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Supports: CAF
A CAF (Core Audio Format) file is Apple's audio container — handy inside Logic Pro, GarageBand, and iOS ringtone work, but awkward to play almost anywhere else. Converting to AAC re-encodes the sound into a compact, lossy stream that phones, browsers, cars, and media players all read natively, while keeping the file small. If the CAF holds uncompressed PCM (the usual output from a DAW), the AAC result is a clean first-generation encode — a large size drop with no audible loss at sensible bitrates.
.caf onto the page or click "+ Add Files" to select it from your computer.| Property | CAF | AAC |
|---|---|---|
| What it is | Container (holds an audio codec) | Lossy audio codec |
| Developer / origin | Apple, 2005 (Mac OS X 10.4) | Dolby, AT&T, Fraunhofer, Sony — standardized 1997 |
| Standard | Apple Core Audio Format spec | ISO/IEC 13818-7 (MPEG-2), ISO/IEC 14496-3 (MPEG-4) |
| Can hold | PCM, Apple Lossless (ALAC), AAC, IMA4, and more | The AAC bitstream itself |
| File size | 64-bit offsets — no 4 GB cap | Small; smaller than MP3 at the same bitrate |
| Plays outside Apple software | Poorly — barely opens on Windows/Android | Widely — phones, browsers, cars, consoles, players |
| Best for | DAW projects, iOS system/ringtone audio | Sharing and playback everywhere |
It depends on what the CAF holds. Most CAF files from a DAW store uncompressed Linear PCM, so encoding to AAC is a first-generation lossy pass — at 192-256 kbps it is transparent to most listeners while shrinking the file dramatically. If your CAF already contains lossy audio (AAC or IMA4), you are re-encoding lossy to lossy: match or exceed the original bitrate to limit further loss, but the quality already discarded cannot be recovered.
CAF is an Apple-centric container — Logic Pro, GarageBand, and iOS read it, but it barely opens on Windows or Android and most music players and websites reject it. AAC is the opposite: it plays natively across iPhone and Android, every major browser, car stereos, game consoles, and apps like VLC, Spotify, and Apple Music. Converting makes the same sound portable everywhere.
For music, 192-256 kbps AAC is a safe transparent range for most ears. For speech, podcasts, or voice memos, 96-128 kbps keeps files tiny with no meaningful loss. In our testing, a one-minute stereo PCM .caf re-encoded to 256 kbps AAC produced a file under 2 MB — a large drop from the multi-megabyte uncompressed source, with no audible difference on headphones.
They carry the same audio. A raw .aac file is the bare AAC bitstream, while .m4a wraps that AAC inside an MP4 container, which is friendlier for tags (title, artist, artwork) and is what iTunes and Apple Music expect. If you want metadata and broad music-app compatibility, use CAF to M4A; for a plain stream this AAC output is fine. For an uncompressed copy instead, see CAF to WAV, or use CAF to MP3 for the most universally accepted lossy format.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up and no watermark, and your files are never shared or made public.