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Supports: FLAC
AIFC (AIFF-C) is Apple's extended AIFF wrapper: despite the "C" standing for "Compressed," the container is capable of compression but doesn't require it, and most converters — this one included — write uncompressed PCM inside it. So converting a FLAC to AIFC does not shrink the file and does not improve quality: FLAC already holds the exact, bit-perfect samples, and the AIFC output stores those same samples without compression, which makes it substantially larger. Convert only when a specific Apple/legacy workflow demands an .aifc file. If you just want a standard Apple-friendly master, FLAC to AIFF produces a plain AIFF most apps prefer; if you want to keep it small, stay on FLAC.
| Property | FLAC | AIFF | AIFC (this output) |
|---|---|---|---|
| Container | Native FLAC | AIFF (form type AIFF) |
AIFF-C (form type AIFC) |
| Payload here | Lossless compressed | Uncompressed PCM | Uncompressed PCM (no compression applied) |
| Audio quality | Bit-perfect | Bit-perfect (identical) | Bit-perfect (identical) |
| Typical size | Baseline (smaller) | ~1.5x–2x the FLAC | ~1.5x–2x the FLAC (same as AIFF) |
| Byte order | Codec-defined | Big-endian | Big-endian (PCM, 16-bit by default) |
| Introduced | 2001 (Xiph.Org) | 1988 (Apple, from EA's IFF) | July 1991 (Apple) |
| Can hold compressed audio? | N/A (always compressed) | No — PCM only | Yes (MACE / A-law / μ-law), but legacy and rarely used |
| Best for | Storage, archiving, tagging | Apple/DAW uncompressed masters | Legacy Apple tools that expect .aifc |
.aifc form type and rejects a plain .aiff..flac files onto the page or click "+ Add Files". You can queue several at once and convert them with the same settings.Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — never shared or made public.
No. AIFF-C is a container that can carry compressed audio (legacy codecs like MACE, A-law, or μ-law), but it can equally hold uncompressed PCM — and that's what this converter writes. The "C" describes a capability of the wrapper, not what's inside your file. Because FLAC is already lossless and the AIFC here is uncompressed PCM, the output ends up larger than the FLAC, not smaller.
No. Both FLAC and the PCM inside the AIFC are lossless, and the FLAC already contains the exact original samples. The AIFC stores those same samples uncompressed, so it sounds identical to the FLAC — you gain a specific container format, not fidelity. In our testing, a 16-bit/44.1 kHz FLAC produced a 16-bit/44.1 kHz AIFC with the same audio; the converter does not upsample.
For this conversion, almost nothing audible: both wrap the same uncompressed big-endian PCM and sound the same. The difference is the container's form type — AIFC versus AIFF — plus AIFF-C files carry an extra version (FVER) chunk and compression-type fields in their header. Pick AIFC only if a tool specifically requires the .aifc form; otherwise FLAC to AIFF gives you the more widely expected plain AIFF.
Because there's no compression applied. FLAC shrinks audio losslessly — typically to about half its uncompressed size — while the AIFC here writes every sample out in full. CD-quality uncompressed audio runs around 10 MB per minute of stereo at 16-bit/44.1 kHz, so a FLAC commonly expands to roughly 1.5x–2x its original size when converted to AIFC. The extra bytes are uncompressed data, not added detail.
Usually, yes. ALAC (Apple Lossless) is also bit-perfect and native to iTunes/Apple Music and Logic Pro, but because it's compressed it's roughly half to two-thirds the size of an uncompressed AIFC of the same audio. Choose AIFC only when a workflow specifically documents .aifc as its required interchange format; otherwise ALAC gives you Apple compatibility without the size penalty.
Yes. Because the AIFC holds uncompressed lossless PCM, re-encoding it to FLAC recovers the exact same samples and re-applies lossless compression — no quality loss, just a smaller file again. Our AIFC to FLAC tool does the reverse conversion.
Leaving Audio Channel and Audio Sample Rate on "Original" produces an AIFC that matches the FLAC's source — most commonly 16-bit or 24-bit PCM at the original sample rate (e.g. 44.1 kHz or 96 kHz), written as big-endian PCM in the AIFF-C wrapper. The converter does not upsample, so a 16-bit/44.1 kHz FLAC yields a 16-bit/44.1 kHz AIFC, not a higher-resolution one.