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Supports: CR2
An .mpg file is an MPEG program stream — the container standardised alongside MPEG-1 as ISO/IEC 11172-1 and extended for MPEG-2 as ISO/IEC 13818-1, better known to broadcast engineers as ITU-T H.222.0. Turning a Canon raw into one means rendering the photograph and holding it on screen as video. The only real decision on this page is which codec goes inside: MPEG-2, which is preselected and is what DVDs and digital broadcasting use, or MPEG-1, which is older, simpler and decodable by almost anything that ever played video.
| Property | MPEG-1 | MPEG-2 |
|---|---|---|
| Standard | ISO/IEC 11172 | ISO/IEC 13818; video part also ITU-T H.262 |
| First published | August 1993 (Systems, Video and Audio parts) | 1996 |
| Designed for | Roughly 1.5 Mbit/s — VHS-grade video on a compact disc | Broadcast and disc video at far higher bitrates |
| Interlaced coding | Not supported | Supported, which is why broadcasting adopted it |
| Typical resolutions | SIF sizes such as 352 x 240 and 352 x 288 | Up to standard and high definition rasters |
| Decoder reach | Universal; MPEG-2 decoders are required to play MPEG-1 video too | Universal on desktop, and in every DVD and broadcast device |
| Efficiency at a given quality | Lower — it predates most of MPEG-2's coding tools | Higher, particularly at broadcast rasters |
| Selected here by default | No | Yes |
| Best for | Maximum compatibility with old equipment and software | Anything aimed at DVD authoring, broadcast or professional ingest |
.cr2 onto the page or click "+ Add Files". With several files queued, Merge strategy decides between one combined clip ("Merge images") and one file per photograph ("Video per image")..mpg. It is uploaded over an encrypted connection, converted on our servers and deleted automatically a few hours later — no sign-up, no watermark.| Container | What it is | Sensible when |
|---|---|---|
| MPG (program stream) | One program of audio and video with low overhead, designed for reliable storage such as discs | DVD authoring, legacy players, anything that names MPEG |
| MP4 | The modern general-purpose container, normally carrying H.264 | You want the clip to play on phones, browsers and social platforms |
| WebM | Open container carrying VP8, VP9 or AV1 | The clip is going straight into a web page |
| MXF | Professional broadcast wrapper with strict conformance rules | A delivery specification demands it — and note it rejects still-image frame rates |
A container that multiplexes one programme's audio and video into a single stream with variable-size records and very little framing overhead. It was designed for reliable storage media such as discs, which is why it does not carry the error resilience that transport streams use for broadcasting. You will see it as .mpg and .mpeg, occasionally .m2p or .ps, and as .vob on a DVD, where it is the same structure under a different name.
Because there is nothing moving. A photograph is encoded once and looped for the duration you choose, so a five-second clip is five identical frames. Any editor or authoring tool will re-time it to 25 or 29.97 frames per second when it needs to, and re-encoding identical frames is close to free. If your target is a DVD, expect the authoring software to re-encode regardless, since disc video is specified around 720 x 480 at 29.97 interlaced frames per second for NTSC and 720 x 576 at 25 for PAL.
A still image has no sound to encode, so no audio stream is written. The Audio Codec list still shows what this container accepts — MP2, MP3, AC3 and DTS, with MP2 as the default and the codec MPEG program streams have historically been paired with. If you add music later in an editor, MP2 or AC3 are the choices a DVD or broadcast chain will expect.
The bytes are the same; the filename differs. CR2 to MPEG2 writes the identical MPEG program stream with a .mpeg2 extension, which is a codec name rather than a container name and which some software does not recognise. Unless a system has specifically asked you for .mpeg2, .mpg is the better filename because far more applications know what to do with it on sight.
Probably not, and that is a container problem rather than a quality problem. Phones and browsers expect MP4 or WebM; MPEG program streams belong to the disc and broadcast world. Desktop media players handle them without complaint. If the clip needs to travel, CR2 to MP4 produces something that plays essentially everywhere, and MPG to MP4 converts one you already have.
The photograph's own dimensions unless you choose otherwise, capped at 4096 pixels on the long edge — the frame is prepared at that ceiling before encoding, so a modern high-resolution raw is scaled down to fit. When the destination expects a specific raster, set it yourself with Fixed Resolutions or Width x Height in Pixels rather than leaving it to the source, because disc and broadcast equipment is strict about raster sizes.
They appear when the raster you selected has a different aspect ratio from the photograph. The picture is scaled to fit inside the frame and the leftover area is filled with Background Color, which defaults to white and offers two dozen alternatives. You can also avoid the bars entirely by leaving Video resolution on "Keep original", which uses the photograph's own shape.
Up to a point. Upload them together, leave Merge strategy on "Merge images", and each is held for the Image Duration you set, in upload order, in a single clip. What you cannot do here is give individual photographs different durations, add transitions or lay music underneath — that is editing work. For a straight sequence of stills at a fixed interval, though, this is the whole job in one pass.