Initializing... drag & drop files here
Supports: DNG
If you have a DNG straight off a camera or phone and want one small, sharp file to put on a website or share, AVIF is the most space-efficient modern target available here. But a DNG is a RAW master with full editing latitude, and AVIF is a finished delivery copy — so the honest answer is: convert a copy to AVIF for the web, and keep the .dng as your editable original. This page compares the two formats, shows when AVIF is the right choice, and points you elsewhere when it isn't.
| Property | DNG | AVIF |
|---|---|---|
| Full name | Digital Negative (Adobe) | AV1 Image File Format |
| Type | RAW image (unprocessed sensor data) | Compressed delivery image |
| Released | September 27, 2004 | February 19, 2019 |
| Standard | Based on TIFF/EP; ISO 12234-4 | AOMedia spec; HEIF / ISO-BMFF container, AV1 codec |
| Editing latitude | Full — white balance, exposure, highlights recoverable | None — render is baked in |
| Typical file size | Large (tens of MB) | Small — about 30-50% smaller than JPEG at similar quality |
| Native browser support | None (needs a RAW viewer) | Chrome 85+, Firefox 93+, Safari 16.4+, Edge 121+ (~93% of users) |
| Best for | Archiving and editing with full latitude | Fast-loading web and app delivery |
.dng; the latitude is lost in any rendered output..dng onto the page or click "+ Add Files" to browse — Lightroom exports, Pixel or iPhone ProRAW captures, and camera-vendor DNGs all work, and you can queue several at once.Not in the way the question usually means. A DNG holds unprocessed sensor data with wide editing latitude; AVIF holds a rendered, compressed picture. To make the AVIF, the converter first demosaics the RAW and bakes in white balance, exposure, and tone — so the visible result can look excellent, often indistinguishable at normal viewing sizes, but the editing headroom is gone. For a faithful, web-ready copy AVIF is great; for anything you may re-edit, keep the original .dng.
Size at a given quality. At similar perceived quality, AVIF files are typically about 30-50% smaller than JPEG, and AVIF tends to degrade more gracefully — its artifacts look like soft blur rather than JPEG's blocky edges, especially across skies, gradients, and fine texture. The trade-off is encoding speed and reach: AVIF takes longer to encode than JPEG, and a small share of older browsers can't display it. If universal compatibility matters more than file size, DNG to JPG is the safer choice.
Yes. A DNG stores unprocessed mosaic sensor data — up to 16-bit per channel — which is why you can recover highlights and shadows and reset white balance long after the shot. To write an AVIF, the converter renders that data into ordinary pixels with the current settings baked in. Once it's an AVIF, you're editing a finished image, not the RAW. Adjust white balance and exposure in a RAW editor first if you want control, then convert the result, and keep the .dng as your master.
The AVIF format itself supports 10- and 12-bit color and HDR, which is one of its advantages over JPEG. This converter targets a standard, broadly compatible AVIF suitable for web delivery rather than an HDR-graded master, so treat the output as a standard-dynamic-range delivery copy. If you specifically need a wide-gamut, high-bit-depth file for editing or print, render from the RAW to DNG to TIFF instead, which preserves high bit depth losslessly.
In browsers, AVIF is supported by Chrome 85+, Firefox 93+, Safari 16.4+, and Edge 121+ — roughly 93% of users worldwide can view it natively, per caniuse. Desktop support is more uneven: recent versions of Windows (with the AV1 Video Extension), macOS Ventura and later, and image tools like GIMP and the latest Photoshop can open AVIF, but many older viewers and some editors still can't. If you're handing the file to someone on an unknown setup, JPEG remains the safest bet.
AVIF's HEIF container can carry Exif and XMP metadata, so capture details such as camera model, lens, and date can be preserved through the conversion. Note that DNG also stores RAW-specific data — the original mosaic, per-channel calibration, and adjustable white-balance and exposure tags — and that information does not carry into a rendered AVIF, because the AVIF is a finished picture rather than RAW data. If preserving the full RAW record matters, archive the .dng alongside the AVIF.
Your file is uploaded over an encrypted connection, rendered and encoded into AVIF on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. The main practical limit on a big upload is its size and the time it takes to send, not your device. In our testing, a 24-megapixel DNG converted to AVIF at the "Very High" preset produced a file a fraction of the original's size while staying visually sharp at normal viewing sizes. For privacy-sensitive originals, keep the DNG locally and convert only the copies you need.