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Supports: DVR
Both of these are Microsoft video formats and both are built on the same ASF container, which makes the choice between them less obvious than it looks. A .dvr file is a DVR-MS recording written by Windows XP Media Center Edition, Vista, or Windows 7, holding MPEG-2 video and a broadcast audio track. A .wmv file is the same ASF wrapper carrying a Windows Media Video stream instead. The short answer: keep the DVR-MS if the file is only ever going back into Media Center, and convert to WMV when you need something an ordinary Windows machine, an old PowerPoint deck, or a legacy corporate video player will accept without a codec pack.
| Property | DVR-MS (.dvr) |
WMV |
|---|---|---|
| Container | ASF (Advanced Systems Format) | ASF (Advanced Systems Format) |
| Video coding | MPEG-2 | Windows Media Video — WMV 7, 8, or 9 |
| Audio coding | MPEG-1 Audio Layer II or Dolby Digital AC-3 | Windows Media Audio |
| Introduced | Windows XP Media Center Edition | WMV 7 in 1999 |
| Standardised | No — proprietary recording format | WMV 9 was standardised as SMPTE 421M (VC-1) in March 2006 |
| Purpose | Capturing a live broadcast to disk | Distributing a finished file |
| Extra baggage | Program metadata and DRM flags | None |
| Successor | WTV, from Windows Media Center TV Pack 2008 | Largely displaced by H.264 in MP4 |
| Opens without extra software | Only where Media Center exists | Windows Media Player, PowerPoint, VLC, most Windows tools |
.wmv..dvr files can be queued and share one set of settings..wmv target; "Audio Codec" offers WMA v1 and WMA v2, with WMA v2 selected.| Option label | Real codec | Notes |
|---|---|---|
| WMV 1 | Windows Media Video 7 | The 1999 original; smaller decoder footprint, noticeably weaker compression |
| WMV 2 | Windows Media Video 8 | Selected by default for a .wmv target; encodes 4:2:0 only |
| WMA v1 | Windows Media Audio 1 | Stereo maximum |
| WMA v2 | Windows Media Audio 2 | Selected by default; stereo maximum, and only 22.05, 32, 44.1, or 48 kHz |
Windows Media Video 9 and VC-1 are decode-only in the encoder toolchain behind this page, which is why the list stops at WMV 2. If you need a modern codec, the answer is a different container rather than a newer WMV — see DVR to MKV or DVR to MP4.
No. The container is the same but the payload is not — DVR-MS carries MPEG-2 video and MP2 or AC-3 audio, while WMV carries a Windows Media Video stream and Windows Media Audio. Every stream is fully decoded and re-encoded, so plan on one generation of quality loss and choose a compression mode that leaves headroom.
Because encoding and decoding are not the same capability. The toolchain reads Windows Media Video 9 and SMPTE VC-1 perfectly well, but it can only write Windows Media Video 7 and 8. Those two are what the dropdown exposes. WMV 9 output would need Microsoft's own encoder, which is not part of an open toolchain.
If the recording is DRM-flagged, there is nothing to carry over — the conversion will not happen at all, because the protected stream cannot be decoded off the machine that recorded it. For unprotected recordings the opposite is true: the output WMV is a plain media file with no rights-management payload and no Media Center metadata attached.
Start with "Quality Preset" on "Very High (Recommended)" and only move if the result is the wrong size. If you have a hard target — an email limit, a disc, an upload cap — use "Specific file size" and let the encoder solve for the bitrate. "Constant Bitrate" is the right pick when the file will be streamed at a known link speed, since it makes the data rate predictable rather than optimal.
Because WMV is an MPEG-4-family codec that uses a qscale, not the CRF scale H.264 popularised. On the 1–31 qscale, lower numbers mean better quality and bigger files, and useful values sit roughly between 2 and 8. Anything above about 15 will look visibly blocky on broadcast footage.
No — Windows Media Audio tops out at two channels, so a 5.1 AC-3 broadcast is downmixed to stereo during the encode. WMA is also restricted to 22.05, 32, 44.1, and 48 kHz, so a source at any other rate is resampled to 44.1 kHz. If preserving surround matters, convert to a container that can hold it, such as DVR to MKV.
Mostly. VLC, mpv, and ffmpeg-based players handle WMV 7 and 8 on every platform. What you cannot count on is native playback — macOS QuickTime, iOS, Android, and browsers do not decode Windows Media Video without third-party software. If any part of the audience is not on Windows, MP4 is the safer container.
It is worth doing for exactly one reason: guaranteed playback on a plain Windows install or inside older Microsoft software. Outside of that case, WMV 8 is a codec from 2001 and gives up a lot of efficiency to anything modern — at a matched file size, H.264 or H.265 will look considerably better. Windows Media Center itself was discontinued and is not included in Windows 10 or later, so if you are converting these recordings for long-term keeping rather than for a specific old application, DVR to MP4 is the more durable choice.