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Supports: MJPEG
This tool pulls a single still frame out of an MJPEG (Motion JPEG) stream and saves it as a TIF — the lossless raster format built for archives, print, and precision editing rather than the web. If the frame is headed for an evidence file, a print shop, or an editor where every pixel matters, TIF is the right target; if you just need to share or post the still, JPG or PNG is usually the better pick. The short answer below, then a side-by-side so you can choose with eyes open.
| Property | TIF (this tool) | JPG | PNG |
|---|---|---|---|
| Compression | Lossless (LZW / Deflate / None) or lossy JPEG | Lossy (DCT) | Lossless (Deflate) |
| Adds loss to the grab? | No, on a lossless type — wraps the decoded frame exactly | Yes — a second JPEG pass on an already-JPEG frame | No — bit-exact from the grab onward |
| Bit depth per channel | 1, 8, or 16 | 8 only | 8 or 16 |
| Color models | RGB, CMYK, grayscale | YCbCr (RGB on export) | RGB / grayscale + alpha |
| Typical file size (SD frame) | Large | Smallest | Medium |
| Opens in a browser | No — Safari only; download to view | Yes, universal | Yes, universal |
| Best for | Archive, print, evidentiary stills, precision editing | Sharing anywhere, email, legacy apps | Web/UI graphics, annotation, lossless web stills |
Because every MJPEG frame is already a complete, independent JPEG, grabbing one is the format's natural operation — you point at a timestamp and get one picture, with no inter-frame reconstruction needed. The catch all three targets share: the camera already JPEG-compressed that frame, so none of them can restore detail the original encode discarded. TIF simply preserves the decode without adding any new loss.
.mjpeg (or .mjpg) file onto the page, or click "+ Add Files" to browse. You can queue several captures and process them with the same settings.2.100 lands on the frame at 2.1 seconds. Prefer a contact sheet? Switch to Multiple Screenshots to sample several frames and download them together as a ZIP.No — and this is the honest catch. The frame inside an MJPEG stream was already JPEG-compressed by the camera that recorded it, so it carries whatever detail and noise that capture had. On a lossless Compression Type, TIF wraps the decoded frame exactly, adding no further compression loss — but it cannot restore detail the camera's JPEG already discarded. You get a faithful, re-editable, archival-stable copy of the existing frame, not a higher-resolution or de-noised one.
Because Motion JPEG stores every frame as an independent, complete JPEG image — there is no inter-frame prediction to unwind. With codecs like H.264 or MPEG-2, a given frame may hold only the differences from neighboring frames, so the decoder has to reconstruct it. MJPEG has no such dependency: each frame already is a full picture, which is exactly why IP and security cameras, webcams, and capture pipelines use it, and why frame extraction is its native operation.
For an archival or evidentiary still, choose LZW or Deflate — both are lossless, so their decoded pixels are identical to uncompressed, and they shrink a typical 8-bit frame by roughly 30–50% while staying readable in essentially every TIFF app (Photoshop, Affinity Photo, GIMP, ImageMagick, Preview). The dropdown defaults to JPEG compression inside the TIF, which is lossy and would re-compress the frame a second time — fine if you only want a small file, but switch to LZW if losslessness is the point. Pick None for maximum compatibility with older software that chokes on compressed TIFF.
No — this tool writes one image per file. The TIFF format itself can hold several images in a single file, but here switching to Multiple Screenshots mode returns each sampled frame as its own .tif, delivered together as a ZIP — not a single multi-page TIFF. If you want one exact moment, stay on Specific Frame; if you want a few stills from across a clip, Multiple Screenshots samples at the capture rate you set.
Yes on both. TIFF was created by Aldus in 1986; the still-current TIFF 6.0 specification was finalized in June 1992 (adding CMYK, YCbCr, and JPEG compression), and Adobe maintains it after acquiring Aldus in 1994. .tif and .tiff are the same format — the only difference is the three- vs four-letter extension. If you specifically need the four-letter spelling, the MJPEG to TIFF converter outputs identical pixels with a .tiff name.
In our testing, a 640×480 frame grabbed from a typical IP-camera MJPEG and saved as uncompressed 8-bit RGB TIF landed near the raw pixel math (640 × 480 × 3 bytes ≈ 0.92 MB), dropping to roughly 0.5–0.7 MB with LZW or Deflate at zero quality loss; a 1080p frame is larger in proportion. Because TIF is uncompressed-grade and not a web format — MDN notes only Safari renders it natively and lists it among image types to avoid for web content — extract to MJPEG to JPG for anything you plan to post or email, or MJPEG to PNG for a lossless web-friendly still.
Your MJPEG is uploaded over an encrypted (TLS) connection, processed on our servers, and the files are deleted automatically a few hours after conversion. There is no sign-up, no watermark on the output, and your files are never shared or made public. The frame is captured at the video's native resolution, and you can scale it down with the Resolution Percentage or Width x Height controls before downloading.