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Supports: AVIF
Converting an AVIF image to .mts encodes the picture as H.264 video inside an MPEG transport stream and holds it on screen for a duration you choose. The question almost everyone actually has is which of the three transport-stream extensions to pick, because .mts, .m2ts and .ts all wrap the same underlying stream and different software insists on different ones. Short answer: choose .mts when you are matching camcorder footage or an AVCHD-era editing project, .m2ts when the target is Blu-ray-style delivery or files already transferred from a camera, and .ts for broadcast and streaming tooling. If nothing downstream demands a transport stream at all, AVIF to MP4 is smaller and plays on far more devices.
| Property | .mts | .m2ts | .ts | .mp4 |
|---|---|---|---|---|
| Underlying format | MPEG transport stream | MPEG transport stream | MPEG transport stream | ISO base media container |
| Where the name comes from | AVCHD camcorder recordings | AVCHD files copied to a computer; Blu-ray BDAV | Generic broadcast and DVB capture | Web, mobile and editing standard |
| Default video codec here | H.264 | H.264 | H.264 | H.264 |
| Typical audio in the wild | Dolby Digital AC-3 or linear PCM | AC-3, DTS or linear PCM | MPEG-2 audio, AC-3 or AAC | AAC |
| Seekable without an index | Yes — streams are self-describing | Yes | Yes | Needs the moov atom |
| Plays on phones and browsers | Rarely | Rarely | Rarely | Yes |
| Convert to it here | AVIF to MTS (this page) | AVIF to M2TS | AVIF to TS | AVIF to MP4 |
.mts extension specifically before it will import a file..m2ts, is a job for AVIF to M2TS..avif onto the page or click "+ Add Files". Several images can go in at once — Merge strategy chooses between "Merge images" (the default), which writes one stream, and "Video per image", which writes one file each..mts file. No sign-up, no watermark.| Property | Value |
|---|---|
| Developed by | Sony and Panasonic, introduced 2006 |
| Container | MPEG transport stream |
| Video codec | H.264 / MPEG-4 AVC |
| Audio the specification allows | Dolby Digital AC-3 or uncompressed linear PCM, stereo or 5.1 |
| Frame sizes | 1920 x 1080, 1440 x 1080 and 1280 x 720 |
| Frame rates | 24p through 60p progressive, plus 50i and 60i interlaced, by region and version |
| Extension on the camera | .mts |
| Extension after transfer to a computer | .m2ts |
| Audio in this conversion | None — a still image has no sound, so the audio stage is skipped |
It is a standard MPEG transport stream carrying H.264 video, written with the .mts extension — which is what editors, players and ingest tools read when they open one. It is not a full AVCHD disc structure: camcorders write their transport streams in the Blu-ray packet variant inside a BDMV folder tree, alongside index and playlist files. Anything that reads transport streams will open this file; hardware that expects a complete AVCHD volume will not, and for that you would author the disc with dedicated software.
No. A still .avif holds one picture, so the stream repeats that frame for the Duration you set and looks frozen. An AVIF that stores a timed image sequence is detected automatically and its frames are carried across as real motion.
Because a still image has no sound to encode, so the encoder skips the audio stage rather than writing a silent track. When a transport stream does carry audio in this ecosystem it is normally Dolby Digital AC-3, the codec the AVCHD specification names alongside linear PCM. To add sound, convert here and mux the audio in with a video editor.
H.264 unless something specifically requires otherwise — it is preselected, it is what AVCHD uses, and it is what modern decoders expect inside a transport stream. MPEG-2 is the other codec transport streams carry dependably and is the right pick only for broadcast-era equipment. The remaining codecs in the list exist for other containers and are a poor match for .mts.
The clip lasts exactly as long as the Duration you choose. Our pipeline encodes still-image input at one frame per second, so the default 5 seconds produces a five-frame stream: the duration in the stream is correct and players show a normal five-second clip, but nothing changes between frames so extra frames would only add size.
No. Video frames have no alpha channel, so transparent and semi-transparent areas are composited onto the Background Color — white by default — before encoding, and the same colour fills the bars if your chosen frame size does not match the image's aspect ratio. Keep the file as an image with AVIF to PNG if the alpha matters.
Transport streams were designed for broadcast and camcorder recording, not for consumer playback, and mobile operating systems and browsers generally do not register the .mts extension. Desktop players such as VLC and mpv open them, as do editors. For anything you intend to share, convert to AVIF to MP4, or bring existing camcorder footage over with MTS to MP4.
Yes. Upload them together and leave Merge strategy on "Merge images"; each is held for the Duration you set and they are written into a single stream in upload order. "Video per image" produces one .mts per picture instead.
Your AVIF is uploaded over an encrypted connection, converted on our servers, and deleted automatically a few hours later. There is no sign-up, no watermark, and files are never shared or made public.