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Supports: DIVX
This tool decodes one frame from a DivX video and saves it as a TIFF — a lossless raster image built for archiving, print, and precision editing rather than web display. It does not turn the clip into an animation or an image sequence by default; you pick one moment and get one still. This walk-through shows how to land on the exact frame, which TIFF compression to keep, and an honesty note up front: a frame pulled from an early-2000s DivX rip carries that source's standard-definition softness, and TIFF preserves those pixels faithfully but cannot rebuild detail the old MPEG-4 encode already discarded. Most online frame-grabbers only output JPG, PNG, or GIF, so DivX-to-TIFF online is the narrow job this page exists for.
.divx file onto the page, or click "+ Add Files" to browse. You can queue several files and process them with the same settings.2.100 captures the frame at 2.1 seconds. That one frame becomes your TIFF.The whole job here is the timestamp. The Time (seconds) field accepts decimals, which is how you target one frame instead of a rough whole second — useful because DivX-era video usually runs at 23.976, 25, or 29.97 frames per second, so each frame is only about 0.03-0.04 seconds apart.
8.4.2 or similar, then re-run if it is off by a frame.A realistic expectation matters. Most DivX files you will meet are DVD-era rips at standard definition — commonly around 640×480 or 720×480/576 — because the original MPEG-4 Part 2 codec was built for that era. TIFF records whatever the decoder hands it without adding a second round of lossy compression, so the still is a pristine copy of the source frame. It is not an upscaled or sharpened one.
.tiff in an <img> tag. Grab the frame as a web format instead with Convert DivX to JPG or Convert DivX to PNG..avi extension; this page accepts .divx specifically. If your file ends in .avi, do not rename it to force it through. The practical limit is also upload size and time — a feature-length DivX rip can run to a gigabyte or more, so trim the section you need first with Video Cutter, then grab a frame.If you actually want the video — the moving clip in a modern, efficient format rather than one frozen frame — this tool is the wrong fit, because its output is always a single still image. To modernize the whole clip, use Convert DivX to MP4 instead, which re-encodes to H.264 in the widely supported MP4 container. This converter also cannot read DRM-protected or corrupted DivX files: if the upload fails or the preview is black, the source stream is likely encrypted or truncated, and no online frame-grabber can recover it.
The TIFF stores the decoded frame without adding any further loss, but it cannot recover detail DivX already discarded. DivX is a brand of MPEG-4 Part 2 — a lossy, motion-compensated codec — so the frame the decoder reconstructs is what you get, and the TIFF preserves those exact pixels verbatim. Think of TIFF here as a faithful, re-editable wrapper for whatever the codec produced, not a way to undo the original compression. The frame inherits the source's standard-definition resolution and TV-range color; TIFF keeps it pristine, it does not upscale or sharpen it.
DivX is a video codec — a brand of MPEG-4 Part 2 (Advanced Simple Profile) compression from the early-2000s DVD-rip era. The dedicated .divx extension comes from the DivX Media Format, introduced with DivX 6 in June 2005, which DivX designed as an extension of the AVI file format rather than a wholly separate container. 1 Because these are legacy SD-era encodes, the extracted frame reflects the resolution and quality of that source — which is why a DivX grab looks softer than a frame pulled from a modern HD video.
The output conforms to TIFF 6.0, published 3 June 1992 — still the current revision of the format. 2 TIFF was created by Aldus in 1986 and the specification passed to Adobe when it acquired Aldus in 1994; it has stayed stable since, which is part of why TIFF remains a dependable archival container decades later. The frame is written as a standard baseline TIFF that opens in Photoshop, GIMP, ImageMagick, and essentially any imaging tool.
For compression: both LZW and Deflate are lossless, so neither changes image quality — the choice is size versus compatibility. Deflate/ZIP typically produces a slightly smaller file, while LZW is the most broadly supported compressed-TIFF scheme and opens in older software. Pick None only when you need maximum compatibility with legacy tools that choke on any compressed TIFF, accepting a larger file; for an SD DivX frame the sizes are small either way, so most people can leave lossless compression on. 2 As for the browser: TIFF was never a web display format. Per MDN, other than Safari browsers do not natively support TIFF in web content, so .tiff is not broadly used for on-page display and won't render in an <img> tag without an add-on. 3 If your goal is on-screen viewing or posting, grab the frame as DivX to JPG (universal) or DivX to PNG (lossless, web-friendly) instead.
No — this tool writes one image per file. The TIFF format itself can hold several images in a single file, but here Multiple Screenshots mode returns each extracted frame as its own TIFF, delivered together as a ZIP. That keeps each still independently usable. If you need many frames, set a sensible capture interval rather than grabbing every frame.
For standard-definition DivX sources the files stay small. In our testing, a 720×480 DVD-era frame saved as uncompressed 8-bit RGB TIFF landed near 1 MB, matching the raw pixel math (720 × 480 × 3 bytes ≈ 1.04 MB). Turning on LZW or Deflate compression typically trims that further on natural-image content with zero quality loss — which is why we leave lossless compression on rather than writing uncompressed. There is also a dedicated DivX to TIF converter if your other tools expect the three-letter .tif spelling; the bytes are identical.
Your DivX file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.