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Supports: DCR
The short answer, before you upload anything: if your .dcr is a photograph, SVG is almost certainly the wrong target, and DCR to PNG or DCR to JPG is what you actually want. DCR is Kodak's Digital Camera RAW — continuous-tone sensor data with millions of subtly different values. SVG is XML geometry that stores shapes and fills, not pixels. Converting one to the other does not "sharpen" or "make scalable" your photo; it traces it, redrawing the picture as a stack of solid-colour vector regions. That is exactly right for a logo, a stamp, a signature, or a line drawing captured on a DCS body, and exactly wrong for a portrait or a landscape. The rest of this page explains how to get a good trace when tracing is genuinely what you need.
| Property | DCR (input) | SVG (output) |
|---|---|---|
| Full name | Kodak Digital Camera RAW | Scalable Vector Graphics |
| Maintained by | Eastman Kodak — DCS line discontinued May 2005 | The W3C, which has maintained the specification since 1999 |
| Data model | A grid of sensor values (Bayer mosaic) | XML text describing paths, fills, and transforms |
| Structure | TIFF-based container, sensor data compressed with lossless JPEG | Plain-text XML; compresses well, editable in any text editor |
| Bit depth / colour | 12-14 bits per channel, continuous tone | Flat fills — as many distinct regions as the trace produces |
| Scales without blur? | No — it is a fixed pixel grid | Yes — geometry is resolution-independent |
| Gradients and fine texture | Recorded faithfully | Collapsed into bands of solid colour |
| Native browser support | None; needs a RAW decoder | Chrome, Firefox, Edge, and Safari all render SVG natively |
| Best for | The archival master of a photograph | Logos, marks, line art, high-contrast graphics |
.dcr onto the page or click "+ Add Files" to browse. Files are sent over an encrypted connection and you can queue several at once..svg. No sign-up, no watermark — files are processed on our servers and deleted automatically a few hours later.Number precision is the only exposed control on this page, and it does two jobs at once rather than the single "detail" job the name suggests.
12.3456789 instead of 12.35 — visually identical at any sane zoom, but measurably more bytes across thousands of paths.Because both jobs push in the same direction, raising the slider raises both the number of shapes and the size of every shape's description. That is why file size climbs so fast on a detailed source and why the in-app note steers you to 4-6. There is no separate colour-count, smoothing, or speckle-filter control here, so precision is the single lever — set it deliberately and re-run if the first result is too coarse or too heavy.
| Setting | Result | Use it for |
|---|---|---|
| 1 - 3 | Very few colour regions, bold poster shapes, smallest file | Silhouettes, stencils, single-colour marks |
| 4 - 6 | The recommended band — clean edges, manageable path count | Logos, stamps, signatures, high-contrast graphics |
| 7 - 8 | Fine edges and thin lines survive; path count and file size climb | Detailed line art, engraved or etched artwork |
| 9 - 10 | Out of range — the run stops with an out-of-range error and no file | Never. Colour precision caps at 8 and the same slider value feeds it, so 8 is the real maximum |
Vector tracing is the wrong tool for photographs, full stop. A DCS-series capture holds 12-to-14-bit continuous-tone data across millions of photosites, and SVG has no efficient way to store smooth gradients — every subtle transition has to become either a hard edge or a stack of near-identical shapes. If your goal is a usable, shareable image, send the DCR to a raster format: DCR to TIFF for a lossless archival master, DCR to JPG for something that opens everywhere. If what you actually want is your photograph inside a vector-ish wrapper for a print or layout workflow rather than redrawn as shapes, DCR to EPS embeds the rendered raster in an EPS frame instead of tracing it. Reserve SVG for source material that is already made of flat shapes.
Geometrically yes, visually no. The tracer redraws the image as resolution-independent paths, so the SVG does scale to any size without blurring — but it gets there by collapsing continuous tone into flat colour regions. A photograph becomes a stylized poster, not a faithful reproduction. If what you need is a big, sharp copy of the picture itself, scale it as a raster instead.
Two things at once: how many significant bits per RGB channel the tracer uses when clustering pixels into colour regions, and how many decimal places are written into each path's coordinates. Raising it therefore increases both the number of shapes and the length of every shape's description, which is why file size grows quickly. The in-app guidance recommends 4 to 6 for most images, and the slider opens at 6.
Because a complex image becomes thousands of individual paths, and every path is written out as text in the SVG's XML. A photographic source at high precision can easily exceed the RAW it came from — the DCR stores one compact, losslessly compressed sensor mosaic, while the SVG stores an explicit geometric description of every colour region the tracer found. If the output balloons, that is the strongest possible signal that a raster format suits this image better.
SVG as a format does support embedded raster images, but that is not what this converter does — it runs a tracer and produces vector paths. If you want the photograph carried inside a container that print and layout tools accept rather than redrawn as shapes, DCR to EPS embeds the rendered raster in an EPS frame. For plain web use, an ordinary DCR to PNG is simpler and smaller than any embedded-image SVG.
DCR is Eastman Kodak's Digital Camera RAW, written by the professional DCS line — bodies such as the DCS 720x, DCS 760, DCS Pro 14n, SLR/n, SLR/c, and the DCS Pro Back. It is a TIFF-based container holding minimally processed 12-to-14-bit sensor data. Kodak left the professional DSLR business in May 2005, so mainstream viewers and browsers show nothing useful; dedicated RAW editors such as Adobe Camera Raw, Lightroom, and RawTherapee still decode it, which is the main reason people migrate these files to standard formats.
Not at all — it is the most destructive thing you can do to a RAW. The 12-to-14-bit sensor data is what lets you recover highlights and reset white balance long after the shot; tracing first develops that data into ordinary pixels and then discards even those, replacing them with a handful of flat fills. Keep the original .dcr archived as your master and treat the SVG as a stylized derivative.
Yes. SVG is an XML-based vector standard the W3C has maintained since 1999, and Chrome, Firefox, Edge, and Safari all render it natively with no plugin. You can drop the file into an <img> tag, inline it in HTML, style the shapes with CSS, and scale it to any size. Because the file is plain text it also compresses well over the wire.
Start at 4 and only climb if edges look ragged. On a high-contrast mark the low end of the recommended band gives sharp outlines and only a handful of colour regions, which is exactly what you want in a logo. Pushing toward 8 mostly adds paths that follow the paper texture and scanner noise around the mark rather than improving the mark itself — and every one of those paths costs file size. Do not go past 8: the same value doubles as the colour precision, which is only defined for 1 to 8 bits per channel, so 9 and 10 stop the run with an out-of-range error rather than giving you a finer trace. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion; there is no sign-up and no watermark, and nothing is shared or made public.