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Supports: F4V
This tool pulls the audio track out of an Adobe Flash-era .f4v video and writes it as a standalone FLAC file, discarding the picture. The question worth answering before you click Convert is whether FLAC is the format you actually want, because the answer depends entirely on what you plan to do with the audio.
The honest framing is this: the audio inside an F4V is already lossy. The format carries AAC or MP3 and nothing else, both of which permanently discarded detail when the file was first encoded. FLAC will preserve every remaining bit perfectly and will never lose another one — but it cannot rebuild what was thrown away years ago. Choose FLAC when the extracted audio is going into an archive or an editing chain. Choose a lossy target when you just want a small file to listen to.
| Property | The audio inside your F4V | FLAC (output) | MP3 (the lossy alternative) |
|---|---|---|---|
| Compression type | Lossy (AAC, sometimes MP3) | Lossless | Lossy |
| Can it recover discarded detail? | — | No — it preserves, it does not restore | No |
| Further loss on re-encode | n/a | None, ever | Yes, every time |
| Typical size for the same audio | Baseline | Several times larger | Similar to the source |
| Standardisation | Part of the Adobe Flash Video File Format Specification 10.1 | IETF RFC 9639, Standards Track, December 2024 | ISO/IEC 11172-3 and 13818-3 |
| Licensing | Codec patents apply to AAC | Royalty-free, patent-free, open source | Patents expired |
| Editing / mastering suitability | Poor — re-encoding compounds loss | Excellent — the standard archival choice | Poor for the same reason |
| Playback everywhere | Needs the video container | Very good, though weaker on older car stereos and some phones | Universal |
| Best for | Leaving alone as a source archive | Archiving or editing the extracted soundtrack | Listening, sharing, portable players |
.f4v onto the page or click "+ Add Files" to browse for it. Several files can be queued and they all run with the same settings.| Property | Value |
|---|---|
| Full name | Free Lossless Audio Codec |
| Maintainer | Xiph.Org Foundation |
| Standard | IETF RFC 9639 (December 2024), Internet Standards Track |
| Compression | Lossless — verbatim, constant, fixed-predictor and linear-predictor modes with Rice coding of residuals |
| Channels supported by the spec | 1 to 8 |
| Sample rates supported by the spec | 1 Hz to 1,048,575 Hz |
| Bit depths supported by the spec | 4 to 32 bits |
| Compression level range here | 1-12, default 12 (smallest file, slowest encode) |
| Integrity check | MD5 signature of the unencoded audio stored in the stream header |
| Other containers it maps into | Ogg, Matroska, ISO base media file format |
No, and it is worth being blunt about why. F4V carries AAC or MP3 audio, both lossy, so detail was permanently removed when the video was first encoded. FLAC is a lossless container for whatever it is handed — it will reproduce that already-reduced audio perfectly and forever, but it has nothing to work with beyond what survived. The real benefit is that no future copy, edit or export loses anything further. If you want a small listenable file rather than an archive, F4V to MP3 is the sensible target.
Because lossy codecs get small by throwing data away and FLAC refuses to. A 128 kbps AAC track is small precisely because most of the original waveform is gone; FLAC keeps every sample of what it receives and typically lands in the region of half the size of raw PCM, which is still far larger than the lossy stream it came from. That size is the cost of the guarantee.
No. Every level from 1 to 12 decodes to bit-identical audio — the setting only controls how hard the encoder searches for a compact representation. Level 12 produces the smallest file and takes the longest; lower levels finish faster and leave the file slightly larger. Since the output is identical either way, there is no quality reason to lower it, only a speed one.
Usually not. Both default to "ORIGINAL", which passes the source through untouched — the right choice for archiving, because resampling and downmixing are themselves lossy operations that FLAC will then faithfully preserve. Change them only for a concrete reason: forcing Mono halves the size of a speech recording where the two channels are identical anyway, and resampling to 44100 Hz suits a device that refuses anything else.
It is discarded. This conversion decodes the audio stream from the F4V and encodes it to FLAC; the H.264 picture is not carried over, because FLAC is an audio-only format with no way to hold video. If you want to keep both, convert the whole file instead — F4V to MP4 keeps picture and sound together in a container that plays everywhere.
For watching it, often yes — F4V is built on the ISO base media file format, so many players open a renamed F4V without complaint. For getting a FLAC, no. Renaming changes the file name and nothing else; the audio is still an AAC stream inside a video container. Producing a standalone lossless audio file requires decoding that stream and re-encoding it, which is what this converter does.
Do not count on it. F4V is a video container whose metadata is oriented around the clip rather than a music track, so there is usually little to carry across in the first place, and what exists rarely maps onto FLAC's Vorbis comment fields. Treat the output as untagged and add metadata afterwards in a tag editor if you need it.
F4V was built to run inside Adobe Flash Player and Adobe AIR. Adobe ended Flash Player support on 31 December 2020 and began blocking Flash content on 12 January 2021, and browsers removed the plugin, so no mainstream runtime opens these files anymore. Desktop players such as VLC still decode many of them locally, but extracting the audio gives you a file with no dependency on any of that.
Your F4V is uploaded over an encrypted connection and processed on our servers. The upload and the resulting FLAC are both deleted automatically a few hours after conversion, there is no sign-up and no watermark, and files are never shared or made public.