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Supports: AVIF
Converting an AVIF image to .mpeg produces an MPEG Program Stream: a still picture encoded as MPEG-2 video and held on screen for a duration you choose, in the multiplexed stream format that DVD-Video, VideoCD and 1990s editing suites were built around. The confusing part is that xconvert offers four near-identical MPEG-family targets — .mpeg, .mpg, .mpeg2 and the transport-stream formats — and picking the wrong one usually means a tool downstream refuses the file. Short answer: use .mpeg or .mpg when a program says "MPEG file", .mpeg2 when it names the codec, and a transport stream only when you are feeding broadcast or camcorder tooling. If nothing downstream demands MPEG at all, AVIF to MP4 is smaller and plays everywhere.
| Target | Container written | Default video codec | Typical consumer | Pick it when |
|---|---|---|---|---|
| .mpeg (this page) | MPEG Program Stream | MPEG-2 | DVD authoring, legacy editors, VCD/SVCD tooling | A program asks for "an MPEG file" |
| .mpg | MPEG Program Stream — identical to .mpeg |
MPEG-2 | Same as above | Software validates the three-letter extension |
| .mpeg2 | MPEG Program Stream | MPEG-2 | DVD and broadcast-era workflows | The requirement is written as the codec name |
| .m2ts | MPEG Transport Stream | H.264 | Blu-ray, AVCHD, streaming muxers | The target is disc or broadcast delivery |
| .mp4 | ISO base media (MP4) | H.264 | Phones, browsers, editors, social | Anything modern |
.mpeg and .mpg are the same file written under two names — both are the program stream defined in MPEG-1 Systems and carried forward by MPEG-2. Only the extension differs, so choose whichever spelling the software on the other end validates.
.avif onto the page or click "+ Add Files". Several images can go in at once — Merge strategy decides whether they become one stream ("Merge images", the default) or one file each ("Video per image")..mpeg. No sign-up, no watermark.| Property | Value |
|---|---|
| Container | MPEG Program Stream, defined in MPEG-1 Systems (ISO/IEC 11172, approved 1992) and extended by MPEG-2 Part 1 |
| Designed for | Random-access storage — discs and files — rather than lossy broadcast channels |
| Video codec here | MPEG-2 (ISO/IEC 13818-2, also standardised as ITU-T H.262) by default; MPEG-1 selectable |
| Audio the format expects | MPEG-1 Audio Layer II (MP2), the codec still used by DAB and DVB |
| Audio in this conversion | None — a still image has no sound, so the audio stage is skipped |
| Extensions | .mpeg, .mpg, and .mpeg2 for the codec-named variant |
| Still used by | DVD-Video, ATSC and DVB broadcast, tape and archive workflows |
| Modern replacement | H.264 in MP4, or AV1 for new work |
Not in substance. All three write an MPEG Program Stream with MPEG-2 video; only the file extension differs, and it exists because different software validates different spellings. Use .mpeg or .mpg when a tool asks for "an MPEG file" and .mpeg2 when the requirement is written as the codec name. A transport stream such as .m2ts or .ts is genuinely different — it is packetised for broadcast rather than for disc storage.
No. A still .avif holds one picture, and the output holds that frame for the Duration you set, so the clip looks frozen. An AVIF that stores an image sequence is detected automatically and its frames are carried across as real motion instead.
An MPEG Program Stream normally multiplexes MP2 audio alongside the video, but a still image has no audio to carry, so the encoder skips the audio stage and the result is silent by design. To pair sound with the picture, convert here and then add an audio track in a video editor.
It gives you the right codec and container — MPEG-2 video in a program stream, which is what DVD-Video is built on — so authoring packages will import it. For a disc that plays in a living-room player, set a DVD-compliant frame size first — open Video resolution, choose "Width x Height", switch the units to Pixels and enter 720 x 480 for NTSC or 720 x 576 for PAL. The authoring software then handles disc structure, bitrate ceilings and the final multiplex.
MPEG-2 unless something specifically requires MPEG-1. MPEG-1 was designed around VHS-quality video at roughly 1.5 Mbit/s and Source Input Format frame sizes such as 352 x 240 or 352 x 288, so it is a poor fit for a full-resolution modern image. MPEG-2 handles standard and high-definition frame sizes and is what DVD, ATSC and DVB actually use.
The clip is exactly as long as the Duration you pick. Our pipeline encodes still-image input at one frame per second, so a 5-second duration writes a five-frame stream — the duration in the container is correct, there is simply nothing changing between frames for extra frames to describe.
No. MPEG-2 video has no alpha channel, so any transparent area is composited onto the Background Color before encoding; white is the default and any colour in the dropdown can replace it. The same colour fills the bars if your chosen frame size does not match the image's aspect ratio. To keep transparency, stay in an image format such as AVIF to PNG.
Yes, and unusually so: AVIF stores the picture with AV1, one of the most efficient codecs available, and MPEG-2 is a 1990s codec that needs far more bits for the same fidelity. Expect a larger file that is softer in fine detail, especially at lower Quality Preset settings. That is the trade you are making deliberately — legacy compatibility instead of efficiency.
Your AVIF is uploaded over an encrypted connection, converted on our servers, and deleted automatically a few hours later. There is no sign-up, no watermark, and files are never shared or made public.