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Supports: CR2
A CR2 is a single still photograph — the unprocessed "digital negative" your Canon DSLR writes to its memory card. RMVB (RealMedia Variable Bitrate) is a late-RealNetworks video container from 2003, the variable-bitrate cousin of RM that fansub groups once used to pass around Chinese TV episodes and movies. So this conversion is doubly outdated: it takes one still image and wraps it inside an abandoned streaming-era video format, producing a silent, static .rmvb clip that shows a single frozen frame. Most people who land here do not actually want this. If you only need to view, edit, print, or share the photo, convert it to CR2 to JPG instead — that opens on every phone, browser, and photo app. If you genuinely need the still as a video clip that plays everywhere, CR2 to MP4 gives you an H.264 file modern players handle. Only continue to RMVB if a specific legacy RealMedia system genuinely requires a .rmvb. For constant-bitrate RealMedia instead, see the sibling page CR2 to RM.
| Property | Value |
|---|---|
| Full name | Canon RAW 2 (CR2), Canon's second-generation RAW format |
| Container | TIFF-based structure (multiple Image File Directories) |
| Sensor data | Lossless-JPEG-compressed raw sensor readout, not a finished picture |
| Bit depth | Up to 14 bits per channel on most bodies |
| Typical resolution | Often around 20 megapixels, depending on the camera body |
| Introduced | 2004, with the Canon EOS-1D Mark II |
| Replaced by | CR3, which newer Canon bodies began writing from 2018 |
| Best for | Editing latitude and archival masters — not direct viewing or playback |
| Property | Value |
|---|---|
| Full name | RealMedia Variable Bitrate |
| Developer | RealNetworks |
| Released | 2003 |
| Relationship to RM | Variable-bitrate variant of the RealMedia container; RM is constant-bitrate |
| Container header | Shares the same .RMF RealMedia header as RM |
| Intended use | Locally stored video files, not live streaming (that was RM's job) |
| Video codec here | RealVideo 1.0 (RV10) by default, or RealVideo 2.0 (RV20) |
| Native browser support | None — no current browser, phone, or smart TV decodes it |
| Plays in | VLC, Media Player Classic, MPlayer, and FFmpeg-based players; RealPlayer SP if installed |
| Heritage | Fansub and file-sharing era; popular for distributing Chinese TV and films |
RMVB and RM are the same RealMedia container with one difference: RM holds video at a constant bitrate, which suited dial-up and early-broadband streaming where a predictable data rate mattered; RMVB uses a variable bitrate, spending more bits on complex frames and fewer on simple ones, which made smaller files for content you download and keep rather than stream. That is why RMVB became the format of choice for stored movies and episodes in the mid-2000s. For a single still photo, the distinction barely matters — one frozen frame has no scene complexity to vary across — so RMVB and RM produce near-identical results from a CR2. Pick RMVB only because a target system or playlist specifically expects the .rmvb extension.
.CR2 photo onto the page, or click "Add Files" to browse. You can queue several CR2 files and they share the same output settings..rmvb. No sign-up, no watermark.RM uses a constant bitrate and was built for streaming; RMVB uses a variable bitrate and was built for stored files, which let it pack movies and TV episodes into smaller downloads in the mid-2000s. For a single still image the difference is academic — there is only one frame, so there is no varying scene complexity for VBR to exploit — and a CR2 converted to RMVB looks essentially the same as the same shot converted to RM. Choose RMVB purely because a specific legacy player or system expects the .rmvb extension.
No, not natively. RealMedia development wound down after RealNetworks sold its video patents and next-generation codec software to Intel — a $120 million deal that completed on April 5, 2012 — and no current browser, phone, or smart TV decodes RMVB out of the box. To play the .rmvb you generally need VLC, Media Player Classic, or another FFmpeg-based player; the official RealPlayer is rarely installed today. This is the main reason this page steers most people to JPG or MP4 instead.
It is a single still frame held for the duration you choose. A CR2 is one photograph, so the conversion fits that image into a video frame and plays it for the Image Duration (5 seconds by default), with no motion and no audio. If you needed genuine moving footage, a RAW photo was never the right source — you would start from a video file.
Yes, substantially. A CR2 holds up to 14 bits per channel of unprocessed sensor data; the RealVideo codecs inside RMVB (RV10/RV20) are 8-bit and H.263-era, so the extra tonal range is discarded, and RealMedia content was sized for dial-up and early broadband — roughly 320x240-class frames. Scaling a roughly 20-megapixel image down to that target removes most of the fine detail. In our testing, a single CR2 encoded to RV10 at a 320x240-class frame looked dramatically softer than the same shot exported to JPG. If preserving the picture matters, use CR2 to JPG or CR2 to TIFF.
The default is RealVideo 1.0 (RV10), the H.263-based codec that shipped with RealPlayer 5; the only other choice is RealVideo 2.0 (RV20), the later RealVideo G2. Both encode through FFmpeg's open-source RealVideo encoders. H.264 is not a valid codec inside a RealMedia container — if you want an H.264 clip of the photo, you are really looking for CR2 to MP4.
Rarely. The one honest case is feeding an un-migrated legacy system that still expects RealMedia Variable Bitrate — an old media archive indexed by .rmvb filenames, or a download-and-play library built around the format in its fansub-era heyday. For anything else, CR2 to JPG gives you a normal photo that opens everywhere, and CR2 to MP4 gives you a still-as-video clip any modern player handles.
Your CR2 is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. Files are never shared or made public, and there is no sign-up or watermark.