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Supports: DIVX
DivX is a video format, so "DivX to FLAC" means decoding the audio track out of a DivX video and re-wrapping it as a FLAC file — the picture is discarded and only the sound is kept. DivX is the early-2000s MPEG-4 Part 2 codec brand behind countless DVD-rip AVI files; FLAC is the Free Lossless Audio Codec, a patent-free, open container that shrinks audio without throwing any of it away. This converter is for rescuing a soundtrack, concert recording, or lecture from an old DivX rip and packaging it as a stable, editable archive.
| Property | Value |
|---|---|
| Type | Video codec (MPEG-4 Part 2 Advanced Simple Profile) |
| Released | DivX 3.11 alpha, 1998; rebuilt as official DivX 4, 2001 |
| Container | .divx / .avi (AVI-based) |
| Audio inside | Usually MP3 stereo or AC3 stereo / 5.1 — both lossy |
| License | Proprietary (DivX, LLC) |
| Carries video | Yes — discarded in this conversion |
| Best for | Legacy DVD-rip movies, recorded TV, home-burned discs |
| Property | Value |
|---|---|
| Standard | RFC 9639 (IETF, December 2024); reference codec by Xiph.Org |
| Released | Version 1.0, July 2001 (Josh Coalson) |
| Type | Lossless audio — byte-for-byte identical on decode |
| Bit depth | 4 to 32 bits per sample (CD audio is 16-bit) |
| Sample rate | 1 Hz up to 1,048,575 Hz |
| Channels | 1 to 8 |
| License | Royalty-free, patent-unencumbered, open-source reference implementation |
| Best for | Lossless archiving and editing without generational loss |
.divx or .avi file onto the page, or click "Add Files" to browse. You can queue several files and run them with the same settings; the video stream is dropped and only the audio is decoded.No, and it is worth being plain about this. The audio inside a DivX file is already lossy — almost always MP3 or AC3 — so decoding it and wrapping it in FLAC gives you a lossless container around audio that has already lost data. FLAC cannot rebuild detail that the original encoder discarded. What you gain is a stable, lossless master you can edit, trim, and re-export repeatedly without stacking further generational loss, which is exactly what an MP3 would suffer each time you re-save it.
Both are lossless and decode to identical PCM, so neither adds quality back. The difference is size and metadata: FLAC compresses the same audio to roughly 50-70% of an uncompressed WAV and carries tags (title, artist, album art) cleanly, while WAV stores raw samples and has weaker tagging. Choose FLAC for a tagged archive you'll keep; choose DivX to WAV when an editor or sampler specifically needs raw uncompressed PCM input.
Yes. FLAC's reference implementation is maintained by the Xiph.Org Foundation, and in December 2024 the format was formally standardized as IETF RFC 9639. It is royalty-free and patent-unencumbered, with an open-source decoder — which makes it one of the safer long-term choices for an audio archive, since the specification is public and not tied to a single vendor.
By default the converter inherits the source's own sample rate (commonly 44100 Hz for MP3 audio or 48000 Hz for AC3) and writes standard 16-bit samples. The FLAC format itself supports 4 to 32-bit depth and sample rates up to 1,048,575 Hz, but raising those beyond the source cannot recover detail the lossy DivX track already lost — it only enlarges the file. Use the Audio Sample Rate option if a specific workflow requires a fixed rate.
No. FLAC is lossless at every level, so the Compression level slider only affects how small the file gets and how long encoding takes — not the decoded audio. Level 12 produces the smallest file at the cost of more processing time; a lower level encodes faster and produces a slightly larger file. In our testing, moving from a low level to the maximum on a typical extracted stereo track shaved only a few percent off the size while leaving the playback bit-for-bit identical, so the default is a reasonable balance.
FLAC supports up to 8 channels, so a multi-channel source can in principle be preserved, but in practice the AC3 track is decoded and down-mixed during conversion rather than written as discrete 5.1. For ordinary playback and editing you get a standard stereo FLAC; set Audio Channel to Mono if you specifically need a single-channel file. If you want to keep the full surround mix with the video intact, convert the whole file instead with DivX to MP4 and extract audio separately.
Because FLAC keeps all of the audio data and only compresses it modestly (typically to half or so of raw PCM), while the DivX video compressed both picture and sound aggressively. Extracting a long movie's full soundtrack as lossless FLAC can land in the same size range as the whole compressed video. Trim to just the segment you need, or if a small shareable file matters more than losslessness, convert to DivX to MP3 instead.
.avi extension, not .divx. What now?This converter accepts files with the .divx extension specifically. The vast majority of DivX videos actually carry the standard .avi extension, in which case the .divx-only intake won't match. Use an AVI-based audio extractor for those — an AVI converter reads the DivX stream inside the container regardless of the inner codec, so you don't need to rename the file or know which encoder was used.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.