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Supports: FLV
This tool extracts the audio track from an FLV (Flash Video) file and writes it as AIFC (AIFF-C), the extended version of Apple's AIFF container. The picture is discarded — you end up with an audio-only file. FLV is Macromedia/Adobe's Flash-era container, and its soundtrack is almost always MP3 or AAC, both lossy codecs, so this page is honest about what you actually get: a lossless AIFF-C container wrapped around audio that was already lossy. Below is what FLV and AIFC are, what byte order and sample data the converter writes, and when AIFC makes sense over plain AIFF or a smaller format.
Three honest points specific to extracting FLV audio to AIFC:
| Property | Value |
|---|---|
| Developer | Macromedia, later Adobe Systems |
| Released | September 2003 (Flash Player 7) |
| Container | FLV — header plus tagged audio/video/script packets |
| Typical audio codec | MP3 or AAC (both lossy); also Nellymoser, Speex, ADPCM |
| Typical video codec | Sorenson Spark (H.263), On2 VP6, or H.264 — discarded on extraction |
| Lossy audio? | Yes in the common MP3/AAC case |
| Flash Player status | End of life December 31, 2020; FLV files still play in VLC and ffmpeg |
| Best for | Playing back legacy Flash-era clips; the audio track is what this tool pulls out |
| Property | Value |
|---|---|
| Developer | Apple Inc. — AIFF published Jan 1988, AIFF-C added Aug 1991 |
| Based on | Electronic Arts' Interchange File Format (IFF) |
| Container | Chunk-based; FORM header reads AIFC (vs AIFF for plain AIFF) |
| Distinguishing chunk | Format Version (FVER) chunk, absent from plain AIFF |
| Sample data | PCM 16-bit big-endian by default here; container can also hold µ-law, A-law, or ADPCM |
| Byte order | Big-endian by default; little-endian written as the sowt variant (no actual compression) |
| Lossless when used with PCM? | Yes — PCM in AIFF-C is bit-for-bit uncompressed, same as AIFF |
| Best for | Apple/macOS and pro-audio pipelines (Logic Pro, Pro Tools) that expect an AIFF-C/PCM input |
sowt layout, or A-law / µ-law if a specific Apple workflow expects it.No. Although AIFF-C can hold compressed audio, the default here is PCM 16-bit Big Endian, so the output is uncompressed audio in an AIFF-C container. Expect a file roughly the same size as an AIFF of the same bit depth, sample rate, and length — wrapping PCM in AIFC does not shrink it. In our testing, a 16-bit/44.1 kHz stereo extract ran about 10 MB per minute of audio, the same as the equivalent AIFF.
No. FLV soundtracks are normally MP3 or AAC, which are lossy. Converting to AIFC produces a lossless copy of the already-decoded audio; it cannot rebuild detail removed during the original Flash-era encode. You get a faithful, large copy of lossy audio — not a higher-fidelity master.
Structurally, AIFF-C adds a compression-type field to the Common chunk and a Format Version (FVER) chunk, and its FORM header reads AIFC instead of AIFF. Because this converter outputs PCM either way, the practical difference is mainly the container tag. If you want the plain uncompressed format, use FLV to AIFF instead.
If the goal is a small, shareable file, keep it as MP3. When the FLV's audio stream is already MP3, FLV to MP3 can copy it out close to the original with little or no re-encoding — far smaller than AIFC. Choose AIFC only when a macOS or pro-audio tool specifically needs an uncompressed AIFF-C/PCM input to work with.
Yes. Adobe Flash Player reached end of life on December 31, 2020, but that retired the browser plugin, not the file format. The FLV container is still readable, and this converter uses ffmpeg-based decoding to pull the MP3, AAC, Nellymoser, Speex, or ADPCM audio stream out — no Flash runtime required.
On macOS, QuickTime Player, the Music app, and DAWs such as Logic Pro and Pro Tools handle AIFF-C natively. On Windows and Linux, VLC and the audio editor Audacity open AIFC files. If a player rejects it, converting to a more universal format usually resolves playback.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.