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Supports: DV
If you are digitising MiniDV, DVCAM, or Digital8 tapes, converting to DivX almost always means one specific thing: you want the files to play on a DivX-era DVD player or set-top box that was sold with a "DivX Certified" badge. That is a good reason and this page serves it. If the destination is a computer, a phone, or a modern TV, DivX is the wrong target — it is a 2001-vintage MPEG-4 Part 2 codec and DV to MP4 will give you a smaller file that looks better. The comparison below is the decision, and the profile table further down is the part people actually get wrong.
| Property | DivX (this page) | Xvid | MP4 |
|---|---|---|---|
| Video coding | MPEG-4 Part 2, Advanced Simple Profile | MPEG-4 Part 2, Advanced Simple Profile | H.264 / AVC |
| Origin | DivX, LLC — grew out of a 1998 hack of Microsoft's MPEG-4 codec, formalised as DivX 4.0 in 2001 | Open-source project forked from the OpenDivX "encore2" encoder | Joint ITU-T / ISO standard |
| Licensing | Proprietary brand and certification programme | Open source | Patent-licensed but implemented everywhere |
| Container written here | AVI | AVI | MP4 |
| Encoder used here | FFmpeg's MPEG-4 ASP encoder | libxvid | H.264 encoder |
| Coding efficiency at SD | Roughly equal to Xvid | Roughly equal to DivX | Substantially better than either |
| Subtitles, chapters, metadata | None — AVI cannot embed them | None — AVI cannot embed them | Fully supported |
| Default audio here | MP3 | MP3 | AAC |
| Best for | DivX Certified DVD players and set-top boxes | The same class of device, from an open-source encoder | Phones, browsers, modern TVs, editing |
.divx or MPEG-4 ASP in AVI..divx file cannot carry them..dv or .dif capture, or click "+ Add Files" to browse. Batch upload works, and every capture in the queue is converted with the same settings..divx file. Your upload travels over an encrypted connection, is processed on our servers, and is deleted automatically after a few hours. No sign-up, no watermark.This is where tape conversions usually fall over. DivX certification defines profiles with hard resolution, bitrate, and audio limits, and a DV frame at its native size does not fit the most common one.
| DivX profile | Maximum resolution and rate | Max video bitrate | Allowed audio | Does a native DV frame fit? |
|---|---|---|---|---|
| Handheld | 176×144 @ 15 Hz | 600 kbps | 1× MP3 | No — resize heavily |
| Portable | 352×240 @ 30 Hz | 4.85 Mbps | 1× MP3 | No — resize |
| Home Theater | 640×480 @ 30 Hz | 9.71 Mbps | Up to 8× MP3, MP2, or AC3 | No — both 720×480 and 720×576 exceed the width |
| HD 720p | 1280×720 @ 30 Hz | 20 Mbps | Up to 8× MP3, MP2, or AC3 | Yes |
| HD 1080p | 1920×1080 @ 30 Hz, or 1280×720 @ 60 Hz | 20 Mbps (VCL) / 24 Mbps (NAL) | MP3, AC3, or AAC | Yes |
The practical takeaway for anyone targeting a Home Theater profile player: set Width x Height to 640×480. That is not an arbitrary downscale — 640×480 is exactly the 4:3 display geometry that NTSC DV's 720×480 non-square-pixel frame was always meant to be shown at, so you are fixing the aspect ratio and meeting the profile in one move. The Audio Codec default of MP3 is already inside every profile's allowed list.
Both encode MPEG-4 Part 2 Advanced Simple Profile video, and they share an ancestor: when DivX, Inc. stopped public development of the OpenDivX project, other developers took the "encore2" encoder code and started Xvid as an open-source competitor. DivX stayed a commercial brand with a hardware certification programme; Xvid stayed open source. Picture quality at the same bitrate is broadly comparable. On this site the difference is which encoder runs — DivX output uses FFmpeg's MPEG-4 ASP encoder, while DV to Xvid uses libxvid.
Substantially, yes. .divx normally means DivX Media Format, which DivX describes as an extension of the AVI file format that stays backward compatible while adding features such as multiple audio tracks and subtitle tracks. DivX content is also routinely distributed as plain .avi. Our converter writes the MPEG-4 ASP video into an AVI container, so if a player refuses the .divx extension outright, renaming the file to .avi is worth trying before anything else.
Meeting the profile limits is necessary but not always sufficient. Certified hardware decoders from that era can also be particular about the exact codec label written into the AVI stream header, and different encoders write different labels for the same MPEG-4 ASP video. If your player rejects a file that fits its profile, try DV to Xvid, which runs a different encoder, and try renaming the result to .avi. Between those two changes most stubborn set-top boxes come around.
Look up which profile the device advertises, then match the table above. For a Home Theater profile player — by far the most common badge on DVD players — set Width x Height to 640×480. For a Portable profile device, 352×240. Only the HD profiles accept a native 720×480 or 720×576 DV frame without resizing, and those badges appeared on later hardware.
No — the DivX target fixes the video codec, which is the point of the page. The Audio Codec control is open, though, and defaults to MP3. If you want a different video codec inside an AVI container, use DV to AVI, which exposes the full codec list including MPEG-4, Xvid, MJPEG, HuffYUV, MPEG-2, and H.264.
Not if the destination is an older DivX Certified device. AAC only appears in the allowed audio list for the HD 1080p profile; Handheld, Portable, Home Theater, and HD 720p profiles list MP3, MP2, and AC3 only. The MP3 default on this page is the safe choice, and it is also what the vast majority of DivX-era hardware was tested against.
Yes. Consumer DV and Digital8 record interlaced standard-definition fields, and this conversion carries them through — there is no deinterlace control on this page and no deinterlace pass is applied. That suits a set-top box feeding an interlaced television, which is the typical DivX use case. On a progressive computer display, fast motion will show combing; deinterlace in an editor first if the file is destined for a screen rather than a TV.
The file is uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared or made public. The conversion always re-encodes: the DV frames are decoded and compressed again as MPEG-4 ASP, so the result is one lossy generation from the tape rather than a repackaging of the original data.