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Supports: CRW
CRW is Canon's first-generation RAW photo format from the early-2000s EOS and PowerShot cameras, and MOV is Apple's QuickTime video container. This converter renders the RAW still and writes it into a MOV clip that holds that single frame on screen for a duration you set — useful when you need a Canon RAW shot as a self-contained video element rather than a flat image.
The result is a still-image video: one motionless frame, no motion and no audio, encoded with H.264 so it drops straight onto a Final Cut Pro or QuickTime timeline. If you only want a viewable photo, convert to JPG instead; pick MOV when an editor or player specifically expects a video file.
| Property | Value |
|---|---|
| Full name | Canon RAW (CRW) |
| Container | Camera Image File Format (CIFF), heap/directory structure |
| CIFF specification | Released by Canon (with the CIFF Forum), Feb 1997 |
| Payload | Unprocessed sensor data, typically 12-bit |
| Typical cameras | EOS D30, D60, 10D, 300D; PowerShot G1–G6, S30–S70 |
| Era | ~2000–2004 |
| Succeeded by | CR2 (TIFF-based), from the EOS-1D Mark II in 2004 |
| Reads today | Photoshop, RawTherapee, darktable, dcraw, LibRaw |
| Property | Value |
|---|---|
| Full name | QuickTime File Format (.mov) |
| Developer | Apple — proprietary 1991, public spec 2001 |
| Extensions | .mov, .qt |
| Standardized as | Basis for MP4 / ISO Base Media File Format (ISO/IEC 14496) |
| Default video codec here | H.264 (AVC) |
| Audio | None — a CRW still has no audio track |
| Best for | Apple ecosystem, Final Cut Pro and QuickTime workflows |
It is a still. A CRW is a single photo, so the output is one motionless frame held for the duration you set — there is no motion and no audio. It is a video container wrapping a static image, which is exactly what a player or NLE timeline needs when it expects a video file rather than a photo.
CRW came from Canon's early digital bodies — the EOS D30, D60, 10D, and 300D (Digital Rebel), plus PowerShot G-series (G1–G6) and S-series (S30–S70) compacts. Canon retired CRW with the EOS-1D Mark II in 2004, switching to the TIFF-based CR2 format from that point on.
A CRW RAW photo carries no sound, so there is nothing to encode. The MOV is written video-only. If you need narration or music over the still, add it afterward in a video editor once you have the MOV on the timeline.
By default the MOV is encoded with H.264 (AVC), the codec QuickTime and Final Cut Pro handle natively. H.264-in-MOV plays without extra components on macOS and in most modern players, which is why it is the sensible default for a clip you intend to edit or hand off.
CRW stores unprocessed, typically 12-bit sensor data with Canon's white-balance and picture-style metadata. The converter develops that RAW into a standard 8-bit video frame using sensible defaults, so the MOV reflects a baked-in rendering rather than the editable latitude you would keep by editing the RAW directly in Photoshop or RawTherapee first.
Choose MOV for Apple-centric work — Final Cut Pro and QuickTime treat it as a first-class citizen. Choose MP4 when you need the widest device and web compatibility; it uses the same H.264 frame but in a container that plays almost everywhere. Both produce the same still-held-as-video result.
Yes. Upload them together and select "Merge images" to render them as a single MOV, with each frame shown for the Duration you chose — a basic slideshow. Choose "Video per image" instead to get one separate MOV per photo.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. In our testing, a single 10-megapixel CRW rendered to a 5-second 1080p H.264 MOV produced a small file of only a few megabytes, since every frame is identical and compresses heavily.