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Supports: M2V
These two formats have no overlap at all. An .m2v is an MPEG-2 video elementary stream: coded picture frames with no container and, by specification, no audio. An .ogg is an audio file from Xiph.Org. Asking for one from the other means asking an encoder to write a soundtrack out of a file that has never held one, so the job fails instead of returning anything.
The short answer: do not convert the .m2v. In DVD, SVCD and broadcast workflows the audio was mastered as its own separate file and is almost certainly still next to your video. Convert that instead, and pick the Ogg codec that suits what you are doing — this page's Audio Codec list offers four, which is an unusually real choice worth making deliberately.
| Property | M2V | OGG |
|---|---|---|
| What it is | MPEG-2 video elementary stream | Xiph.Org audio container |
| Standard | ITU-T H.262 / ISO/IEC 13818-2, approved July 1995 | Ogg encapsulation, maintained by Xiph.Org |
| Carries video | Yes — this is all it carries | No |
| Carries audio | No — the specification defines video coding only | Yes — this is all it carries |
| Container layer | None; raw frames, no index, no duration metadata | Yes, with page-based framing |
| Codecs | MPEG-2 Part 2 only | Vorbis (default here), Opus, FLAC, Speex |
| Licensing | Legacy patent-encumbered technology | Patent-and-royalty-free |
| Where it comes from | DVD authoring, broadcast masters | Open-source audio, games, web audio |
| Typical companion | A separate .ac3, .mp2 or .wav holding the sound |
None needed — it is self-contained |
Find the file that genuinely holds the audio, then use the converter that matches it. Note that this page only accepts .m2v uploads, so each of these links opens the right tool for that file type.
| What you have | Where the audio actually is | Convert with |
|---|---|---|
movie.m2v and movie.ac3 |
The Dolby Digital sibling, same base name | AC3 to OGG |
movie.m2v and movie.wav |
The uncompressed LPCM sibling | WAV to OGG |
The original .mpg it was demuxed from |
Muxed inside the program stream | MPG to OGG |
A DVD title's .vob |
Muxed inside the VOB alongside the video | VOB to OGG |
Only the lone .m2v, nothing else |
Nowhere — it was never in this file | You want the picture: M2V to MP4 |
| Codec | Type | Best for | Notes |
|---|---|---|---|
| Vorbis | Lossy | General listening; the safe default | The classic Ogg codec, patent-and-royalty-free, bitstream frozen in May 2000. Selected by default here |
| Opus | Lossy | Speech, podcasts, and anything at low bitrates | Standardised by the IETF as RFC 6716; spans 6 kb/s to 510 kb/s and 8 kHz to 48 kHz. Beats Vorbis at small sizes |
| FLAC | Lossless | Archiving a master you do not want to degrade further | Formally specified in RFC 9639 since December 2024. Much larger files; pointless on already-lossy DVD audio |
| Speex | Lossy, speech only | Nothing new | Xiph states Speex "has been obsoleted by Opus" and encourages users to switch. Choose Opus instead |
.m2v in VLC and check Audio → Audio track. An empty list confirms the video is silent, so the file you need is the sibling audio file or the muxed original..ac3, .wav, .mpg or .vob onto that page. Several files can be queued to run with the same settings.Because an audio-only output needs an audio stream to encode, and a spec-correct .m2v has none. The pipeline sets the video track aside, searches for audio, finds nothing, and stops. Reproducing the same path locally on a purpose-built 720×480 MPEG-2 elementary stream gives the same result every time: the encoder reports that the output file would contain no streams, and no .ogg is written. A clear failure beats a zero-byte download that pretends to have worked.
Vorbis, unless you change it. Vorbis is preselected in the Audio Codec list, which matches what most software expects when it sees an .ogg extension. Opus, FLAC and Speex are also available in that list on this page, so you can produce an Ogg file carrying any of the four — just be aware that some older players only recognise Vorbis inside .ogg and may refuse the others.
Vorbis if the material is music or a full film mix and you are encoding at a comfortable bitrate; Opus if the content is mostly dialogue or you need small files. Opus was designed for speech and interactive audio and holds up far better at low rates, whereas Vorbis is a solid general-purpose choice at mid to high bitrates. Since DVD audio arrives already compressed as AC-3 or MP2, neither codec can recover lost detail — the goal is simply to avoid adding much more.
Usually not. FLAC is lossless, so it faithfully preserves whatever you feed it — but DVD audio has already been through a lossy AC-3 or MP2 encode, so FLAC would be preserving artefacts at a much larger file size without recovering anything. FLAC earns its place when the source is uncompressed, such as a .wav from an edit timeline. For a DVD rip, a good-quality Vorbis or Opus file gets you the same listening experience in a fraction of the space.
No. Xiph, who created it, state on the official Speex site that the codec "has been obsoleted by Opus" and that users are encouraged to switch, because Opus is better in every respect. It remains in the codec list for compatibility with old voice archives that already use it. For any new dialogue, podcast or voicemail-style recording, choose Opus.
In browsers, yes, almost everywhere: Ogg Vorbis plays in Chrome from version 4, Firefox from 3.5 and Edge from 17, and Safari reached full support in version 18.4 on both desktop and iOS after a period of partial support. That covers roughly 95% of global browser usage. Outside browsers, coverage is patchier — many hi-fi receivers, car head units and older portable players never added Ogg. If a specific device has to play the file, MP3 or M4A is the more predictable target.
Then the audio is gone and no converter can rebuild it, because it was never stored in the .m2v. Your options are to go back to the source — re-rip the DVD title or re-export from the original edit project — or accept the video without sound. If the picture is what you actually need, wrap the stream into something playable with M2V to MP4, or into an open web format with M2V to WebM.
They are uploaded over an encrypted connection, converted on our servers, and deleted automatically after a few hours. Files are never shared, published or made searchable, no account is needed, and nothing you download carries a watermark. As these sources usually come from discs, note that what you may legally do with ripped content depends on the copyright rules in your country.