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Supports: 3FR, ARW, AVIF, BMP, CR2, CR3 +30 more
This tool wraps a still picture inside an .MTS file — the camcorder spelling of the BDAV MPEG-2 transport stream that AVCHD camcorders record. The output is one motionless frame held on screen for a duration you choose: it is silent, and it does not animate your image. The honest reason to make one is to slot a still — a title card, a slate, a logo, a photograph — into an AVCHD-era editing or disc-authoring workflow that only ingests transport-stream clips. It accepts roughly three dozen image formats, from everyday JPG and PNG to camera RAW. For a modern, smaller, more widely playable still-as-video, use Image to MP4; if you only want to change image formats, Image to JPG keeps it a picture.
| Property | Value |
|---|---|
| Input group | Any still image — about 36 formats accepted |
| Everyday formats | JPG/JPEG, PNG, WebP, GIF, BMP, TIFF, AVIF, HEIC/HEIF |
| Editor / vector / misc | PSD, EPS, ICO, JFIF, PPM, plus ODG/ODD and PUB |
| Camera RAW | CR2/CR3/CRW (Canon), NEF (Nikon), ARW (Sony), DNG, RAF (Fujifilm), ORF (Olympus), RW2 (Panasonic), PEF (Pentax), 3FR, plus DCR, ERF, MOS, MRW, X3F |
| RAW handling | RAW is rendered to a viewable frame on our servers — white balance and exposure are baked in, as a RAW developer would apply them |
| Output per file | One silent video clip holding that single frame |
| Property | Value |
|---|---|
| Stands for | The AVCHD camcorder file extension for a BDAV MPEG-2 transport stream |
| Container | MPEG-2 transport stream (BDAV) |
| Default video codec | H.264 (MPEG-4 AVC); H.265, MPEG-2, MPEG-4, and Xvid also selectable |
| Audio in AVCHD | AVCHD uses Dolby AC-3 or linear PCM — but a still has no audio, so this output is silent |
| Introduced | AVCHD was launched in 2006 by Sony and Panasonic for HD camcorders |
| Twin extension | .m2ts is the same stream; camcorders write .MTS, computers and Blu-ray discs use .m2ts |
| What you get here | A bare stream file for AVCHD-era workflows — not a camera-card folder structure |
| Best modern alternative | MP4 — same H.264, smaller, plays almost everywhere |
.MTS file. No sign-up, no watermark.No. Each picture becomes one still frame held for the duration you set, so a single image plays as a frozen clip rather than moving. If you upload several photos and choose "Merge images" under Merge strategy, they are joined back to back — each shown in turn for its set duration — which is a sequence of stills, not a cross-faded slideshow with transitions. For animation you need a moving source such as a GIF or an existing video, not a still.
.MTS and .m2ts are the same BDAV transport stream. AVCHD camcorders write the file as .MTS, and the identical stream is referred to as .m2ts once it lands on a computer or a Blu-ray disc — you can rename one to the other without re-encoding. Pick MTS only when an AVCHD-era editor or authoring tool specifically expects that extension. For phones, browsers, TVs, and ordinary editors, Image to MP4 carries the same H.264 video in a smaller, far more widely supported file.
Not as a card structure. What you download is the bare transport stream — the part that lives inside an AVCHD card's BDMV/STREAM/ folder — without the playlist and clip-information files a camcorder writes alongside it. So copying it onto an SD card will not reproduce a browsable AVCHD volume that a camera or set-top player navigates. It does play in software players like VLC and imports into AVCHD-aware editors and authoring tools (such as tsMuxeR or multiAVCHD) that build the surrounding structure for you.
Leave it on the H.264 (MPEG-4 AVC) default. H.264 is the codec the AVCHD specification is built around, so it imports most cleanly into AVCHD editors and authoring templates and plays on the widest range of older hardware. H.265 makes a smaller file but is not part of the AVCHD spec and is commonly rejected by AVCHD-era tools; MPEG-2 exists mainly for legacy standard-definition transport-stream pipelines. In our testing, a single still encoded to H.264 imported into an AVCHD authoring template without a re-transcode, whereas the H.265 version was refused.
Yes. RAW files — Canon CR2/CR3, Nikon NEF, Sony ARW, Adobe DNG, Fujifilm RAF, and others — are first rendered to a standard viewable frame on our servers, applying white balance and exposure the way a RAW developer would, and that rendered frame is what gets held in the .MTS clip. The result is a normal 8-bit video frame, not a raw sensor readout, because transport-stream video has no concept of undeveloped RAW data.
Your image is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after the conversion. There is no sign-up, no watermark, and your files are never shared or made public.