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Supports: GIF
This page walks through turning an animated (or single-frame) GIF into a VOB — the MPEG-2 program stream that lives inside a DVD-Video disc's VIDEO_TS folder. What you get back is a clip a DVD-authoring project can ingest, not a finished burnable disc, and this tutorial is blunt about which settings change the result and which ones MPEG-2 quietly ignores. If the clip is actually headed for the web, a phone or a chat app, GIF to MP4 is the tool you want instead.
.gif onto the page or click "Add Files" to browse. Several GIFs can be queued at once, and each one is converted with the same settings..vob. Files are uploaded over an encrypted connection, processed on our servers and deleted automatically after a few hours — no sign-up, no watermark, never shared.MPEG-2 is the codec DVD players expect, and it is what this page selects by default (MPEG-1 is the only alternative, tucked under the advanced Video Codec control). MPEG-2 has no constant-quality mode of the kind H.264 and H.265 use, so the three File Compression modes do not behave the way they do on a modern target. Our encoder also enforces a resolution-derived minimum bitrate, because mpeg2video simply fails to encode when the target is set too low for the frame size.
| File Compression mode | What MPEG-2 actually does with it |
|---|---|
| Quality Preset (default) | Scales a bitrate target from the source clip, then raises it to the resolution minimum whenever it lands below it. |
| Constant Quality | There is no CRF in MPEG-2, so this falls back to the resolution-derived minimum bitrate. |
| Constraint Quality | The Max bitrate you type is replaced by that same resolution-derived minimum. |
Because of that floor, the setting that genuinely changes the output size is Video resolution. These are the minimums our pipeline enforces, derived from the frame size at a 30 fps assumption:
| Output frame size | Minimum MPEG-2 bitrate we enforce |
|---|---|
| 720 x 480 / 720 x 576 (DVD) | 2 Mbit/s (the absolute floor) |
| 1280 x 720 | about 2.8 Mbit/s |
| 1920 x 1080 | about 7.5 Mbit/s |
| 2560 x 1440 | about 16.6 Mbit/s |
| 3840 x 2160 | about 44.8 Mbit/s |
For a real disc, match the DVD-Video frame size for your region before converting, so your authoring tool does not have to rescale:
| Disc standard | Frame size | Playback rate | Where it is used |
|---|---|---|---|
| NTSC | 720 x 480 | 29.97 fps | North America, Japan |
| PAL | 720 x 576 | 25 fps | Most of Europe, Australia |
.vob is not a DVD. A playable disc needs the whole VIDEO_TS folder — the .IFO navigation file and its .BUP backup alongside the VOB. Feed this file to DVD-authoring software (DVDStyler, DVD Flick) and let it build that structure.VOB is worth targeting only when something downstream genuinely needs DVD-Video: an authoring project, a set-top player, or old capture hardware. No mainstream browser plays a raw .vob inline, phones need a third-party player, and MPEG-2 costs several times the bytes of H.264 for the same picture. If the clip is bound for the web, social or messaging, convert straight to MP4. If you want a plain MPEG program stream rather than the DVD-specific flavour, use GIF to MPEG. And if you already have a .vob you need to modernise, VOB to MP4 goes the other way.
It keeps its motion. A GIF is decoded through ffmpeg's GIF demuxer, which treats it as a sequence rather than a still, so every frame is encoded in order and the source timing is carried over. A looping GIF becomes a clip of the same length. Because the GIF already carries its own frame timing, the per-image Duration and Merge strategy controls that appear for still-photo sources are hidden here — there is nothing for them to do. A single-frame GIF simply produces a very short still clip.
No. A GIF has no audio to carry over, and our image-to-video path deliberately writes no audio stream rather than muxing a silent one. The VOB container itself can hold AC-3, DTS, MP2 or LPCM audio, but only if the source supplies it. Add narration or music afterwards in a video editor or in your DVD-authoring tool, which is also where the audio has to be encoded to a DVD-legal codec.
Not on its own. The .vob is the payload; a playable disc also needs the navigation files (VIDEO_TS.IFO and VIDEO_TS.BUP) inside a VIDEO_TS folder, plus a legal audio track. Authoring software takes your VOB, builds that structure, and hands the result to a burner. Treat this conversion as the "prepare the clip" step of the workflow, not as a one-click disc maker.
Use your region's DVD-Video frame size: 720 x 480 for NTSC or 720 x 576 for PAL. DVD-Video is a standard-definition format, so those are the sizes a set-top player expects, and setting them here saves your authoring tool a rescale. Enter them under Video resolution → Width x Height. If you only want an MPEG-2 file to play on a computer, leave Video resolution on Keep original — pushing a small GIF up to 720 lines only enlarges the pixels it already had.
Two reasons stack up. MPEG-2 predates H.264 by roughly a decade and needs far more bits for the same picture, and our encoder will not emit an MPEG-2 stream below the resolution-derived floor in the table above (2 Mbit/s at DVD sizes) because the encoder fails outright at lower targets. On top of that, DVD-Video itself caps the combined video-plus-audio rate at roughly 10 Mbit/s, so a disc-bound clip lives in a fairly narrow band. If size is what matters, MP4 will be several times smaller.
They are filled with the Background Color, which defaults to White on this page, and the dropdown offers a palette of named colours including Black if you want the classic look. No video format can store an alpha channel, so the choice is only ever which colour replaces the transparency — the flattening happens before the MPEG-2 encode, so soft transparent edges are baked in at that point.
Rarely. MPEG-1 is offered under the advanced Video Codec control and is the older, Video-CD-era codec; MPEG-2 is what DVD-authoring software and set-top players are built around, which is why it is the default here. Pick MPEG-1 only when a specific tool or piece of legacy hardware asks for it by name.
Less than you would expect. On an MPEG-2 target the preset scales a bitrate target rather than a quality index, and whatever it produces is then raised back up to the resolution floor if it falls below it — which, at DVD frame sizes, it usually does. Lowering the resolution is what actually shrinks the file. If you want fine-grained size control, you want a modern codec: convert to MP4 instead.
It is uploaded over an encrypted connection, converted on our servers and deleted automatically after a few hours, along with the VOB we produced. Nothing is published, shared or indexed, there is no sign-up, and no watermark is added to the output.