HEIC to MPEG Converter

How to Convert HEIC to MPEG Online

1. Upload Your HEIC Files: Drag and drop or click "Add Files" to select HEIC photos straight from iPhone, iPad, or a Mac Photos export. Drop in a single still, a Live Photo's key frame, a burst sequence, or hundreds of HEICs to assemble into an MPEG slideshow or timelapse. Batch is supported — drop in an entire folder.
2. Pick a Video Codec and Quality Preset: Default is MPEG-2 — the codec the .mpeg / .mpg container was built around and the one DVD players, set-top boxes, and legacy hardware actually decode. Switch to MPEG-1 for VCD-era compatibility (older players, some embedded systems), MPEG-4 / Xvid / DivX for slightly newer legacy targets, or H.264 / H.265 if your destination accepts them inside an MPEG container. Pair with MP2 audio (DVD/broadcast standard) or MP3 / AC-3 / AAC for downstream players. Quality presets range Lowest to Highest, target a specific file size in MB, or set a bitrate directly (4 Mbps default for DVD-grade output).
3. Set Image Duration, Resolution, and Background Color (Optional): Choose how long each HEIC displays — from 1/60 second (60 fps timelapse) up to 10 seconds for a slow photo show. Pick a resolution preset (240P, 360P, 480P / DVD NTSC, 576P / DVD PAL, 720P, 1080P default, up to 2160P / 4K and 4320P / 8K) or social-ready aspect ratios (1080×1920 vertical, 1080×1080 square, 1920×1080 landscape). Set a background color from 24 named choices (black is the default for letterboxing iPhone's 4:3 frames into a 16:9 MPEG output). Use Image Drop Frames to take every 2nd through 10th frame from a long burst, or Video Trim to cap output start time and duration.
4. Convert and Download: Click Convert. Files process in your browser session and download as a single .mpeg file — no sign-up, no watermark, no cap on the number of input HEICs.

Why Convert HEIC to MPEG?

HEIC (High Efficiency Image Container) is Apple's default still-image format on every iPhone since the iPhone 7 / iOS 11 (2017). MPEG (.mpeg / .mpg) is an MPEG program stream — the legacy video container that DVD players, set-top boxes, older smart TVs, dashcams, broadcast equipment, and a lot of industrial / digital-signage hardware were built to play. Converting HEIC → MPEG turns Apple's modern image format into the format those legacy players actually accept:

• DVD authoring from iPhone photos — Authoring tools (DVD Studio Pro, DVDStyler, ConvertXtoDVD) want MPEG-2 program streams at 720×480 (NTSC) or 720×576 (PAL). Drop in 30-50 wedding or holiday HEICs at 4 seconds each and produce an MPEG that imports cleanly without a re-encode pass.
• Legacy DVD / Blu-ray players and set-top boxes — Many older players reject MP4 / MKV / MOV outright but happily play .mpeg from a USB stick or burned disc. MPEG-2 is the codec the DVD spec is literally built on.
• Digital signage and embedded players — Lobby screens, museum kiosks, in-store displays, and elevator monitors often run on hardware that only decodes MPEG-1 or MPEG-2. A HEIC photo loop converted to MPEG drops in without needing a player update.
• Dashcam loop replacement and CCTV archives — Some dashcam and CCTV systems write MPEG natively and only re-ingest MPEG. Converting an iPhone reference photo to MPEG keeps the archive in one container.
• Broadcast and editing systems still on MPEG — Older Avid, Edius, and broadcast playout systems standardized on MPEG-2 with MP2 audio. An MPEG slideshow drops into the timeline without a transcode.
• Sharing iPhone photos with non-Apple users on legacy devices — A relative on an older Windows machine or an aging smart TV may not have HEIF support but reliably plays MPEG. One MPEG file with 50 HEICs at 3 seconds each is a one-click solution.

If your destination is modern (web, social, phones, recent smart TVs), use HEIC to MP4 instead — MPEG is specifically for legacy / DVD / broadcast workflows. For other legacy targets, see HEIC to MPG, HEIC to VOB, or HEIC to MPEG-2.

HEIC vs MPEG — Format Comparison

Codec Choice for MPEG Output

Frame Rate and Image Duration Quick Guide

Frequently Asked Questions

Should I pick MPEG-1 or MPEG-2 for the output?

