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Supports: CAF
CAF (Core Audio Format) is an Apple audio container — it holds only sound, no picture. WMV is a Windows Media video format. So this conversion can't just "change the extension": to produce a valid .wmv, the converter generates a solid-color video frame (black by default) and places your CAF audio underneath it. The result is a video file that plays a still color while the sound plays. Most people who land here don't actually want that — if you just need the Apple audio to play on Windows, skip to the steering note below and convert to a plain audio file instead.
There are a few narrow cases where a .wmv wrapping audio is genuinely useful, so be honest with yourself about which you're in:
.wmv but won't take a bare audio file..wmv in its "open" dialog.If none of these fit, a video file is the wrong target. A blank-picture WMV is also wasteful: you're paying for a full video stream (WMV2) to carry sound, so the file is larger than the same audio saved on its own.
If your real goal is to play an Apple .caf recording somewhere that won't open it, convert it to an audio format instead — smaller, simpler, and far more widely supported:
.wma), which is the audio-only sibling of WMV and the right pick for Windows playlists..caf file onto the page or click "+ Add Files". You can queue several recordings and convert them all in one pass.By default this converter writes the WMV 2 video codec (the standard WMV picture codec) for the generated color frame and WMA v2 for the audio it carries — both expanded under "Show All Options" if you want to change them. A few patterns worth knowing:
.wmv extension, MP3 is the safer target..caf is truncated. Re-upload the original file and try again.This tool reads the audio inside a standard CAF container and wraps it in a generated-video WMV — it can't recover audio from a corrupted or partially-downloaded file, and it won't bypass DRM. It also can't insert a real moving image or your own photo behind the sound; for that you'd assemble the clip in a video editor (still image + audio track exported to WMV). And if you came here only to make an Apple recording playable elsewhere, a video file is the wrong tool entirely — use CAF to MP3 or CAF to WAV instead.
Just a solid-color screen. CAF holds only audio, so the converter generates a still frame in the Background Color you pick (black by default) and plays your audio over it. There's no motion and no image content — the picture exists only because WMV is a video format and requires a video track.
Almost the only reason is that something on your end demands a .wmv file specifically — an older Windows video pipeline, a slideshow placeholder track, or an app that only opens video. If you just want the Apple audio to play somewhere, CAF to MP3 or CAF to WMA gives a smaller, more compatible file.
Because you're now storing a video stream alongside the audio. Even a static frame adds container and codec overhead, and the WMV's audio (WMA v2 by default) may not be as efficient as the codec inside your CAF. A blank-picture WMV is inherently a heavier way to carry sound than a plain audio file — that's the trade-off for getting a .wmv.
The audio is re-encoded to WMA v2 by default, which is lossy, so some data is discarded. If the CAF held uncompressed PCM or Apple Lossless, expect a small generational loss; at higher bitrates it's hard to hear. If you need to preserve the audio exactly, convert to lossless WAV rather than any video container.
Not with this converter — it only generates a single solid color. To pair the audio with a real photo or moving footage, build the clip in a video editor (drop in a still image plus the audio and export to WMV). Here you can change the color and resolution of the frame, but not add picture content.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. In our testing, a 3-minute voice recording stored as 16-bit/48 kHz PCM in a CAF produced a small black-frame WMV whose size was dominated almost entirely by the audio, not the still picture.