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Supports: FLV
FLV is the Flash Video container from the early 2000s; AAC (Advanced Audio Coding) is the audio codec that succeeded MP3. This tool pulls the audio track out of an FLV file and writes it as a raw .aac stream — useful because Adobe Flash Player reached end-of-life on December 31, 2020 and FLV no longer plays in any current browser, so extracting the sound is often the only practical way to recover an archived clip, lecture, or podcast that's stuck in FLV. The video is discarded; you keep just the audio. Note that a bare .aac carries no tags or artwork — if you want a tagged, broadly playable file for general listening, FLV to M4A or FLV to MP3 is the better target.
| Property | Value |
|---|---|
| Type | Video container (audio + video) |
| Released | 2003 (Macromedia, later Adobe Flash Video) |
| Typical audio codec | MP3, later AAC |
| Plays in modern browsers | No — Adobe Flash Player end-of-life December 31, 2020 |
| Status | Legacy; Flash content blocked from running since January 12, 2021 |
| Best for | Recovering 2000s-era web video and streaming archives |
| Property | Value |
|---|---|
| Standard | AAC codec (MPEG-2 / MPEG-4 Part 3), in an ADTS stream |
| Wrapper | Bare ADTS — frames with a minimal header, no container |
| Metadata / tags | None — ADTS has no field for title, artist, or artwork |
| Player support | Narrower — some players (e.g. QuickTime) won't open raw ADTS |
| Compression | Lossy; generally more efficient than MP3 at the same bitrate |
| Best for | Encoders, streaming, and pipelines that expect raw AAC frames |
A raw .aac is an ADTS elementary stream — "an almost bare stream of AAC audio data," in MDN's words. An .m4a wraps that same AAC codec inside an MP4 container that can store tags and a seek index. Pick raw .aac when a downstream tool or stream wants bare AAC frames; pick M4A for everyday playback and tagging.
.flv file onto the page or click "+ Add Files". Several clips can queue and extract with the same settings..aac file. No sign-up, no watermark.FLV relied on Adobe Flash Player, which Adobe ended support for on December 31, 2020 and began actively blocking on January 12, 2021. No mainstream browser ships a Flash runtime today, so the container itself is effectively dead for playback. The media inside is usually intact — extracting the audio (or converting the whole clip to MP4) is how you recover content that's otherwise trapped.
Both hold AAC audio; the wrapper differs. This tool outputs a raw AAC stream in ADTS framing with a .aac extension — a sequence of self-synchronizing frames with a minimal header and no place to store tags. An .m4a wraps the same AAC audio in an MP4 container that carries metadata (title, artist, artwork) and a seek index. Pick .aac when a downstream tool or stream wants bare AAC frames; pick M4A for general listening and tagging.
A raw ADTS .aac is not an MP4, so a player that expects a container can reject it — QuickTime, for example, will not open raw AAC ADTS files. Most media players (VLC, modern browsers) and audio tools read it fine, but if a specific app refuses the file, convert to M4A or MP3 instead, which use the broadly supported MP4 and MPEG containers.
Usually a little — this is a re-encode, not a stream copy. FLV almost always stores audio as MP3 or AAC, both already lossy, and re-encoding to AAC adds a small amount of generational loss. In our testing, exporting a typical 128 kbps FLV audio track at a high preset produced an AAC file that was hard to tell from the source on consumer speakers. Choose 192 kbps or higher under Custom Bitrate for maximum headroom.
No. ADTS framing has no field for tags, so title, artist, artwork, and chapter markers are not written to a raw .aac file — that information is lost on export. If you need embedded metadata, choose M4A, whose MP4 container stores tags, or add tags afterward in your own tool.
Yes. Open Advanced Options: Custom Bitrate and Constant Bitrate let you lock a value such as 256 kbps, Audio Channel and Audio Sample Rate let you downmix or resample, and Trim lets you keep only a chosen start point and duration so you're not encoding silence or unwanted sections.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. The main practical limit is upload size and time: an FLV carries full video, so a long clip can take a while to upload even though the .aac you get back is small.