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Supports: CR2
This page renders a Canon CR2 RAW photo into an MPG (MPEG-1/MPEG-2) video clip that holds the still image on screen for a duration you set — no motion, no slideshow effects, and no sound. MPG is a legacy target, so this walk-through explains when it is actually the right choice, why a 20-megapixel photo gets downscaled into a standard-definition video frame, and what you give up by baking a RAW into a video.
.cr2 file onto the page or click "+ Add Files" to browse. You can queue several Canon RAW files at once.MPG is a container for MPEG-1 (ISO/IEC 11172, published 1993) and MPEG-2 (ISO/IEC 13818, 1995) video — the codecs behind Video CD, DVD, and older digital-TV broadcast. They predate H.264 by more than a decade, so the only honest reason to pick MPG over a modern format is a target that genuinely cannot read anything newer:
Two things change when your RAW becomes an MPG frame. First, resolution drops sharply. MPEG-1 was built around SIF (about 352×240), and MPEG-2 around DVD frames (720×480 NTSC, 720×576 PAL). A 20-megapixel Canon sensor is roughly 5472×3648, so the photo is downscaled by a large factor to fit a standard-definition video frame — the MPG does not preserve your photo's pixel count. Second, the RAW is developed and baked in. A CR2 holds 14-bit sensor data with room to recover highlights and shift white balance; to write a video frame, the converter demosaics it to ordinary 8-bit pixels with the current exposure and white balance fixed. The video frame is a rendered interpretation, not your negative.
If your camera is a recent Canon mirrorless body (EOS R or M50 era, roughly 2018 onward), your RAW files likely end in .cr3, not .cr2, and this page will not accept them — use a CR3 converter instead. And if your goal is simply a viewable or print-ready picture rather than a video, skip the MPG wrapper entirely: CR2 to JPG gives you a small, openable image, and CR2 to TIFF gives you a high-fidelity print master. Convert to MPG only when a legacy player or DVD workflow specifically requires that container.
Only when something downstream cannot read modern video. MPG carries MPEG-1 or MPEG-2 — the codecs behind Video CD, DVD, and older broadcast gear — which predate H.264 by more than a decade. If you are feeding a DVD-authoring tool or an old institutional player, MPG (MPEG-2) is the safe match. For a phone, a website, or any current editor, CR2 to MP4 is smaller and far more compatible.
No. MPEG-1 targets roughly 352×240 (SIF) and MPEG-2 targets DVD-era frames like 720×480 or 720×576, so a 20-plus-megapixel CR2 (around 5472×3648) is downscaled by a large factor to fit a standard-definition video frame. You can pick a larger preset under "Video resolution", but MPG is fundamentally a standard-definition-era format — it will not match the detail of the original photo or of an H.264 MP4 at full size.
Yes. A CR2 stores roughly 14-bit sensor data with headroom to recover highlights, lift shadows, and change white balance after the shot. To write a video frame it must be developed into ordinary 8-bit pixels, so the current white balance and exposure get baked in and that latitude is gone in the clip. Keep the original CR2 as your master, and set white balance and exposure in a RAW editor first if the look matters.
MPEG-2 is the default and the right choice for almost every MPG use — it is the DVD and digital-broadcast codec, with better quality at a given bitrate. Choose MPEG-1 only for a true Video CD or a very old player that cannot handle MPEG-2; it is the more constrained, lower-bitrate option and looks worse. You set this under "Video Codec" in Advanced Options.
It is silent because a photo contains no audio, so image-to-video conversion omits the audio track rather than padding it with silence. The length comes entirely from "Image Duration": set it to 5 seconds and the single rendered frame is held for 5 seconds. In our testing, one developed CR2 held for 5 seconds and encoded as MPEG-2 produced a short, silent standard-definition clip suitable for a DVD-style timeline; add a soundtrack in your editor if you need audio.
Your CR2 is uploaded over an encrypted connection, rendered on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, and your photos are never shared or made public. If the resulting clip is too large to send, run it through the video compressor first.