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Supports: FLAC
This converts a lossless FLAC master into AMR, the narrowband speech codec built for mobile telephony — so be clear-eyed about the trade-off: you are going from studio-quality, full-bandwidth audio to an 8 kHz mono voice format. Speech survives this well; music does not — AMR's 200–3,400 Hz band throws away most of the frequencies music lives in, leaving anything melodic sounding thin and warbly. The payoff is a dramatically smaller file. Only convert to AMR when something specifically requires .amr — an old feature phone, a voicemail or IVR system, an MMS attachment, or an embedded device. Keep your FLAC as the master; if you just want small music files, convert FLAC to MP3 instead.
.amr, 8 kHz, for phones and telephony) or AMR Wide Band if your target device supports 16 kHz wideband speech.| Property | FLAC (input) | AMR-NB (output) |
|---|---|---|
| Type | Lossless, full-fidelity | Lossy speech codec |
| Designed for | Music, archival masters | Mobile voice, telephony |
| Sample rate | Typically 44.1–192 kHz | 8 kHz (AMR-NB) |
| Audio bandwidth | Full (up to ~20 kHz) | 200–3,400 Hz |
| Channels | Mono to multichannel | Mono only |
| Bitrate | ~600–1,000+ kbit/s | 4.75–12.2 kbit/s |
| Best use | Listening, editing, storage | Speech where .amr is required |
Standardized by 3GPP in October 1999, AMR-NB uses eight bitrate modes (4.75, 5.15, 5.90, 6.70, 7.40, 7.95, 10.2 and 12.2 kbit/s). AMR Wide Band (also known as G.722.2) raises the sample rate to 16 kHz and the speech bandwidth to 50–7,000 Hz, which sounds noticeably clearer for voice — but it is still a mono speech codec, not a music format.
Yes, if the source is music. AMR is a speech codec that only keeps the 200–3,400 Hz telephone band, so instruments and high frequencies are largely discarded — expect thin, warbly, low-fidelity output. It is the wrong tool for songs. For spoken-word audio (interviews, voice memos, narration) the result is perfectly intelligible and that is what AMR is built for.
Almost always for compatibility, not quality. Some systems only accept .amr: older feature phones, certain voicemail and IVR (phone-menu) platforms, MMS attachments, and small embedded devices. In those cases the tiny file size is also a benefit. If you simply want smaller music files that still sound good, use FLAC to MP3 and keep your FLAC as the master.
AMR Narrow Band (AMR-NB) is the classic .amr: 8 kHz sampling, 200–3,400 Hz, the format old phones and telephony systems expect. AMR Wide Band (AMR-WB / G.722.2) samples at 16 kHz with a wider 50–7,000 Hz band, so voice sounds clearer — but the target device or service has to support wideband AMR. Pick Narrow Band for maximum compatibility, Wide Band only when you know it is supported.
Because the AMR-NB codec is defined that way: it is a single-channel, 8 kHz speech format, so the converter downmixes to mono and resamples to 8000 Hz to produce a valid .amr file. There is no stereo or high-sample-rate AMR-NB. If you need to preserve stereo and fidelity, AMR is the wrong target format.
Much smaller. FLAC typically streams at several hundred kilobits per second, while AMR-NB tops out at 12.2 kbit/s — so a voice recording can shrink by well over 95%. In our testing, a one-minute mono FLAC voice clip of about 5 MB converted to an AMR-NB file under 100 KB. The shrinkage is the whole reason .amr exists; just don't expect music to survive it.
Your file is uploaded over an encrypted connection, converted on our servers, and the upload and result are deleted automatically a few hours after conversion. There is no sign-up, no watermark, and files are never shared or made public.