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Supports: ICO
MPEG-2 is the video coding standard behind DVD-Video and digital television — ITU-T H.262 / ISO/IEC 13818-2, published in 1996. Turning a Windows icon into it produces a short, silent clip holding one frame, which is what DVD authoring tools and older editors want when they refuse anything newer. This tutorial covers the three things that trip people up: the .mpeg2 extension itself, why the quality controls behave differently here than on an MP4 page, and how to get the file recognised by a player.
.ico onto the page or click "+ Add Files". Queue several icons if you want them in one clip.MPEG-2 predates constant-quality encoding. It has no constant-rate-factor mode at all — it is a bitrate-driven codec, and the encoder derives a minimum working bitrate from the frame size, with a floor of about 2 Mbps for any resolution. On a still-image source there is no incoming bitrate to scale from, so the Quality Preset, Constant Quality and Constraint Quality controls have nothing to act on and the encode lands on that resolution-derived rate regardless of which you choose.
| Property | ICO (input) | MPEG-2 (output) |
|---|---|---|
| What it is | Microsoft's Windows icon container | Video coding standard ITU-T H.262 / ISO/IEC 13818-2, published 1996 |
| Content | One or more still bitmaps at different sizes and depths | A coded video sequence; here, one frame held for the chosen duration |
| Size limits | 256 x 256 px per standard directory entry, where a stored 0 means 256 | Whatever output resolution you select |
| Transparency | Yes — 8-bit alpha in the 32-bit form | None; alpha is flattened onto the Background Color |
| Audio | None in the format | None in this conversion — an icon has no audio to encode |
| Where it is used | Windows shell icons, favicons | DVD-Video, ATSC and DVB broadcast, HDV tape, legacy editing suites |
| Property | Value |
|---|---|
| Container written | MPEG program stream — the same system layer that .mpg and .mpeg files use, media type video/mpeg |
| Video codec | MPEG-2; it is the only codec offered on this page |
| Audio track | None |
| Frame rate | 1 fps, because a still image needs no more |
| B-frames | Disabled — identical frames gain nothing from prediction |
| Extension caveat | .mpeg2 is not a registered container extension; renaming the file to .mpg or .mpeg is what makes players and editors recognise it |
| Program stream vs transport stream | This is a program stream, intended for file and disc storage; transport streams are the broadcast form and are what ICO to M2TS writes |
.mpeg2 extension is unusual. Rename it to .mpg or .mpeg and it will open.MPEG-2 is a poor choice for anything that will be shared or embedded — browsers do not play program streams, and the codec is decades behind on efficiency. Convert to MPEG-2 only when a DVD authoring package, a broadcast ingest path, or a legacy editor has asked for it by name, and remember that a loose stream is not a DVD: authoring software still has to build the VIDEO_TS structure and its own MPEG-2 audio. For anything else, ICO to MP4 is the sensible target, and ICO to PNG is better still if what you really wanted was a picture.
The contents are, yes. All three carry MPEG video inside an MPEG program stream, and .mpg and .mpeg are the extensions the container is normally written with. .mpeg2 is a codec name used as a filename suffix, so some software will not recognise it until you rename the file. Our ICO to MPG page writes the same stream under the conventional name.
No. DVD-Video is a directory structure — VIDEO_TS with IFO, BUP and VOB files — that authoring software assembles, applying the DVD specification's own constraints on resolution, frame rate and audio format. A standalone program stream is an input to that process, not the output of it.
Because an ICO file has no audio data of any kind; it is a directory of bitmaps. The converter writes a video stream only rather than padding the file with a silent track. Any editor can add audio when you need it.
Because the two codecs control quality differently. H.264 implements constant-rate-factor encoding, so a preset maps cleanly onto a CRF number. MPEG-2 has no equivalent — it takes a target bitrate. With a still image there is no source bitrate to scale, so the encoder falls back to the minimum rate its resolution implies, and every preset lands in the same place.
Match the destination rather than maximising. If the file feeds a DVD workflow, standard-definition frames such as 720 x 480 or 720 x 576 are what the format expects. If it is a placeholder or a test asset, leave Video resolution on "Keep original" — the icon stays sharp and the file stays small.
The first entry in the icon's directory. The decoder reads entry zero rather than looking for the largest available image, and icon editors do not agree on ordering. Re-exporting the .ico with a single size is the reliable way to control which artwork ends up in the video.
Because of how the format records dimensions. Each directory entry stores width and height in a single byte apiece, with a stored value of 0 interpreted as 256 — so 256 is the largest size a standard entry can express. PNG-compressed frames, added in Windows Vista, are what made icons at that size practical rather than bulky.
Essentially no. The last United States MPEG-2 patent expired in February 2018, and by January 2024 the patents had lapsed worldwide with the sole exception of Malaysia, where the final one is expected to run to 2035. That is why the codec ships freely in open-source tooling. It is a licensing point rather than a technical one — MPEG-2 is still far less efficient than H.264 or anything newer at the same visual quality.
It is uploaded over an encrypted connection, converted on our servers, and both the upload and the finished clip are deleted automatically after a few hours. No account is needed, nothing is watermarked, and files are never shared or made public.