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Supports: DIVX
This tool pulls the soundtrack out of a DivX video and writes it as a standalone .opus file — the picture is discarded and only the audio is kept. It exists mainly to modernise early-2000s DivX rips, the AVI-era files built to squeeze a feature onto one CD, into the codec the web, messaging apps, and streaming services now default to. The honest limit: a .divx almost always carries MP3 or AC-3 audio, both already lossy, so Opus makes the file dramatically smaller but cannot rebuild detail the first encoder discarded.
.divx file onto the page or click "Add Files." Several clips can be queued and converted with the same settings..opus file. Files upload over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours. No sign-up, no watermark.| Property | Opus (output) | MP3 (usual DivX audio) | AC-3 / Dolby Digital (DVD rips) |
|---|---|---|---|
| Specification | IETF RFC 6716, September 2012 | ISO/IEC MPEG-1/2 Layer III | ATSC A/52 |
| Compression | Lossy | Lossy | Lossy |
| Engine | Hybrid: linear prediction (SILK) plus MDCT (CELT) | MDCT subband | MDCT |
| Bitrate span | 6 kbit/s narrowband speech to 510 kbit/s stereo music | Roughly 8–320 kbps | Roughly 32–640 kbps |
| Efficiency at low bitrate | Excellent | Fair | Modest |
| Licensing | Royalty-free | Patents expired | Licensed by Dolby |
| Where it plays natively | Modern browsers and Android; weaker on legacy hardware | Effectively everywhere | TVs, AV receivers, DVD/Blu-ray players |
Opus is efficient enough that the bitrate you would pick for MP3 is usually too high here. Use the source as your ceiling, not your target.
| Source material | Sensible Opus setting | Why |
|---|---|---|
| Music from a 128–192 kbps MP3 track | 96–128 kbps stereo | Matches the perceived quality of the source without paying for bits it never had |
| Stereo mix from a 192–384 kbps AC-3 track | 128–160 kbps stereo | Comfortably carries a downmixed film soundtrack |
| Dialogue, lectures, commentary | 32–64 kbps mono | Opus was designed for speech at these rates |
| Aiming at a size, not a rate | Specific file size | The encoder solves for the bitrate instead of you guessing |
Channel choice interacts with bitrate: a mono track needs roughly half the bitrate of a stereo one for the same perceived quality, so downmixing dialogue to MONO and dropping to 48 kbps often produces a cleaner-sounding file than keeping stereo at the same total rate.
Sample rate is the one control that will quietly overrule you. The Opus decoder is defined for 8, 12, 16, 24 and 48 kHz, and all of the format's timing arithmetic is expressed at 48 kHz. Our encoder therefore snaps whatever you request to the nearest supported rate — pick 44100 Hz in the Audio Sample Rate dropdown and the file is written at 48 kHz. That is normal and not a quality loss; leaving the control on ORIGINAL does the same thing automatically.
No. This is an audio extraction: the video track is dropped and the result is an audio-only .opus file. DivX is a brand of MPEG-4 Part 2 (Advanced Simple Profile) video compression from the AVI-ripping era, and this tool keeps only what was on its soundtrack. To keep the picture in a format that plays everywhere, use DivX to MP4.
No — that is a property of lossy audio, not a limit of the converter. Both MP3 and AC-3 have already permanently removed information, so re-encoding to Opus is a second lossy pass over what survived. What Opus does deliver is efficiency: the same perceived quality in a much smaller file. Set the bitrate at or near the source rate; pushing far above it only grows the file.
That is the Audio Channel control. Leave it on ORIGINAL to keep the source channel layout, or set STEREO or MONO to fold the surround mix down for headphones and phones. A downmix is irreversible in the output file, so keep the original .divx if you may need the discrete channels for a home-theatre setup later.
Because Opus does not encode at 44.1 kHz. RFC 7845, the Ogg Opus specification, defines decoding at 8, 12, 16, 24 and 48 kHz and fixes all granule-position arithmetic at 48 kHz. Rather than fail the conversion, our encoder snaps the requested rate to the nearest one Opus supports, which for 44.1 kHz is 48 kHz.
.opus the right extension, and is it an Ogg file?Yes to both. RFC 7845 states that "the RECOMMENDED filename extension for Ogg Opus files is '.opus'," and the file is an Ogg stream carrying an Opus bitstream, registered under the audio/ogg media type. If a stubborn player refuses .opus, the same audio inside a general Ogg audio file works too — see DivX to OGA.
.opus file play on my phone, browser, car stereo, or TV?Browsers are in good shape: caniuse reports about 96% global support, with Chrome from version 33, Firefox from 15, and Edge from 14; desktop Safari is listed as partial, while Safari on iOS reached full support in 18.4. Android's own supported-formats page lists an Opus decoder from Android 5.0, with Ogg, MP4 and Matroska as the container formats it names. The soft spot is older fixed-function hardware — pre-2018 car head units and smart TVs frequently never gained Opus. For those, extract to DivX to MP3 for universal playback or DivX to AAC for better efficiency that Apple hardware handles natively.
Yes — open Trim, switch it off Unchanged, and set a start time and duration in either plain seconds or HH:MM:SS.sss. That is the efficient way to lift one song, one quote, or one lecture segment out of a full-length rip instead of converting the whole file and cutting it afterwards.
It is uploaded over an encrypted (TLS) connection, processed on our servers, and deleted automatically after a few hours. There is no sign-up, no watermark, and files are never shared or made public. The Opus Converter hub collects the site's other Opus routes.