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Supports: MJPEG
A bare .mjpeg (or .mjpg) file is a raw Motion JPEG video stream — a sequence of standalone JPEG frames, with no audio track defined inside it. So if your goal is to pull a soundtrack out of an .mjpeg and save it as WMA, there is usually nothing to pull: the output would be silent or empty. WMA (Windows Media Audio) is also a legacy target — a Microsoft format from the Windows Media Player era that most devices no longer prefer — so for new files MP3 or AAC is almost always the better choice. This page is honest about both facts: it explains why a raw Motion JPEG stream has no sound, lays out exactly what MJPEG and WMA are, and points you to the files and formats that actually serve you.
| Property | Value |
|---|---|
| Full name | Motion JPEG (M-JPEG) |
| Type | Video codec only — no audio is defined in the format |
| Compression | Intra-frame only; each frame is compressed independently as its own JPEG |
| Standardization | No single official specification — different vendors document their own variants |
Raw .mjpeg / .mjpg payload |
A concatenated sequence of JPEG frames, with no container wrapped around it |
| Typical sources | IP cameras, webcams, surveillance systems, machine vision, older digital cameras |
| Audio companion | None inside the stream; any audio rides in a container (AVI or QuickTime/MOV) |
| QuickTime variants | MJPEG-A (frames remain valid standalone JPEGs) and MJPEG-B (frames are not extractable as plain JPEGs) |
| Property | Value |
|---|---|
| Full name | Windows Media Audio (WMA) |
| Developer | Microsoft |
| First released | August 17, 1999 |
| Container | Advanced Systems Format (ASF), .wma extension |
| Licensing | Proprietary — not an open or royalty-free format |
| Codec variants | WMA Standard (≤48 kHz, stereo), WMA Pro (24-bit/96 kHz/up to 7.1), WMA Lossless, WMA Voice (mono) |
| Native support today | Windows; the core Android platform does not itself support WMA (third-party apps exist) |
| Best for | Playback inside the Windows / Windows Media Player ecosystem |
| Modern alternative | MP3 (universal) or AAC (better quality per bitrate) |
Motion JPEG applies the still-image JPEG standard to every video frame, one frame at a time, so each frame can be decoded on its own — it is, per the Motion JPEG article on Wikipedia, an "intraframe-only compression scheme" in which "frames are compressed independently of one another." That intra-frame design is exactly why MJPEG is popular for IP cameras, webcams, and surveillance: any frame is independently readable, which makes scrubbing and editing easy. It is also why there is no single official "Motion JPEG" specification — and audio is left entirely to whatever container wraps the video.
A file saved with a plain .mjpeg or .mjpg extension is a raw stream with no container around it, so there is no parallel audio track to decode and nothing to extract. The footage you watched with sound almost certainly lived inside a container — an .avi or QuickTime .mov — that wrapped the Motion JPEG video next to a separate audio track. When that container is demuxed down to a bare .mjpeg, the audio is left behind. If you run this conversion and get a silent WMA, that is not a bug in the converter — it is the raw Motion JPEG stream doing exactly what the format specifies.
.mjpeg file onto the page, or click "+ Add Files" to choose it from your computer. You can queue several files to process with the same settings.Because a bare .mjpeg file is a video-only Motion JPEG stream and holds no audio. MJPEG applies the JPEG still-image standard to each frame independently and defines no soundtrack, so there is nothing inside a raw stream to decode, and any WMA produced from it will be silent. The audio for that footage — if it was ever recorded — lived in the AVI or QuickTime container the video came from. To get sound, convert that container instead: AVI to WMA or MOV to WMA.
Start from the container's own extension. Older digital cameras commonly recorded Motion JPEG video alongside a separate audio track in an AVI container, and Apple's QuickTime stores MJPEG (as the MJPEG-A and MJPEG-B variants) the same way. According to Wikipedia, that camera audio was typically uncompressed PCM at a low sample rate, or low-demand ADPCM around 8 kHz. The AVI to WMA and MOV to WMA converters read the whole container and decode that audio track — which a bare .mjpeg lacks.
For almost everyone, MP3 or AAC is the better target. WMA is a Microsoft format first released on August 17, 1999, tied to the Advanced Systems Format container; it plays reliably on Windows but the core Android platform does not itself support it. WMA only makes sense if you specifically need a file for an older Windows Media Player setup or a device that expects .wma. If you want broad compatibility, extract to MP3 — MJPEG to MP3 follows the same logic and carries the same video-only caveat, so it too only produces sound when the source actually had an audio track.
Not in the codec itself, but the container around it can. Per the Motion JPEG article on Wikipedia, there is no document that defines a single universally recognized "Motion JPEG" format, so audio handling is delegated entirely to whatever container wraps the video. Early digital cameras recorded MJPEG video next to a separate audio track in an AVI container, and QuickTime's MJPEG-A and MJPEG-B variants rely on the container for sound. In every case the audio is a distinct stream in the container — never part of the Motion JPEG video — so you extract it by converting the container, not the bare .mjpeg.
Motion JPEG is unrelated to combined audio-video formats like MPEG-1 or H.264 despite the similar name. It simply applies the JPEG still-image standard to each frame independently — that intra-frame design is what makes any frame readable on its own for easy editing — and it was never built as a packaged audio-video format. Because there is no single official Motion JPEG specification, there is no place in the stream for a soundtrack, which is why a raw .mjpeg has none.
Then you are on the wrong tool. WMA is an audio-only format, so converting to it discards the picture. To keep the video in a broadly playable file, transcode the stream with MJPEG to MP4 instead, which re-encodes the Motion JPEG frames into an MP4 that today's players and devices open directly.
Some, yes — and the answer depends on what the source really is. If you start from a real AVI or MOV container, its audio (often PCM or ADPCM from an old camera) is decoded and re-encoded to WMA, a lossy pass that sheds a little detail; choosing a higher Quality Preset or bitrate keeps the result close to transparent for casual listening, but you cannot recover quality the original never had. A true raw .mjpeg stream, of course, has no audio to convert at all. In our testing, a genuine raw Motion JPEG stream yields a silent WMA regardless of the bitrate chosen, while a real container with an audio track produces a normal WMA at the selected quality.
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