Initializing... drag & drop files here
Supports: CR2
This page renders a Canon CR2 RAW photo into a DivX-encoded video clip that holds the still image on screen for a duration you set — no motion, no slideshow effects, and no sound. This is a deliberately niche pairing: a modern 20-megapixel RAW still aimed at a codec from the early-2000s movie-ripping era. The walk-through below explains the one place it genuinely fits, why most people should pick a JPEG or an MP4 instead, and what happens to a high-resolution RAW when it is downscaled into a DivX-era frame.
Before you convert, make sure DivX is actually what your target needs:
.divx/.avi files and you want the photo to appear as a short video clip — that is the one case where this page is the right tool. Note that many of those same players show JPEG photo slideshows directly from JPEG-EXIF files, so CR2 to JPG is often the simpler path even there..cr2 file onto the page or click "+ Add Files" to browse. You can queue several Canon RAW files at once..divx file..divx clip. No sign-up, no watermark.DivX is an implementation of MPEG-4 Part 2 (Advanced Simple Profile) — the codec that became popular in the early 2000s for fitting movies onto a single CD (DivX 4.0 shipped in July 2001). A DivX file is usually carried in an AVI-derived container with a .divx or .avi extension. It predates H.264 by years, so the only honest reason to choose DivX over MP4 is a target device that genuinely cannot read anything newer:
Two things change when your RAW becomes a DivX frame. First, resolution drops. A 20-plus-megapixel Canon sensor is roughly 5472×3648, and DivX's Home Theater profile is a standard-definition format, so the photo is downscaled by a large factor — the clip does not preserve your photo's pixel count. Second, the RAW is developed and baked in. A CR2 holds 12-to-14-bit sensor data with room to recover highlights and reset white balance; to write a video frame, the converter demosaics it to ordinary 8-bit pixels with the current exposure and white balance fixed. The frame is a rendered interpretation, not your negative — so keep the original CR2 as your master.
.avi wrapper on a data disc. Try converting CR2 to AVI and burning it as a data DVD rather than a Video DVD.If your camera is a recent Canon mirrorless body (EOS R or M50 era, roughly 2018 onward), your RAW files likely end in .cr3, not .cr2, and this page will not accept them — use a CR3 converter instead. And if your real goal is a photo you can view or print rather than a video clip, skip the DivX wrapper entirely: CR2 to JPG gives you an openable image and CR2 to TIFF gives you a print-ready master. Convert to DivX only when a specific DivX-certified player needs the photo delivered as a .divx/.avi clip.
Almost never, unless a specific old device requires it. DivX is MPEG-4 Part 2 from the early-2000s ripping era, and it only earns its place when you are feeding a DivX-certified DVD player, car stereo, or set-top box that reads .divx/.avi and you want the photo to appear as a short video clip. If you just want the picture, use CR2 to JPG; if you want a still-as-video for anything modern, use CR2 to MP4.
No. The DivX Home Theater profile that most older players support tops out at 720×576 (PAL) / 720×480 (NTSC), so a 20-plus-megapixel CR2 (around 5472×3648) is downscaled by a large factor to fit a standard-definition video frame. The newer DivX HD profiles reach 1280×720 and 1920×1080, but even those are far below the photo's native pixel count — DivX is fundamentally a video format, not a way to preserve a high-resolution still.
Yes. A CR2 stores roughly 12-to-14-bit sensor data with headroom to recover highlights, lift shadows, and change white balance after the shot. To write a video frame it must be developed into ordinary 8-bit pixels, so the current white balance and exposure get baked in and that latitude is gone in the clip. Keep the original CR2 as your master, and set white balance and exposure in a RAW editor first if the look matters.
It is silent because a photo contains no audio, so image-to-video conversion omits the audio track rather than padding it with silence. The length comes entirely from "Image Duration": set it to 5 seconds and the single rendered frame is held for 5 seconds. In our testing, one developed CR2 held for 5 seconds and encoded as DivX at a 720×576 Home Theater target produced a short, silent, watchable standard-definition clip; add a soundtrack in an editor if you need audio.
Often not. Many DivX-certified DVD players display JPEG photo slideshows directly from JPEG-EXIF files on a disc or USB stick, which is simpler than wrapping a single photo in a video. If your player does that, convert with CR2 to JPG and skip DivX. Use this page only when the player specifically needs a .divx/.avi video and will not read a JPEG slideshow.
Your CR2 is uploaded over an encrypted connection, rendered on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, and your photos are never shared or made public. If the resulting clip is too large to send, run it through the video compressor first.