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Supports: DCR
A Kodak .DCR is a still RAW photo from a Kodak DCS Pro camera; WebM is an open web-video container. This converter renders the RAW into a finished frame and holds it as one motionless image for a duration you choose, then packages it as a WebM clip — no motion, no audio, not a slideshow. The honest reason to do this is narrow: you need a photo slate, a title card, or a still you can drop straight onto a WebM timeline. For a picture you actually want to view or share, render to DCR to JPG instead and keep the original DCR as your master, because rendering bakes the raw data into flat video pixels.
| Property | Value |
|---|---|
| Format | Kodak Digital Camera RAW (camera raw / "digital negative") |
| Container | TIFF-based — the raw sensor data sits inside a TIFF-style structure |
| Raw payload | Sensor data compressed with lossless JPEG, similar to early Canon CR2 and Adobe DNG |
| Bit depth | High-bit linear sensor data (12–14 bit typical), not 8-bit display pixels |
| Produced by | Kodak DCS Pro line — bodies like the DCS 720x and 760, and the DCS Pro Back digital backs |
| Not to be confused with | Macromedia/Adobe Director (Shockwave) .dcr, a compiled multimedia file — unrelated to this photo format |
| Motion / audio | None — a single still frame |
| Best for | Editing — white balance, exposure, and tone stay adjustable |
| Property | Value |
|---|---|
| Format | WebM — open, royalty-free multimedia container |
| Introduced | 2010, by the WebM Project (sponsored by Google) |
| Container | Streamlined profile of the Matroska container |
| Video codec | VP9 by default here; VP8 also supported |
| Audio codec | Vorbis or Opus (this still-image output carries no audio) |
| Native playback | Chrome 25+, Firefox 28+, Edge 79+, Opera 16+, Safari 16+ |
| This output | One motionless rendered frame held for a set duration — silent, no motion |
| Best for | Web-native video; a still placed on a WebM timeline |
.DCR onto the page or click "+ Add Files" to browse. You can queue several DCR files at once.No, and the shared extension trips people up. This converter handles the Kodak Digital Camera RAW image — a TIFF-based raw written by Kodak DCS Pro DSLRs and digital backs. It is unrelated to the Macromedia/Adobe Director (Shockwave) .dcr, which is a compiled multimedia file, not a photo. If your file is a web animation rather than a camera raw, this tool is not the right one.
No. The conversion takes one DCR photo and displays it as a static image for the duration you set. There is no panning, zooming, or animation, and the output carries no audio track — it is a silent, single-frame still rendered into a WebM video, not a slideshow. If you upload several files and pick "Merge images," you get those stills shown one after another, but each is still motionless.
Yes — completely. A DCR is an unprocessed negative: white balance, exposure, highlight recovery, and tone are all still adjustable in raw software. Rendering to WebM bakes the camera's current interpretation into flat video pixels and discards the rest, so you can no longer rebalance color or pull back blown highlights afterward. Always keep the original DCR as your master and treat the WebM as a disposable export for a timeline.
VP9 by default. WebM is an open container that carries VP8 or VP9 video, and you can switch the Video Codec under Advanced Options. VP9 generally gives smaller files at the same quality, while VP8 has broader legacy playback. Both are royalty-free and, per caniuse, play natively in Chrome 25+, Firefox 28+, Edge 79+, Opera 16+, and Safari 16+.
A DCR frame's aspect ratio may not match your chosen output resolution, so the converter fills the leftover space with the Background Color you select rather than stretching or cropping the photo. Black is the default; pick white or another color under Advanced Options if black bars don't suit the project. You can also set a matching Video resolution so the still fills the frame.
If you want a still image to view, edit, or share, render to DCR to JPG — it is smaller and universally supported. Go to WebM only when you specifically need a video clip whose destination is a web page or an editor that already works in WebM. For a clip that plays on more devices and social platforms, DCR to MP4 is the safer target, since WebM playback is mainly a browser strength. In our testing, a 5-second WebM from a single high-resolution DCR at the Very High preset came out only a few hundred kilobytes, because a motionless frame compresses heavily under VP9.
Your file is uploaded over an encrypted connection, rendered on our servers, and deleted automatically a few hours after conversion. There is no sign-up, no watermark, and your files are never shared or made public. The real limit on a large raw file here is upload size and time, since DCR files from Kodak DCS Pro bodies can run tens of megabytes each.