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Supports: MJPEG
Motion JPEG (MJPEG) is a video format — it stores each frame as a separate, fully-compressed JPEG image and defines no audio of its own. So if your goal is to pull a soundtrack out of an .mjpeg and save it as lossless FLAC, whether you get anything depends entirely on what your file actually contains. A raw MJPEG stream is video only and yields a silent file; an MJPEG recording that was wrapped in a container alongside an audio track does have sound to extract. This page explains both cases, names the FLAC controls you'll see, and points you to the file that actually holds your audio.
MJPEG is a way of compressing video, not a combined audio-video format, and there is no single official "Motion JPEG" specification — audio handling is left entirely to whatever container wraps the frames. That produces two very different situations:
If you are unsure, just upload the file — the converter reads whatever audio stream is present and works from that. When no audio track exists, no tool can produce one; you would need the original recording that captured sound alongside the video.
| Property | Value |
|---|---|
| Type | Video codec — every frame is an independent JPEG (intra-frame only) |
| Audio | None in the codec itself; present only via a container's separate track |
| Standardization | No single universal spec; documented per container (AVI, QuickTime; RTP in RFC 2435) |
| Inter-frame compression | None — each frame is coded on its own |
| Typical compression ratio | Roughly 10:1 to 20:1 |
| Common sources | IP/security cameras, webcams, older digital cameras, non-linear editing |
| Container audio when present | Usually uncompressed PCM or low-bitrate ADPCM (old-camera recordings) |
| Strength / weakness | Frame-accurate and loss-resilient, but large for its visual quality |
| Property | Value |
|---|---|
| Full name | Free Lossless Audio Codec |
| Maintainer | Xiph.Org Foundation |
| Specification | Formally standardized as IETF RFC 9639 (Standards Track, December 2024) |
| Compression | Lossless — bit-for-bit identical to the decoded source audio |
| Licensing | Non-proprietary, royalty-free, open-source reference implementation |
| Typical size | Around half of an equivalent uncompressed WAV, with no quality change |
| Playback support | VLC, foobar2000, Winamp, modern browsers, and most current players |
| Best for | An exact, edit-ready copy of an audio track without re-introducing loss |
.mjpeg or .mjpg file onto the page, or click "+ Add Files" to choose it from your computer. You can queue several files to process with the same settings.If your MJPEG came from a camera or camcorder that also recorded sound, the audio almost always lives in the container the video was stored in — and converting that file is the reliable path:
.avi. Use AVI to FLAC to decode its audio track into lossless FLAC..mov. Use MOV to FLAC to extract that soundtrack..mjpeg stream. The container is what interleaves video and audio together.If your MJPEG file is a true elementary stream with no companion audio — typical of surveillance, webcam, and machine-vision footage — no tool can manufacture sound that was never recorded; the fix is to find the original container that captured audio. And keep one thing in mind even when audio is present: old-camera MJPEG recordings store sound as lossy ADPCM or as mono, low-sample-rate PCM, so packaging it into FLAC gives you a lossless copy of a limited source. FLAC preserves exactly what is there — it cannot add fidelity the original recording never captured, so it is a clean, edit-ready copy rather than a quality upgrade. If you only want the video in a smaller, broadly playable package, see MJPEG to MP4, which re-encodes the frames and re-attaches any audio track that is present.
The source file almost certainly has no audio track. Motion JPEG is a video-only codec, and a raw .mjpeg stream — common for IP-camera, surveillance, and webcam captures — carries no sound. There is nothing inside the file to decode, so the FLAC comes out silent. To get audio you need a file that genuinely recorded a soundtrack, which for MJPEG means a container (AVI or MOV) that held a separate audio track.
Normally no. MJPEG compresses video by storing each frame as an independent JPEG and defines no audio. Sound exists only when the MJPEG video was packaged inside a container such as AVI or QuickTime/MOV that also held an audio track — and on older cameras that track was typically uncompressed PCM or low-bitrate ADPCM. If your file is a bare stream, there is no audio to convert.
You can, but the audio usually lives in the container file rather than a bare .mjpeg. Old digital cameras and camcorders most often wrapped MJPEG video in an AVI or MOV file alongside the audio, so working from the container's own extension is more reliable: use AVI to FLAC or MOV to FLAC, which perform the same audio extraction into lossless FLAC.
No. FLAC is lossless, so it stores whatever it is given without further loss — but the audio inside an old MJPEG camera recording was captured as lossy ADPCM or as mono, low-sample-rate PCM. Converting that to FLAC produces a file that faithfully preserves the source; it cannot recover detail the original recording never had. FLAC here means a clean, exact copy for editing or archiving, not a higher-fidelity one.
MJPEG is unrelated to formats like MPEG-1 or H.264 despite the similar name. It simply applies the JPEG still-image standard to each frame so footage stays frame-independent and easy to edit, and it was never designed as a combined audio-video format. Because there is also no single official Motion JPEG specification, whether a file has sound at all depends entirely on the container — for RTP streaming, for example, the payload is defined by RFC 2435, which describes JPEG-compressed video only.
It only changes how hard the encoder works to shrink the file — not the audio quality, which is lossless at every setting. In our testing, a higher level on the 1–12 slider produces a smaller FLAC and a slower encode, while a lower number finishes faster but leaves a slightly larger file. The decoded samples are bit-for-bit identical wherever you set it, so when in doubt leave it at the default.
Your file is uploaded over an encrypted connection and processed on our servers, then deleted automatically a few hours after conversion. There is no sign-up, no watermark, and files are never shared or made public. The main practical limit on a very large MJPEG file is upload size and time, not your device.