MPEG-2 is the right default — it's the codec the .mpeg / .mpg container is built around, the one DVD-Video uses, and the one set-top boxes, broadcast playout systems, and most digital-signage hardware decode in silicon. MPEG-1 is older still and has a lower bitrate ceiling (originally targeted at VCDs and 1.5 Mbps CD-ROM playback). Pick MPEG-1 only if you specifically need to play on a Video CD or a very old embedded device that explicitly rejects MPEG-2. For everything else, leave MPEG-2 selected.

Will this make a disc I can put in a DVD player?

This tool produces an .mpeg program stream — that's the video portion of a DVD-Video disc, not a full DVD image. You still need DVD authoring software (DVDStyler, ConvertXtoDVD, Apple's older DVD Studio Pro, or Final Cut's "Send to Compressor" workflow) to wrap the .mpeg in a VIDEO_TS folder, generate menus if you want them, and burn to a DVD-R. The advantage of converting here first is that the authoring tool gets a compliant MPEG-2 / MP2 stream and doesn't need to re-encode — saving time and a generation of quality loss.

What resolution should I pick for DVD-Video?

DVD-Video is locked to 720×480 at 29.97 fps for NTSC (US, Canada, Japan) or 720×576 at 25 fps for PAL (Europe, Australia, most of the rest). Pick 480P for NTSC or 576P for PAL in step 3. If you pick a higher resolution like 1080P, the .mpeg will play on computers and modern players but most DVD authoring tools will reject it or force a re-encode back down.

Will this extract the motion video from my iPhone Live Photo?

A Live Photo on iPhone is two files — the HEIC still and a paired ~1.5 second MOV / HEVC motion clip. Most apps strip the motion clip on export. If you have only the .heic, the motion clip is gone and this tool produces an MPEG from the still frame at whatever per-image duration you set. To preserve the motion, use "Save as Video" on iPhone (Photos app → share → Save as Video) or AirDrop both halves, then convert the .mov component with our MOV to MPEG tool.

Why is my MPEG file so much bigger than an MP4 of the same images?

MPEG-2 is much less efficient than H.264 (MP4's typical codec) — roughly 2-3× larger at the same visual quality — because the codec was finalized in 1995 and predates motion compensation tricks that H.264 (2003) and H.265 (2013) exploit. That's the price of universal legacy compatibility. If file size matters more than DVD-player compatibility, switch to HEIC to MP4 with H.265 selected.

How do I make a Video CD (VCD) instead of a DVD?

VCDs use MPEG-1 at 352×240 (NTSC) or 352×288 (PAL) and 1.15 Mbps. Pick MPEG-1 codec and 240P or 288P resolution. Most VCD authoring software then expects an .mpg file at that exact spec — you may need to rename .mpeg → .mpg. VCD as a target is rare in 2026, but the path is supported for legacy hardware preservation.

What audio codec should I pair with MPEG video?

For DVD-Video authoring, MP2 (MPEG-1 Audio Layer II) at 224 kbps is the safe default — it's part of the DVD spec and every authoring tool accepts it without question. AC-3 (Dolby Digital) is also DVD-spec and supports surround sound. MP3 plays on most computer-based players but is technically out-of-spec for DVD authoring. Since your source HEICs have no audio, this only matters if you plan to merge a music track with merge it with a video editor (DaVinci Resolve, Shotcut, CapCut, Adobe Premiere) after conversion.

How long will the MPEG be if I upload N HEICs?

Output duration = number of images × image duration. A 60-photo iPhone vacation album at 4 seconds each = 240 seconds (4 minutes), which fits comfortably on a single-layer DVD with room for menus and music. 1,800 burst frames at 1/30 second = a 60-second timelapse. The duration setting is per-image, applied uniformly — drag to reorder before clicking Convert.

What happens if my HEICs are different aspect ratios (portrait vs landscape)?

iPhone shoots 4:3 by default but landscape orientation, Portrait Mode, and Pro RAW all coexist in a single album. Each frame is scaled to fit inside the chosen output resolution while preserving its source aspect ratio, then padded with the background color (letterbox for tall sources in a wide DVD frame, pillarbox for wide sources in a tall frame). Black is the standard letterbox color for DVD-Video — leave the default. For uniform output, resize HEIC all images to the same dimensions before converting.