Initializing... drag & drop files here
Supports: EPS
An EPS is a PostScript program, not a picture file — which is why your logo opens fine in Illustrator and nowhere else. This walkthrough turns that artwork into a JPG that every browser, phone and document editor can display, and it explains the one setting that decides whether the result looks crisp or soft: the output size.
.eps onto the page or click "+ Add Files" to browse. You can queue several EPS files and convert them all with the same settings.Every EPS declares a %%BoundingBox in its header, measured in PostScript points — and a PostScript point is exactly 1/72 inch. Our converter renders the PostScript to pixels at that native 72-per-inch density, so the bounding box maps one-for-one onto the output: an EPS whose bounding box reads 0 0 300 200 comes back as a 300 × 200 px image when Image resolution is left on "Keep original". The mapping is exact at every size: a US-Letter-sized 612 × 792 pt file renders 612 × 792 px.
That matters because the resolution controls resize that render — they do not redraw the PostScript at a higher density. Some practical patterns:
%%BoundingBox (points) |
Render at "Keep original" | Typically |
|---|---|---|
| 200 x 200 | 200 x 200 px | app icon, small mark |
| 300 x 200 | 300 x 200 px | thumbnail, email signature logo |
| 595 x 842 (A4) | 595 x 842 px | full-page artwork at screen size |
| 612 x 792 (US Letter) | 612 x 792 px | flyer or ad proof at screen size |
| 1200 x 800 | 1200 x 800 px | blog hero, presentation slide |
| Property | EPS (input) | JPG (output) |
|---|---|---|
| What the file holds | PostScript drawing code, optionally with embedded raster and a low-res preview | A fixed grid of pixels |
| Scales up without loss | Yes, while it is still PostScript | No — locked to the pixel size you convert at |
| Transparency | The rendered artwork can have a transparent background | None — JPEG has no alpha channel |
| Compression | None on the drawing instructions | Lossy DCT compression on every pixel |
| Editable paths and text | Yes, in a vector editor | No |
| Opens in a browser or phone gallery | Rarely | Everywhere |
| Colour model | Often CMYK, prepared for print | RGB |
If the EPS depends on fonts that are not embedded, the renderer substitutes them, so text can shift or change shape — embed or outline the type before exporting. Files whose PostScript is corrupted, or that were saved as "EPS" by an app that actually wrote something else, will fail rather than render badly. And if what you really need is artwork you can keep resizing forever, no raster target will give you that: keep the .eps (or the original .ai/.svg) as your master and export JPGs from it whenever you need a specific size.
Exactly the bounding box, in pixels. EPS records its artwork size in PostScript points at 1/72 inch each, and the render happens at that same 72-per-inch density, so %%BoundingBox: 0 0 612 792 becomes a 612 × 792 px JPG. If that is smaller than you need, set a Width or Width x Height before converting — or, for the sharpest possible result, enlarge the artwork in your design app and export a new EPS.
Because the enlargement happens after the artwork has already been turned into pixels. The converter renders the PostScript once at its native density and the resolution controls resample that image, exactly as if you had opened it and scaled it up. Nothing is lost if you stay at or below the native size; go well above it and edges blur. Re-exporting the EPS at a larger bounding box is the only way to get genuinely more detail.
It is flattened. JPEG has no alpha channel, so any area the artwork does not paint is filled with a solid colour before encoding. For a logo that has to sit on a coloured page, convert to EPS to PNG or EPS to GIF instead — both keep transparency, PNG with a full 8-bit alpha channel and GIF with a single fully transparent palette entry.
No, and in two separate ways. Turning resolution-independent drawing instructions into a pixel grid is itself a one-way step, and JPEG then applies lossy DCT compression to those pixels. Use the "Highest" Quality Preset if the file will be enlarged, printed or edited afterwards. If you want the pixels kept in true colour instead, convert to EPS to PNG and choose its "Highest" preset there — the lower PNG presets save space by quantising the palette.
They are the same format — the three-letter spelling is a leftover from MS-DOS filenames. This page names the output .jpg, and the File extension control under Advanced Options lets you switch it to JPEG if a system you are feeding insists on the four-letter form. The image data is byte-for-byte identical either way, so pick whichever the receiving software expects.
Windows has never shipped an EPS viewer, and Microsoft turned the format off in Office as of the April 11, 2017 security update — it applies to Office 2010 through Office 2024 and Microsoft 365, because EPS files can carry embedded scripts and Microsoft judged the attack surface too large to keep. That is why converting to a plain raster image is usually the fastest way to get artwork into a document, a slide or an email.
Closely, but not exactly. The output is an RGB JPEG, and CMYK-to-RGB is an approximation: rich blacks and very saturated inks can shift slightly on screen. For web, email and screen use this is normal and no one will notice. For anything colour-critical going to a printer, send the original EPS or a PDF rather than a rasterised JPG.
It is transferred over an encrypted connection, rendered and encoded on our servers, then deleted automatically a few hours later along with the output. There is no sign-up, no watermark, and files are never shared or made public. If you need the reverse trip later, JPG to EPS wraps a raster image back into an EPS container.