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Supports: FLV
FLV (Flash Video) is the container that carried web video through the 2000s, before Adobe ended Flash Player support on December 31, 2020 and the format fell out of use. This page rescues a single still frame out of an old .flv clip and saves it as AVIF — the modern, royalty-free image format built on the AV1 codec. It is frame extraction, not animation: you get one photo (or several separate stills), never a moving file.
.flv clip onto the page, or click "+ Add Files". You can queue several archived clips and grab a frame from each.The honest constraint with FLV is resolution. Most Flash-era clips were encoded small for slow connections — Sorenson Spark or VP6 footage at roughly 320x240 to 640x480 was typical, and only later FLV files (H.264) reached 720p. AVIF compresses that frame efficiently and can hold its detail, but it cannot invent detail that was never recorded. A soft, blocky FLV frame becomes a soft, blocky AVIF — just in a smaller, more modern file. Set expectations accordingly: this is for archiving and sharing what exists, not upscaling.
A few settings choices that matter on this kind of source:
If you need the moving clip rather than a still — to actually watch or re-share it — frame extraction is the wrong tool; convert the whole file with the FLV to MP4 converter instead. FLV files recovered from old hard drives or download caches are also frequently truncated or partially corrupted, which can stop the converter from seeking to the timestamp you typed. If a clip refuses to load or always returns a blank frame, try grabbing the very first second, or repair the file in a desktop tool before extracting.
Just one frame. This tool seeks to the timestamp you set in "Time (seconds)" and saves that single still as an AVIF image — there is no animation in the output. If you want every frame as a separate still, switch to "Multiple Screenshots" and set a capture rate; if you want the moving video, convert FLV to MP4 instead.
Because the source is. FLV was the web-video format of the Flash era, and most clips were encoded small — commonly 320x240 to 640x480 with Sorenson Spark or VP6, with only later H.264 files reaching 720p. AVIF stores that frame in a smaller, modern file and preserves its detail well, but no format can add resolution that was never captured. Keep "Image resolution" on "Keep original" and "Quality Preset" on "Very High" to retain everything the original frame holds.
In current browsers, yes — AVIF is supported in Chrome 85+, Firefox 93+, Safari 16.4+ and Edge 121+, roughly 93% of global browser usage per caniuse. Desktop apps lag: Windows Photos needs the free AV1 Video Extension, and some older photo viewers still cannot open AVIF. If you need a file that opens anywhere, grab the frame as JPG or PNG instead.
For most uses, yes. In our testing, a single 480p FLV frame saved as AVIF at "Very High" came out noticeably smaller than the same frame as a high-quality JPEG, with fewer blocking artifacts around edges. The trade-off is compatibility: JPEG opens in literally everything, while AVIF still trips up some older desktop software. Choose AVIF for size and web use; choose JPG when the file has to open on an old machine.
For sharing, usually yes. Both use modern video-codec compression, but AVIF is royalty-free — it comes from the Alliance for Open Media and uses the AV1 codec published in 2018 under an open patent license — and it is far more broadly supported on the web. HEIC renders natively in only about 14% of browsers, essentially Safari alone, because of HEVC patent licensing. AVIF also supports 10- and 12-bit color, so it preserves a wide-gamut frame well.
Your file is uploaded over an encrypted connection and the frame is extracted on our servers — there is no sign-up and no watermark. Uploaded files and their results are deleted automatically a few hours after conversion, and are never shared or made public.