Hardware DVD / car player support | None | DivX-Certified hardware (2003+) |
| Streaming use today | Deprecated — Microsoft moved to Smooth Streaming / DASH | Never streamed — always local |
| Container overhead | Higher (streaming index headers) | Lower (simple RIFF chunks) |
| Best for | Legacy Windows Media Server delivery | Legacy NLE import, DVD-Certified hardware, archive |
| Codec inside AVI | Output size (relative) | Compatibility | Best for |
|---|---|---|---|
| XviD / MPEG-4 ASP | 100% (baseline) | Every AVI-aware player since 2003 | Default — broadest legacy support |
| DivX | ~100% | DivX-Certified DVD players, car head units | Hardware playback from USB |
| MJPEG | ~3-5x larger | Universal for old NLEs | Frame-accurate editing, scrubbing |
| MPEG-2 | ~1.5x larger | DVD authoring tools (DVDStyler, Nero Vision) | DVD pipeline input |
| H.264 in AVI | ~50% | Modern players; some old AVI players reject | Smaller files, when target supports it |
Specifically because AVI is supported by legacy Windows tooling that doesn't recognize MP4 or MKV. If your destination is a modern phone, browser, or smart TV, MP4 is the right answer (try ASF to MP4). AVI makes sense only when something downstream — an old editor, DVD player, kiosk, car head unit, or 2000s-era PC — explicitly needs it. Outside of those cases AVI is strictly older and bigger than MP4.
Yes. Windows Media Encoder 9 (2003-era) wrote ASF with WMV9 (VC-1) video and WMA Pro audio. The converter decodes those streams and re-encodes them into your chosen AVI codec / audio codec pair. The only ASF files that won't convert are DRM-protected ones (Microsoft Windows Media DRM v1 / v10 / v11 PlayReady) — those are rare in personal archives but appeared in commercial ASF distributions like early Netflix WMV downloads.
XviD for general-purpose AVI playback on PC. DivX if the target is a hardware device that says "DivX Certified" on the box (most 2003-2010 DVD players, many car stereos). MJPEG if you'll re-edit the file — every frame is independent so cuts and scrubbing are instant, but file size is 3-5x larger because there's no inter-frame compression. MPEG-2 specifically for DVD authoring software input.
Modern macOS plays AVI through QuickTime if the inside codec is supported (H.264 / MJPEG yes; XviD / DivX no without VLC). iPhones can't open AVI without a third-party player like VLC or Infuse. If macOS / iOS playback is the goal, do ASF to MP4 instead — that's the format Apple's ecosystem actually supports natively.
Yes. Drop in a folder of .asf files — old corporate training libraries, archived Camtasia recordings, ripped Windows Media streams — and they all convert in parallel within the browser session. Settings can be applied uniformly across the batch or per-file. Output downloads individually or as a single ZIP.
ASF wraps WMV3 / VC-1, which is a 2003-era codec roughly comparable to MPEG-4 ASP in efficiency. AVI typically wraps XviD or DivX, which are slightly less efficient than VC-1 at the same visual quality, so the AVI tends to be similar in size or 10-30% larger. If you choose MJPEG inside AVI for editor-friendly scrubbing, expect 3-5x growth — that is intentional, not a bug.
Yes. Use the trim section to enter a start time and duration. Both accept seconds (12.5) or HH:MM:SS.sss format (00:01:30.500). This is useful for stripping the silent leader or screen-recording mouse-fumble at the start of old Camtasia ASF captures.
Most pre-2010 NLEs (Premiere 6.5 / Pro 1.5, Vegas 6, Pinnacle 9-12, Ulead VideoStudio) lack the demuxer for ASF and the decoder for VC-1. They also won't read ASF files that have Windows Media DRM headers even if the content is unprotected. Converting to AVI with XviD / DivX produces a file that uses RIFF chunking and a codec these editors shipped with — so it imports cleanly with audio intact.
Soft subtitles inside ASF (.asf Script Command streams) are dropped — AVI's RIFF spec has no standard subtitle track. ASF chapters are also lost since AVI has no chapter concept. If you need subtitles to survive, convert to ASF to MKV instead — MKV preserves subtitle and chapter tracks. Hard-burned subtitles already baked into the ASF video remain visible after conversion to AVI.