Initializing... drag & drop files here
Supports: GIF
Read this first, because it is the thing every other GIF-to-AVIF page glosses over: this conversion produces a still image. Our converter routes GIF to AVIF through the still-image pipeline, so a static GIF becomes a single AVIF picture, and an animated GIF is flattened to its first frame. That is genuinely useful when you want a modern, far smaller image out of a GIF — a logo, a diagram, an old web graphic, a screenshot someone saved as a GIF, or a poster frame lifted from an animation. It is the wrong tool if the motion is the point; the section below lists what to use instead. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared or made public.
| Property | GIF | AVIF |
|---|---|---|
| Defined by | CompuServe — GIF87a in 1987, GIF89a in 1989 | AOMedia; the AV1 Image File Format specification reached v1.0.0 in February 2019 |
| Compression | LZW, lossless, over an indexed palette | AV1 intra-frame coding; lossy or lossless |
| Container | Its own chunked format | ISO base media (HEIF-style) box structure |
| Colour | 256 colours per frame, chosen from a palette | Up to 12 bits per channel, plus HDR and wide-gamut signalling |
| Gradients | Visible banding is inherent to a 256-colour palette | Smooth — this is AVIF's clearest practical win |
| Transparency | 1-bit: a pixel is fully opaque or fully clear, so edges look jagged | Full alpha channel, so anti-aliased and partially transparent edges survive |
| Animation | Yes, natively | The format supports image sequences, but this converter does not produce them |
| Browser support | Universal, including email clients and legacy WebViews | Roughly 95% of global traffic — Chrome 85+, Firefox 93+, Safari 16.4+, Edge 121+, iOS Safari 16+ |
| Progressive display | Yes, via interlacing | No — the file has to arrive before it renders |
| Best for | Maximum compatibility and anything that must animate | Modern web delivery of detailed, colourful, or gradient-heavy stills |
<picture> element with a fallback for the small share of clients that still cannot decode AVIF.<video autoplay loop muted playsinline> for an inline loop.| Control | Choices | Arrives on | Notes |
|---|---|---|---|
| Quality Preset | Highest, Very High, High, Medium, Low, Very Low, Lowest | Very High (Recommended) | Very High is visually transparent for almost any GIF-sourced frame, because a 256-colour source gives the encoder very little to throw away |
| Specific file size | A target in Bytes, Kilobytes, or Megabytes, with an Auto Scale option | 8 MB when you switch to it | Use this when the image must fit a hard byte budget; Auto Scale lets the encoder reduce dimensions to reach the target |
| Image resolution | Resolution Percentage, Keep original, Preset Resolutions (4320p down to 16P), Width, Height, Width x Height | Keep original | The Width and Height options preserve aspect ratio; Width x Height does not |
Two notes that matter more than the settings. First, there is no Lossless switch on this page — that control belongs to WebP output — so AVIF here is the lossy encoder driven by your Quality Preset. Because a GIF only ever held 256 colours to begin with, a high preset loses nothing a viewer will notice. Second, transparency survives: AVIF carries a proper alpha channel, so a GIF with a transparent background comes out transparent, and the hard 1-bit edges GIF forced on you are stored faithfully rather than being flattened onto a colour.
If your AVIF barely shrinks, the source was probably already tiny or made of a handful of flat colours. AVIF's container carries a fixed overhead, and on a 5 KB flat-colour graphic that overhead can cancel out the compression gain. AVIF's advantage grows with detail, colour count, and gradient content.
No. This page produces a single still AVIF from the GIF's first frame. The AVIF format itself can hold image sequences, but this converter runs GIF to AVIF through the still-image path, which is the right behaviour when you want a poster frame and the wrong one when you want motion. To keep the animation, use GIF to APNG for a frame-accurate image, GIF to MP4 for the smallest playable file, or Compress GIF to stay in the format.
The first one. There is no frame-picker on this page, so whatever your GIF displays at the moment it starts is what you get. If the animation opens on a blank card, a fade, or a title before the real content, the AVIF will faithfully contain that. In that case, convert to GIF to MP4 first and grab the frame you actually want from the video.
Yes, and for a still image this is the single biggest practical gain. GIF quantises every frame down to at most 256 palette entries, which is what produces the stair-stepping you see across skies, skin tones, and drop shadows. AVIF stores up to 12 bits per channel with HDR and wide-gamut signalling, so those gradients stay smooth. The caveat is that AVIF cannot undo banding already baked into the GIF — it stops new banding being added, and it preserves whatever smoothness the source still had.
Yes. AVIF supports a full alpha channel, so transparent pixels stay transparent — nothing is flattened onto a background colour. You also gain headroom for the future: AVIF can express partial opacity and anti-aliased edges, whereas GIF's transparency is strictly 1-bit, which is why GIF logos so often have a ragged fringe when placed on a background that is not the colour they were matted against.
Usually because the source GIF was small or made of flat colour. AVIF carries a fixed container overhead, and on a tiny few-colour graphic that overhead offsets the compression win — LZW over a 16-colour palette is genuinely efficient at that scale. AVIF pulls ahead as the image gets larger, more detailed, and more colourful. If you need a specific size regardless, switch to Specific file size and set the target explicitly.
Browsers covering roughly 95% of global traffic decode still AVIF: Chrome from 85, Firefox from 93, Safari from 16.4, Edge from 121, and iOS Safari from 16. Internet Explorer and Opera Mini never will. Desktop application support is thinner than browser support — some older image editors and viewers still cannot open an .avif — so for a file that has to be readable by any tool, GIF to PNG is the safer target, or convert the result afterwards with AVIF to PNG.
It depends entirely on whether the motion matters. If the file must keep animating and must work everywhere — email, chat stickers, legacy WebViews — Compress GIF is the right answer, because it shrinks the file without leaving the format. If you only need one representative image and you control where it is displayed, AVIF gives you a dramatically smaller still with real colour depth and smooth alpha. They solve different problems; the animation question decides it.
AVIF supports both, but this page uses the lossy encoder driven by the Quality Preset — there is no lossless switch here. In practice that distinction matters far less for a GIF source than it would for a photograph, because your source was already reduced to 256 colours and the encoder has very little detail left to discard. At the Very High preset the result is visually indistinguishable from the GIF frame it came from.