Initializing... drag & drop files here
Supports: EPS
EPS (Encapsulated PostScript) is Adobe's self-contained single-page PostScript document, the file a designer or print shop hands over for a logo or illustration; WMV (Windows Media Video) is Microsoft's video format. This converter rasterizes the EPS to a fixed pixel frame and wraps it in a .wmv — but be clear about what that means first. An EPS is a single still page, so the result is a silent video that holds that one frame for a duration you choose: no motion, no audio. It is a niche output. If you just want the artwork as an image, EPS to PNG gives you a universal raster; if you want to keep it editable and scalable, EPS to SVG preserves the vector paths; and if you need a still-as-video that plays on phones and browsers, EPS to MP4 is far more compatible than WMV. Choose WMV only when a specific Windows-Media pipeline demands it.
| Property | Value |
|---|---|
| Standard | Adobe EPS File Format Specification 3.0, 1 May 1992 (last published version) |
| Developer | Adobe (John Warnock and Chuck Geschke), with Aldus, from 1987 |
| What it holds | PostScript drawing code — vector paths and/or an embedded raster image — plus an optional low-resolution TIFF or WMF preview |
| Pages | Single, self-contained page meant to be embedded into another document |
| Needs to display | A PostScript interpreter; most apps can only show the small embedded preview |
| Native support today | Removed from Microsoft Office (turned off in 2018 over embedded-script security); dropped from macOS Preview after Monterey |
| Best for | Print logos, promotional art, and line illustration sent to a designer or printer |
| Property | Value |
|---|---|
| Standard | Microsoft proprietary; WMV 9 was standardized as SMPTE 421M (VC-1) in March 2006 |
| First released | WMV 7, 1999 |
| Type | Video coding format carried in a container |
| Container | Advanced Systems Format (ASF) |
| This page's output codec | WMV 2 (Windows Media Video 8) by default |
| Audio in this output | None — image sources produce a silent video, so no audio codec is written |
| Native support | Strong on Windows; thin on macOS, iOS, Android, and browsers |
| Plays in | Windows Media Player, VLC, MPlayer, Media Player Classic |
| Best for | Legacy Windows Media / Movie Maker / older PowerPoint workflows |
Three honest limits follow from the fact that an EPS is a single still page, not a video:
.wmv with no audio codec at all..eps onto the page, or click "+ Add Files" to browse. Upload several and pick "Merge images" under Merge strategy for one combined video, or "Video per image" for a separate WMV per file..wmv. No sign-up, no watermark.Not strictly — an EPS is a self-contained PostScript page that can hold vector paths, an embedded raster image, or both, plus a small preview. For the WMV step it makes no difference: whatever the EPS draws is rasterized to a fixed pixel frame at the resolution you choose, then written as video. Any vector art that was infinitely scalable in the EPS becomes pixels at that point, so pick the output resolution with the final use in mind.
Because an EPS is a single still page of artwork with no audio to encode. This converter holds that one rasterized frame on screen for the Image Duration you set and writes a video with no sound — and for image sources it writes no audio codec at all. The result is deliberately silent. To add music or narration, convert here first, then bring the .wmv into a video editor such as Shotcut, DaVinci Resolve, or CapCut and add an audio track there.
By default the output uses WMV 2, the codec for Windows Media Video 8, inside an ASF (Advanced Systems Format) container — that pairing is what a .wmv file is. Because the source is a still image, no audio codec is written. WMV 2 is distinct from WMV 9, which Microsoft submitted to SMPTE and which was standardized in March 2006 as SMPTE 421M, better known as VC-1.
No, and that is a limit of the operation rather than a tool flaw. The EPS is rasterized to a fixed pixel grid, and wrapping that frame in a WMV cannot add detail — the WMV 2 re-encode may even soften it slightly. Choosing a larger resolution stretches the single frame to a bigger canvas but invents no new pixels. To stay as close to the source as possible, set the resolution before converting and keep the "Very High" preset. If you want full fidelity, keep the artwork as an image: EPS to PNG is lossless.
EPS is PostScript code, not a bitmap, so it needs a PostScript interpreter to render. Microsoft turned off EPS image support in Office in 2018 over the security risk of embedded scripts, and Apple dropped EPS from macOS Preview after Monterey, so most apps can only show the small low-resolution preview embedded in the file. Rasterizing the EPS — to a WMV here, or to an image with EPS to PNG — produces something those apps can actually display.
It depends on the clip's role. A static title card, splash, or placeholder usually reads well at 3-5 seconds; a slide meant to sit on screen alongside other content works at 8-10 seconds. If you merge several EPS files into one video, each rasterized frame holds for the Duration in turn, so total length equals image count times Duration. In our testing, a single 1920x1080 EPS held at 5 seconds produced a roughly 5-second silent WMV of about 0.5-1.5 MB at the Very High preset, varying with how detailed the artwork is.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after the conversion — no sign-up, no watermark, never shared or made public.