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Supports: AVCHD
This walks you through pulling one still frame out of an AVCHD camcorder clip and saving it as a TIFF — the lossless, print- and archive-grade image format. It is written for anyone staring at a folder of .MTS files who wants a single reference-quality picture out of the footage, not the whole moving clip. By the end you will know which file to upload, how to land on the exact frame, why some grabs show combing, and when this simple route breaks down.
.MTS or .M2TS clip onto the page, or click "+ Add Files" to browse. You can queue several clips and process them with the same settings.4.500 grabs the frame at 4.5 seconds. Switch to Multiple Screenshots to sample several frames across the clip instead.The two settings that decide whether you get a clean, lossless still are Time (seconds) under Frame Selection and the Compression Type dropdown — and the second one has a trap worth knowing about.
12.250 lands on the frame a quarter-second past the twelve-second mark. Nudge it a few hundredths at a time to step between adjacent frames..tif is just the old DOS/Windows 8.3 spelling of .tiff — so the AVCHD to TIF route produces byte-identical output.PRIVATE/AVCHD/BDMV/STREAM/ and upload the individual .MTS clip; the top-level AVCHD folder is not a media file.<img> tag, and MDN lists it among image types to avoid for web content. TIFF is a download-and-open format for print and editing, not on-screen viewing.A few situations fall outside this simple grab. If the card was copied incompletely, an .MTS clip can be truncated or reference a separate index that did not come along, and the decoder may stop before your timestamp — re-copy the whole PRIVATE/AVCHD tree from the card. If the moment you want only ever existed as a blur (fast pan, low light), no still format can rescue it; pick a steadier frame. And if your real goal is the moving footage in a modern, shareable container rather than a single picture, convert AVCHD to MP4 instead. For an on-screen or print still that opens everywhere, extract the frame as JPG.
Just one frame. The tool decodes the H.264 video inside your AVCHD clip, grabs the single frame at the timestamp you set under Frame Selection, and saves that as a static TIFF — the moving video is discarded. If you choose Multiple Screenshots you get several frames, but each arrives as its own separate TIFF inside a ZIP, never as one multi-page file. For the moving clip in a modern format, convert AVCHD to MP4 instead.
The TIFF stores the decoded frame without adding any further loss, but it cannot undo what H.264 already discarded. AVCHD records lossy H.264, so the frame the decoder reconstructs is the ceiling — TIFF preserves those exact pixels verbatim when you pick a lossless Compression Type like LZW or Deflate. Think of TIFF here as a faithful, re-editable wrapper around whatever the codec produced, not a way to regain detail the camcorder never kept. If you leave the dropdown on its JPEG default, you actually add a second round of lossy compression, so switch it for archival work.
The output is a standard baseline TIFF conforming to TIFF 6.0, published 3 June 1992 — still the current revision of the format. TIFF was created by Aldus in 1986 and the specification passed to Adobe when it acquired Aldus in 1994; it has stayed stable since, which is part of why TIFF remains a dependable archival container decades later. The file opens in Photoshop, GIMP, ImageMagick, and essentially any imaging tool.
Larger than you might expect, because AVCHD is high-definition and TIFF can store every pixel without lossy compression. A full 1920×1080 frame as uncompressed 8-bit RGB is roughly 6.2 MB by raw pixel math (1920 × 1080 × 3 bytes ≈ 6.22 MB). In our testing, turning on LZW or Deflate trimmed that noticeably on natural-image frames with zero quality loss, which is why we recommend a lossless compressed scheme over writing the file uncompressed. At HD resolution the frame holds plenty of detail for decent small prints.
Because much AVCHD footage is interlaced — the 1080i mode weaves each frame from two fields captured a fraction of a second apart, so a frame grabbed mid-motion shows comb-like lines on the moving parts. Nudge the Time (seconds) value a few hundredths of a second to land on an instant where the subject is still, or pick a stationary moment in the clip. Progressive (1080p/720p) recordings do not have this issue. TIFF records whatever the decoder hands it faithfully, so a clean source frame is the only path to a clean still.
AVCHD isn't a single file; it's a folder tree. Sony and Panasonic (who jointly introduced AVCHD in 2006) store recordings under PRIVATE/AVCHD/BDMV/STREAM/, where each clip is a .MTS file that becomes .M2TS once copied to a computer. Browse into that STREAM/ directory and upload the individual clip — uploading the top-level AVCHD folder won't work because it isn't a single media file. If you need the same frame in the three-letter spelling, the AVCHD to TIF tool is identical, and footage carrying the raw extension converts directly via M2TS to TIFF.
Your AVCHD clip is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.